In the words of its Bandcamp page, Life Is Short would express itself with more maturity, singularity and versatility than Mike Shabb’s previous recordings. Set from California(cation) to Rosemont subway station, the Quebec MC’s English lyrics reveal the author’s interior beauty, but also a certain vulnerability, an astonishing candour, that doubt that precedes strength, those depressive states that are difficult to overcome, the doubled task load of racialized people, that ability to reflect on one’s own existence put into context in the ruthless human circus. Shabb concocted the nine tracks on Life Is Short together with beatmakers VNCE CARTER and Danny Ill. It was an opportunity to perfect his rap, the different rhythmic patterns in his phrasing. The whole is laid on a mix of soul/R&B, trap and even synthwave/chillwave. It should be evident that Life Is Short is more introspective than upbeat, a kind of hip-hop transition to adult life and its most crucial issues. Over the past few years, Shabb has established himself as one of the rappers best equipped to go far beyond Canadian borders. This honest, rigorous, touching, and well-executed album confirms this once again, but it doesn’t mark a major turning point.
Latest 360 Content
Album review Electronic/expérimental / contemporain/Rock 2026
Xiu Xiu – Eraserhead
By Stephan Boissonneault
Concert review Brazilian/Indigenous peoples
Nuits d’Afrique 2026 | Suraras dos Tapajós: Connecting Us to the Amazon Forest Through Music
By Juliana Cortes
Album review expérimental / contemporain/musique de film 2026
Réka Csiszér & Radwan Ghazi Moumneh – Le Révélateur
By Frédéric Cardin
Album review Experimental / Contemporary/expérimental / contemporain 2026
Chanel Beads – Your Day Will Come
By Stephan Boissonneault
Concert review classique/Classical
Lanaudière 2026 | Explosion of colours and emotions thanks to Payare, Weilerstein, Ortiz, and Shostakovich
By Frédéric Cardin
Concert review Caribbean/Jazz/Reggae
Nuits d’Afrique 2026 | Chris Combette: the groovy elegance of the Guyanese troubadour
By Frédéric Cardin
Concert review Africa/Jazz/cirque
Nuits d’Afrique 2026 I African Circus Courtesy of Kalabanté Hits Different
By Stephan Boissonneault
Interview latino/Western European/Jazz
Nuits d’Afrique 2026 | Azara, the voice of flamenco takes root in Montreal
By Frédéric Cardin
Concert review Africa/Americana/Indian Ocean
Nuits d’Afrique 2026 | The Two Enriches its Creole blues
By Sandra Gasana
Concert review
PRIMAVERA SOUND – PORTO 2026 : The Big Little Festival on a Human Scale
By Patrick Baillargeon
Interview Africa/Mandingo Blues
Nuits d’Afrique 2026 | The virtuoso balafon of Seydou Diabaté, at the heart of the Kanazoé Orkestra
By Frédéric Cardin
Concert review Africa/Mandingo Blues
Nuits d’Afrique 2026 | MTELUS Falls to Grand Lamine Touré
By Sandra Gasana
Interview Amérique latine
Nuits d’Afrique 2026 | Somos Más, A Feminine and Plural Harmonies
By Juliana Cortes
Concert review Africa/DJ set
Nuits d’Afrique 2026 | Soul of Zoo confirms his “connections” on stage
By Sandra Gasana
Interview Africa
Nuits d’Afrique 2026 | The people of Guinea, Represented by their State, Pay Tribute to the “Baobab of the Night”
By Alain Brunet
Interview Electronic























