Lydia Képinski can now be counted among the songwriting elite of French-speaking America. Premier juin achieves a rare expressive balance between the sensitive, the dense, the voluminous and the precise, generally deployed in the intimate, in a voice fully inhabited by a lyricist who knows the gravity of human relationships, with a bouquet of coldwave, electro-rock, post-punk, and psych-folk, all succinctly crafted by producer Blaise Borboën Léonard. This young woman is far from having had her final say, and her work promises to be enduring.
Latest 360 Content
Interview Folk/Americana/Rock/hyperpop
P’tit Belliveau Talks About His New Album, Frogs, and Income Tax
By Stephan Boissonneault
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
By Louise Jaunet
Concert review
Université de Montréal | Jean-François Rivest’s Grandiose Farewell
By Elena Mandolini
Interview classique/Jazz/Classical
OSL | Naomi Woo | Musique du Nouveau Monde
By Alexandre Villemaire
Album review classique/Jazz 2024
Nadia Labrie – Flute Passion – Claude Bolling : Suite for Flute and Jazz Piano Trio
By Frédéric Cardin
Album review Classical/classique 2024
David Jalbert – Prokofiev : Piano Sonatas vol. II
By Frédéric Cardin
Interview Rock/Electronic/Pop/Jazz
Hawa B or not Hawa B ? “sadder but better” EP answers the question !
By Alain Brunet
Concert review classique/Classical/Africa
Abel Selaocoe: the wind that blows away
By Frédéric Cardin
Album review Rock 2024