If on this ninth album, Antibes native Anthony Gonzales takes such poetic lyrical flight, it’s because it’s the soundtrack to Les Rencontres d’après minuit, the first feature film by his brother Yann, a dreamlike surrealist fable about love and sexual abandon that allows each spectator to project themselves into their own fantasies. Soundwise, the magnificent score is also a tribute to the great music of French cinema of the 1970s, and one of the most significant titles in the group’s discography.
Latest 360 Content
Album review Eastern European/Folk/Americana/Rock Turc/Rock 2025
Kallisto – Live in Montreal
By Frédéric Cardin
Album review Electronic/Experimental / Contemporary/expérimental / contemporain 2025
Drainolith – Macbeth
By Frédéric Cardin
Album review Classical/classique 2025
Kent Nagano; Philharmonisches Staatsorchester Hamburg – Brahms : Symphonies nos 3 & 4
By Frédéric Cardin
Album review Electronic/Reggae/roots/Brazilian 2025
Pachyman – Another Place
By Stephan Boissonneault
Concert review Africa/Chanson francophone/Pop/Rock
Francos | Katerine, Absolute Master of “pipi-caca-poil-bite”
By Alain Brunet
Album review Classical/classique 2025
Warhol Dervish – The Possibility of a New Work for String Quartet : Tim Brady – String Quartets nos. 3-5
By Frédéric Cardin
Interview Electronic/Jazz/Pop/psychédélique/Rock
Satosphère / Francos | Jacques Hurtubise Immersive, Visual and Sonic with Hippie Hourrah
By Alain Brunet
Concert review acadie/Americana/Pop/Rock
Francos | P’tit Belliveau, Acadia, Unfiltered at The.. Festival Square
By Marilyn Bouchard
Interview expérimental / contemporain