If on this ninth album, Antibes native Anthony Gonzales takes such poetic lyrical flight, it’s because it’s the soundtrack to Les Rencontres d’après minuit, the first feature film by his brother Yann, a dreamlike surrealist fable about love and sexual abandon that allows each spectator to project themselves into their own fantasies. Soundwise, the magnificent score is also a tribute to the great music of French cinema of the 1970s, and one of the most significant titles in the group’s discography.
Latest 360 Content
Concert review Classical/classique
Arion: Cinderella has fun and unleashes her magic
By Frédéric Cardin
Interview Caribbean/Piano
Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy
By Sandra Gasana
Concert review Classical/classique
Azrieli Prize 2026: The Four Pillars of the Temple
By Frédéric Cardin
Interview Classical/classique
Ensemble Caprice at the 9th: Dialogue with Carnatic India
By Frédéric Cardin
Interview Classical/classique
A resurrected and vocally spectacular Cinderella at Bourgie Hall
By Frédéric Cardin
Interview Caribbean
Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead
By Sandra Gasana
Interview Classical/classique
Azrieli Prize 2026 | Adrian Mocanu : ink that fades and the memory of women troubadours
By Frédéric Cardin
Interview Classical/classique
Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle
By Frédéric Cardin
Interview Classical/classique
Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying
By Frédéric Cardin
Interview
Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2026