If on this ninth album, Antibes native Anthony Gonzales takes such poetic lyrical flight, it’s because it’s the soundtrack to Les Rencontres d’après minuit, the first feature film by his brother Yann, a dreamlike surrealist fable about love and sexual abandon that allows each spectator to project themselves into their own fantasies. Soundwise, the magnificent score is also a tribute to the great music of French cinema of the 1970s, and one of the most significant titles in the group’s discography.
Latest 360 Content
Concert review Jazz
Jazz@Vue | Impressive Léno duo and the elegance of Gentiane MG
By Frédéric Cardin
Album review Pop/Club/Electronic 2026
Sophia Stel – the greatest album of all time
By Stephan Boissonneault
Concert review expérimental / contemporain/Classical/classique
Le Vivier: Judith Fliedl’s Super Ultra Violin
By Frédéric Cardin
Interview classique/Musiques du Monde
Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music
By Frédéric Cardin
Concert review Electronic/Classical/classique
Guillaume Côté bewitches the Grands Ballets and the Montreal audience
By Frédéric Cardin
Album review Rock/Pop 2026
They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II
By Stephan Boissonneault
Interview classique/Moyen-Orient / Levant / Maghreb
FMA 2026 | Amin Reihani: Making Music a Language of Peace
By Sandra Gasana
Concert review Électro
My Fierce Ignorant Step at Danse Danse: the seduction of emptiness
By Frédéric Cardin
Interview Jazz
Can You Hear the Birds ? The art of the trio according to Gentiane MG
By Alain Brunet
Album review Electronic/Classical/classique/Musiques du Monde 2026
Kaoru Watanabe – The Arch
By Frédéric Cardin
Concert review Classical/classique
Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”
By Frédéric Cardin
Album review Classical/classique 2026