Jazz

FIJM | Stella Cole: From Tik Tok to The Biggest Jazz Stages

by Sandra Gasana

For her first appearance at the Festival international de Jazz de Montréal, Stella Cole was accompanied by her equally talented double bassist, drummer and pianist. In front of a packed Studio TD, the New York-based American appeared all dressed in red.

After a purely instrumental first song, she took to the stage and immediately introduced her pianist in the first song, followed by the other musicians in the third and fourth. She gave her musicians space, almost in every song, to do their respective solos, while she mastered her voice perfectly.

“It’s my first time in Montreal, I haven’t seen much of the city yet, but I’ve got all day tomorrow, so if you’ve got any recommendations, I’d love to hear them,” she advises, between songs.

This singer, who became hooked on music thanks to films such as The Wizard of Oz, with which she was obsessed from the age of three, loves to perform the greatest jazz classics. Her voice is so reminiscent of the artists of the ’60s and ’70s that you sometimes feel you’re taking a musical trip back in time to New York. Her covers of “Singing in the Rain,” “It’s Magic,” and “Cry Me a River” are all brilliant, with the instruments sometimes communicating with each other.

Her second album, It’s Magic, is due for release at the end of the summer, but we were treated to one of its tracks, released the day before the show, “Till There Was You,” on Decca Records.

The lighting scheme seemed to go very well with her red outfit, shifting from red to blue, depending on the song and the mood. She alludes to the film Casablanca, which marked her youth, but my favourite moment is her rendition of “I must have done something good.”

“But I want to move here,” she joked, after an audience member offered her a bouquet of flowers after the 2nd song. Well, I must admit that her interpretation of “Perhaps” was remarkable. That said, she doesn’t move much on stage, except to let her musicians shine when she steps aside a little, but other than that, she seems a little shy. One thing’s for sure: this young brunette with a contagious smile charmed the Montreal audience, many of whom queued long and hard to get into the TD Studio free of charge.

Publicité panam
Country / Emo Rap / Folk / Rock

Francos | GreenWoodz, The Aura of a Rockstar

by Jacob Langlois-Pelletier

Despite a change of direction towards a more folksy, laid-back sound on his most recent album, GreenWoodz had promised a “wicked party” for his launch party. The promise was kept: the rapper set Studio TD alight with his new songs, not forgetting his classics.

The Mandeville native was charismatic from the outset. Sporting a leather jacket and jeans, GreenWoodz has the aura of a rockstar. And when you say rockstar, you say crowd-pleaser: from start to finish, the audience in front of the stage was singing along to every one of his songs, word for word.

The evidence is striking: he maintains a special connection with those who listen to him. The launch quickly takes on the air of a great evening with friends. Throughout the party, he engaged in countless exchanges with those present, even going so far as to descend into the room on two occasions – notably for the excellent Lucifer, from his new opus.

Alongside him were a drummer, a guitarist alternating between electric and acoustic, and Cook Da Beatz, DJ and long-time accomplice. It’s on stage that the emo-rap influence that runs through his discography is fully revealed. Melancholy, love and sadness are the order of the day.

Halfway through the set, GreenWoodz approaches the audience and sits down on a small stool. He is about to perform Tommy, a poignant tribute to a friend who left too soon. Illuminated by telephone flashlights, the 7ième Ciel rapper delivers this track masterfully, bringing to life one of the most moving moments of the evening.

Fans at Studio TD were also treated to four special guests. Shreez, Rymz, Souldia and Aswell all took to the stage to perform their respective collaborations. The latter’s appearance for their track IDGAF confirmed that local hip-hop is in very good hands with these two men.

GreenWoodz delivered a generous, vibrant and flawless show. A launch in the image of its evolution.

Brazilian / Brazilian jazz / Soul/R&B

Festival de Jazz – Brazil’s Luedji Luna Brings The Snow to Montreal

by Sandra Gasana

Despite the first snowfall of the season, this didn’t stop music lovers from coming to Studio TD to see Bahian singer Luedji Luna. Not her first time in the metropolis, but a first in this venue. “I remember when I first came to Montreal, it was for the Festival de Jazz, outdoors,” she recalls. Most of the songs were taken from her third album Bom Mesmo é Estar Debaixo d’Àgua Deluxe, with a track of the same name. Accompanied by her musicians – drums, bass, keyboards and percussion – she took to the stage wearing an electric grey dress. With her unique blend of jazz, Afro-Brazilian rhythms, soul and RnB, she offers us a Brazilian version of some of the classics that rocked our youth. She opens with Metàfora, which sounds like something straight out of the 90s, and Pele, on which she collaborated with Ethiopian artist Mereba, who wasn’t there but whose voice we heard.

She covers two classics during her show, Sade’s No Ordinary Love and a track by Brazilian artist Djavan, but adds her own touch to it. In fact, she launched the “Luedji Sings Sade” concept in Brazil. Of course, she couldn’t leave without performing the song that marked a turning point in her career, Banho de Folhas, to which she invites the crowd to dance, much to their delight.

The opening act was Glowzi, a DJ/singer accompanied by a trumpet player, and together they set the perfect mood to welcome Luedji, mixing soul, electro, RnB and jazz. They also took the opportunity to send a message of solidarity to Palestine, Darfur and the Tigray region.

Pop / rap

Francos: Tout en chanson La Presse – Evelyne Brochu, Jill Barber, Fredz et plus!

by Rédaction PAN M 360

Les Francos de Montréal se dérouleront du 14 juin au 22 juin prochain. Pour l’occasion, La Presse présente la série de spectacles « Tout en chanson La Presse ».

The Francos de Montréal run from June 14 to June 22. For the occasion, La Presse presents the “Tout en chanson La Presse” series of shows.

  • Valence – Vendredi 21 juin 2024
  • Fredz – Samedi 22 juin 2024

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Ce contenu provient des Francos et est adapté par PAN M 360.

Doom Metal

Katatonia at Studio TD

by Rédaction PAN M 360

We are all, as Oscar Wilde once so famously remarked, in the gutter. However, some of us are looking at the stars. On their latest journey Sky Void of Stars, Swedish grand seigneurs of gloom Katatonia solemnly set the stage for a nocturne both crushing and exhilarating; for it is only in the absence of stars that we can truly shine.

Carving their way from their nineties gothic-tinged doom metal to the ethereal post-metal entity they are today, the band led by founding members Jonas Renkse and Anders Nyström have always been and will forevermore be one thing—a vessel of deep emotion; shrouded in Scandinavian despair and a universal longing for salvation.

Nous sommes tous, comme l’a si bien dit Oscar Wilde, dans le caniveau. Cependant, certains d’entre nous regardent les étoiles. Sur leur dernier album Sky Void of Stars, les grands seigneurs suédois de la morosité Katatonia plantent solennellement le décor d’un nocturne à la fois écrasant et exaltant, car ce n’est qu’en l’absence d’étoiles que l’on peut vraiment briller.

Passant du doom metal gothique des années 90 à l’entité post-metal éthérée qu’il est aujourd’hui, le groupe mené par les membres fondateurs Jonas Renkse et Anders Nyström a toujours été et sera toujours une chose : un vaisseau d’émotions profondes, enveloppé du désespoir scandinave et d’un désir universel de salut.

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This content comes from Katatonia and is adapted by PAN M 360.

heavy metal

Unleash the Archers au Studio TD

by Rédaction PAN M 360

Unleash The Archers a été formé en 2007 par la chanteuse Brittney Slayes et son partenaire et batteur Scott Buchanan, alors qu’ils étudiaient à l’université de Victoria sur l’île de Vancouver en Colombie-Britannique. En mêlant l’agressivité des genres les plus extrêmes aux subtilités du heavy metal traditionnel, UTA a créé un son unique en son genre. Ils adoptent un attrait commercial qui attire les amateurs de musique de tous les types, tout en conservant un côté heavy qui reste fidèle à leurs racines death metal.

Unleash The Archers were formed in 2007 by front-woman Brittney Slayes, together with her partner and the band’s drummer Scott Buchanan, while attending the University of Victoria on Vancouver Island in British Columbia. By weaving the aggression of the more extreme genres into the intricacies of traditional heavy metal, UTA have created a sound unlike anything else in the industry. They embrace a commercial appeal that attracts music lovers of all types while maintaining a heavy edge that remains true to their death metal roots.

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Ce contenu provient de Unleash the Archers et est adapté par PAN M 360.

Electro-Pop

Le Couleur au Studio TD

by Rédaction PAN M 360

Le trio montréalais Le Couleur, créé par Laurence Giroux-Do, Patrick Gosselin et Steeven Chouinard, s’est d’abord propulsé, grâce à un son électro-pop aussi brillant que les lumières du défunt Studio 54, avec les EPs Voyage Love (2013) et Dolce Désir (2015), suivis des encensés P.O.P. (2016) et Concorde (2020). 

Avec ses performances riches et irrésistiblement dansantes, Le Couleur offre des spectacles décadents et dynamiques – pleins d’une énergie exaltante. En plus de ses 4 tournées européennes (UK, FR, IT), le trio, qui a plus de 100 dates à son actif, a fait des passages remarqués à SXSW (US), Sound City (UK), Fimpro (MX), etc.

Le Couleur a sorti son dernier album Comme dans un penthouse  le 22 septembre 2023.

Montreal trio Le Couleur, created by Laurence Giroux-Do, Patrick Gosselin and Steeven Chouinard, first rose to prominence with an electro-pop sound as bright as the lights of the now-defunct Studio 54 with the EPs Voyage Love (2013) and Dolce Désir (2015), followed by the acclaimed P.O.P. (2016) and Concorde (2020).  

With rich and irresistibly danceable performances, Le Couleur delivers decadent and dynamic shows – full of exhilarating energy. In addition to their 4 European tours (UK, FR, IT), the trio, which has over 100 dates under its belt, has made notable appearances at SXSW (US), Sound City (UK), Fimpro (MX), etc. 

Le Couleur released its last album, Comme dans un penthouse, in  September 22, 2023.

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Ce contenu provient de Lisbon Lux Records et est adapté par PAN M 360.

Neo-soul

OFF Jazz : Jacques Schwarz-Bart au Studio TD

by Rédaction PAN M 360

Jacques Schwarz-Bart a été au centre de plusieurs révolutions musicales : neo soul à côté de D’angelo et Erykah Badu, New Jazz en tant que membre fondateur de Roy Hargrove RH Factor. Il a créé deux nouveaux styles en plein essor: le Gwoka Jazz et le Voodoo Jazz, réunissant la musique jazz avec ses origines afro-caribéennes et spirituelles. L’écriture impressionniste de Jacques, son son puissant et son langage large – à la fois lyrique et angulaire – ont alimenté une présence croissante sur la scène mondiale.

Jacques Schwarz-Bart has been at the center of several musical revolutions: neo soul alongside D’angelo and Erykah Badu, New Jazz as a founding member of Roy Hargrove RH Factor. He created two new, fast-growing styles: Gwoka Jazz and Voodoo Jazz, bringing together jazz music with its Afro-Caribbean and spiritual origins. Jacques’ impressionistic writing, powerful sound and wide-ranging language – both lyrical and angular – have fueled a growing presence on the world stage.


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Ce contenu provient de OFF Jazz et est adapté par PAN M 360.

Jazz / Piano

OFF Jazz : Jeff Johnston et Carl Mayotte au Studio TD

by Rédaction PAN M 360

Jeff Johnston, deux fois nominé aux prix Juno, est pianiste de jazz et compositeur de films montréalais. Sa musique a été entendue sur de nombreux projets télévisuels et il a également mis en musique de nombreux films pour l’Office nationale du film du Canada.

Two-time Juno Award nominee Jeff Johnston is a Montreal-based jazz pianist and film composer. His music has been heard on numerous television projects, and he has also scored many films for the National Film Board of Canada.

Grand lauréat du titre Révélation Jazz Radio-Canada 2020-2021, Carl Mayotte est l’un des jeunes bassistes et jazzmen les plus en vogue au Québec et au Canada en ce moment. Ayant commencé sa carrière professionnelle à l’âge de 16 ans et complété une maîtrise en interprétation jazz à l’Université McGill, sa virtuosité et sa versatilité ont été remarquées par plusieurs musiciens et critiques comme le légendaire bassiste Alain Caron ou le Bass Magazine.

Winner of the title Révélation Jazz Radio-Canada 2020-2021, Carl Mayotte is one of the hottest young bassists and jazzmen in Quebec and Canada today. Having begun his professional career at the age of 16 and completed a master’s degree in jazz performance at McGill University, his virtuosity and versatility have been noticed by musicians and critics such as legendary bassist Alain Caron and Bass Magazine.


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Ce contenu provient de OFF Jazz et est adapté par PAN M 360.

Electronic

DJ Habibeats au Studio TD

by Rédaction PAN M 360

DJ Habibeats est un DJ, producteur et créateur de contenu basé à Los Angeles. Originaire de la Bay Area, il est DJ depuis plus de 14 ans et a effectué des résidences dans des bars et des boîtes de nuit de San Francisco et de Los Angeles. Habibeats a accumulé plus d’un million de followers sur TikTok et Instagram pour son contenu DJ, ses mashups innovants, ses séries d’échantillons musicaux et ses remixes originaux fusionnant souvent des genres de différentes cultures.

DJ Habibeats is a LA-based DJ, Producer, and Content Creator. Originally from the Bay Area, he has been DJing for over 14 years and has held residencies at bars and nightclubs across San Francisco and Los Angeles. Habibeats has accrued over 1 million followers across TikTok and Instagram for his DJ content, innovative mashups, music sample series, and original remixes often fusing genres from different cultures.

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Ce contenu provient de Grassfeed Music et est adapté par PAN M 360.

Electro-Pop

Neil Frances au Studio TD

by Rédaction PAN M 360

Neil Frances est un duo qui vient de deux mondes différents, mais leurs sons se sont unifiés en une œuvre cohérente qui jouit d’une réputation importante. Jordan Feller et Mark Gilfry se sont rencontrés en 2012, mais ce n’est que quatre ans plus tard qu’ils se sont appelés pour travailler ensemble sur des démos, qui n’étaient destinées qu’à être des supports, mais le meilleur des accidents s’est produit, et ils ont créé le duo pop, Neil Frances.

Leur EP de rêve, Took a While, sera leur premier album, et se compose de cinq pistes de danse étonnantes qui ont une mélodie après l’autre pour les gens à danser à travers le monde. la prochaine sortie est à venir.

Neil Frances is a duo that comes from two different worlds, but their sounds have unified as one cohesive work that has a significant reputation. Jordan Feller and Mark Gilfry met in 2012, but it would be four years later that they would call and work on some demos together, which were only intended to be placeholders, but the best of accidents would happen, and they would create the pop duo, Neil Frances.

Their dreamy EP, Took a While, would be their debut album, and consists of five amazing dance tracks that would have one melody after the other for people to dance to from around the world. next release is coming soon.

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Ce contenu provient de Jay Siegan Presents et est adapté par PAN M 360.

Hip Hop

Genesis Osuwu au Studio TD

by Rédaction PAN M 360

Après s’être lancé sur la scène internationale avec son premier album acclamé par la critique, Smiling with No Teeth (2021), Owusu franchit une nouvelle étape avec STRUGGLER, une exploration imminente du chaos et de l’absurdité de la vie, ainsi que de notre capacité à endurer. Alors que Smiling With No Teeth mettait en lumière la lutte contre la dépression et le racisme, STRUGGLER traite de la manière de s’en sortir. L’album s’inspire d’un ami proche qui s’est retrouvé au bord du gouffre et qui s’en est sorti, ainsi que des questions sur la vie et la beauté qu’Owusu s’est mis à contempler en lisant Waiting for Godot de Samuel Beckett et Metamorphosis de Franz Kafka.

After launching onto the global map with his critically acclaimed debut album, 2021’s Smiling with No Teeth, Owusu takes his next steps forward with STRUGGLER; an imminent exploration of the chaos and absurdity of life, and our ability to endure. Where Smiling With No Teeth uncovered the battle against depression and racism, STRUGGLER is about how to get through it. The album takes inspiration from a close friend hitting the brink and coming through the other side, in conjunction with prompted questions of life and beauty that Owusu found himself contemplating during readings of Samuel Beckett’s Waiting for Godot and Franz Kafka’s Metamorphosis.

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Ce contenu provient de Grandstand et est adapté par PAN M 360.

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