Country : Italy Label : Record Kicks Genres and styles : Electronic / Funk / Hip Hop / Soundtrack Year : 2020

MOMENTUM

· by Steve Naud

Cinematic funk is how the members of Calibro 35 describe their music. And rightly so, because since its foundation in 2007, the Italian band has been creating soundtracks for real and imaginary films. Inspired as much by the work of their illustrious compatriot Ennio Morricone as by blaxpoitation productions, these Milanese have created music rich in irresistible grooves and colourful arrangements. Used by Hollywood and sampled by rappers of the calibre of Dr Dre and Jay-Z, these have turned many heads.

With Momentum, his seventh album in their career, Calibro 35 once again create atmospheres worthy of gangster movies. There will be cops, guns, and cars. Things get off to a flying start with “Glory-Fake-Nation” and its hip hop rhythm. The impressive work of drummer Fabio Rondanini is also worth mentioning, the rhythm section he forms with the bassist Luca Cavina sets the scene on fire. Thanks to them, the vignettes created by Calibro 35 acquire a dynamic that makes them anything but decorative.

They are full of nods to the past and are also rooted in the twenty-first century. Yes, the spirit of Morricone is present throughout Momentum, but the frequent use of electronics and the presence of rappers on two of the album’s best tracks set the stage for the story Calibro 35 tells us in a fictional era, at the crossroads of retro and futurism. Enjoy with or without popcorn. 

Latest 360 Content

Meggie Lennon – My Best Self

Meggie Lennon – My Best Self

Critique Love… Critical Minerals in Montreal’s Underground

Critique Love… Critical Minerals in Montreal’s Underground

The Mars Volta – Lucro sucio; Los ojos del vacio

The Mars Volta – Lucro sucio; Los ojos del vacio

Laurence Hélie – Tendresse et bienveillance

Laurence Hélie – Tendresse et bienveillance

From Zigaz to Charlie Juste

From Zigaz to Charlie Juste

FACS, WORKS, and DahL at Quai Des Brumes

FACS, WORKS, and DahL at Quai Des Brumes

Before Sitting Down Alone at The Piano, Ingrid St-Pierre Responds

Before Sitting Down Alone at The Piano, Ingrid St-Pierre Responds

Virginia MacDonald, clarinet rising soloist with ONJM

Virginia MacDonald, clarinet rising soloist with ONJM

Lionel Belmondo , Yannick Rieu and l’OSL: Symphonic Jazz Around Brahms, Ravel and Boulanger

Lionel Belmondo , Yannick Rieu and l’OSL: Symphonic Jazz Around Brahms, Ravel and Boulanger

Djo – The Crux

Djo – The Crux

Université de Montréal: Stars shine on music’s next gen

Université de Montréal: Stars shine on music’s next gen

Bon Iver – SABLE, fABLE

Bon Iver – SABLE, fABLE

Magnificent Heiresses

Magnificent Heiresses

Stéphanie Boulay: Healing Album, Reconstruction Album

Stéphanie Boulay: Healing Album, Reconstruction Album

Joni Void wants you to ‘watch experimental films in the club’ or at La Lumière

Joni Void wants you to ‘watch experimental films in the club’ or at La Lumière

Marcus Printup at U de M: Wisdom, Generosity, Musicianship

Marcus Printup at U de M: Wisdom, Generosity, Musicianship

Pascale Picard Dives Back Into Creation

Pascale Picard Dives Back Into Creation

Dean Wareham – That’s The Price of Loving Me

Dean Wareham – That’s The Price of Loving Me

Pro Musica | Lucas Debargue, Pianistic Free Thinker

Pro Musica | Lucas Debargue, Pianistic Free Thinker

Éléonore Lagacé – Brûlez-moi vive

Éléonore Lagacé – Brûlez-moi vive

Laurence Hélie Has Found Her Name

Laurence Hélie Has Found Her Name

Quatuor Molinari and Berio, in the words of Olga Ranzenhofer

Quatuor Molinari and Berio, in the words of Olga Ranzenhofer

Tunisian Goddess Emel Presents MRA

Tunisian Goddess Emel Presents MRA

Shreez – ON FRAP II

Shreez – ON FRAP II

Subscribe to our newsletter