Cléa Vincent has been recording singles and EPs since 2013, and has released two albums, one in 2016 (Retiens mon désir) and the other in 2019 (Nuits sans sommeil). The singer, songwriter and lyricist obviously loves samba-funk and Brazilian tropicalia, as well as Cuban son, New York salsa and Jamaican reggae. She also enjoys interviewing artists, notably on the Sooo Pop show she hosted for the web on the Trois Baudets platform. This shows her dynamism within the new Parisian scene. Tropi-Cléa 2 is the sequel to an EP of the same title and is part of a modern tradition – for three generations, French pop and chanson has been interested in the tropics, among the first in Europe for the promotion of Brazilian and West African music, to name just a few examples. Vincent has also been digging in deeper by adapting Caribbean and Latin American rhythms to songs that are, after all, very… French. There are some well-turned and well-defined rhymes, a delicate and high-pitched voice, a stylistic appropriation that’s acceptable, a certain thinness in the general execution, a sincere curiosity and openness to the music of the Global South… despite the clichés on the programme. It may not be Peru, but it’s still France that we love!
Latest 360 Content
Interview Jazz
Life is a fragrance: conclusion of the Trilogy of Scents by Jacques Kuba Seguin
By Frédéric Cardin
Interview Classical/classique/Jazz
Classica 2026 | Michel Legrand, Opera, Symphony, Jazz… Lorraine Desmarais Tells All!
By Alain Brunet
Concert review classique/Classical
CMIM 2026 | Japan Triumphs with Russian and Hungarian Music!
By Julie Thériault
Interview Electronic/Soul/R&B/Pop
SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work
By Alain Brunet
Interview classique/Jazz
Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix
By Alain Brunet
Concert review Africa
With Yatou, Noubi Brings Together Voices From Around the World
By Sandra Gasana
Interview Electronic
SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More
By Ariel Rutherford
Interview Electronic
SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival
By Félicité Couëlle-Brunet
Interview Classical/classique
The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott
By Alain Brunet
Album review Classical/classique/latino 2026
Juan Sebastian Delgado – Tangos imaginarios
By Frédéric Cardin
Interview Classical/classique
Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs
By Frédéric Cardin
Interview classique/concours/violon
Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director
By Alexandre Villemaire
Interview classique/concours/violon
The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition
By Alexandre Villemaire
Concert review Classical/classique
Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy
By Michel Rondeau
Concert review Classical/classique
A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal
By Frédéric Cardin
Interview Africa/Amérique latine/Caribbean
Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event
By Sandra Gasana
Interview classique























