In the words of its Bandcamp page, Life Is Short would express itself with more maturity, singularity and versatility than Mike Shabb’s previous recordings. Set from California(cation) to Rosemont subway station, the Quebec MC’s English lyrics reveal the author’s interior beauty, but also a certain vulnerability, an astonishing candour, that doubt that precedes strength, those depressive states that are difficult to overcome, the doubled task load of racialized people, that ability to reflect on one’s own existence put into context in the ruthless human circus. Shabb concocted the nine tracks on Life Is Short together with beatmakers VNCE CARTER and Danny Ill. It was an opportunity to perfect his rap, the different rhythmic patterns in his phrasing. The whole is laid on a mix of soul/R&B, trap and even synthwave/chillwave. It should be evident that Life Is Short is more introspective than upbeat, a kind of hip-hop transition to adult life and its most crucial issues. Over the past few years, Shabb has established himself as one of the rappers best equipped to go far beyond Canadian borders. This honest, rigorous, touching, and well-executed album confirms this once again, but it doesn’t mark a major turning point.
Latest 360 Content
Concert review Rock/Classical/classique/Jazz/free-rock/Experimental / Contemporary/expérimental / contemporain
QMP 2026 | Ackermann and D’Orion : the Complementarity of Extremes
By Frédéric Cardin
Concert review Classical/classique/Traditional
MÁM from Teaċ Daṁsa: The Ireland of All Dreams
By Frédéric Cardin
Album review Rock/Classical/classique/expérimental / contemporain/Experimental / Contemporary 2026
Erick D’Orion – Mes fantômes
By Frédéric Cardin
Concert review Electronic
Piknic Electronik | Egyptian Lover has the catalogue and the credentials, but…
By Julius Cesaratto
Interview expérimental / contemporain
Codes d’Accès | Battements: Geneviève Ackerman presents “Rimes défaites par le Sphinx”
By Alain Brunet
Interview afro-tech/Brazilian/Électro/Electronic/Pop
SAT / Making Time | Olof Dreijer Beyond The Knife… The Drums !
By Alain Brunet
Interview expérimental / contemporain/Classical/classique
Bozzini Quartet plays the quartets of an icon of avant-garde jazz: George Lewis
By Frédéric Cardin
Interview classique
The “Bring Your Own Wine” concerts by the Voxpopuli Quartet: where serious listening is combined with pleasure
By Frédéric Cardin
Concert review électro-minimal/Electronic/Classical/classique
Pop MTL 2026 | A Winged Victory For The Sullen… and What the Strings Leave Behind
By Marc-Antoine Bernier
Concert review expérimental / contemporain/Jazz/Hip Hop/Punk/Rock
Pop MTL 2026 I haha Laughing: Everything’s Louder in Texas
By Lyle Hendriks
Concert review Indie/Folk/Americana/Singer-Songwriter























