Unlike the rest of the population, Raccoon had a banner year in 2020 so far. After being named Radio-Canada’s Rap Revelation for 2020-2021, the Quebec artist unveils Le set up, a tight, 23-minute album. Following the release of Gentil pour un noir and the single “19-2”, which depict the raw realities of systemic racism and police brutality, one would have expected another product stemming from conscious rap. On the contrary, Raccoon abandons that approach somewhat for Le set up, an amalgam of varied lyrics served with a smoother flow than before. Raccoon hits the target less in this project, punctuated by two interludes whose relevance could be questioned. Admittedly, his flow and skilful use of franglais still demonstrate his great potential, and justify his appeal. However, it can’t be said that he’s quite come into his own on this somewhat fickle release. His skillful writing and brash tone are still in evidence on Le set up, but the productions there lack ingenuity. Still, there are a few gems here, like “Trauma Thighs” and “Univers Parallèle”, well-crafted tales in which Raccoon shows a surprising vulnerability. It’s only because we expect great things from the young Quebec rapper that this album doesn’t fully satisfy. We’re already looking forward to the next one.
Latest 360 Content
Interview expérimental / contemporain/Classical/classique
M/NM | Mystery of Clock: In search of lost time
By Frédéric Cardin
Concert review classique/Classical/Jazz/musique du monde/Traditional
28th Opus Awards Gala | 32 Trophies For The Concert Ecosystem
By Judith Hamel
Interview Classical/classique/expérimental / contemporain/Musique de création
M/NM | Mystère de l’horloge: A musical, theatrical and symbolist dive into the heart of life
By Frédéric Cardin
What to watch classique/expérimental / contemporain/Jazz/musique du monde/Musique traditionnelle
Watch the 28th Opus Awards Gala live, 3 p.m., Sunday, February 2
By Rédaction PAN M 360
Concert review Classical/classique
OSL Winter Classical Festival | Friendly Baroque Journey
By Hélène Archambault
Interview expérimental / contemporain
28th Prix Opus / Michel Levasseur, Prix Hommage, Looks Back on His Life’s Work: FIMAV
By Alain Brunet
Interview classique/Jazz/Musiques du Monde/Africa/trad québécois
28th Prix Opus / The Executive Director of The Conseil québécois de la musique Explains
By Alain Brunet
Interview classique/Classical/Jazz/musique du monde/Musique traditionnelle
28th Opus Awards / Awards Coordinator Gives Us a Tutorial!
By Alain Brunet
Interview classique
The OSL Winter Classical Festival: Harmonie Laval and the OSL Celebrate Common Roots
By Alexandre Villemaire
Interview Musical Theatre/classique/Classical
Opera McGill | The Light at the Piazza: Maestro Jonathan Monro Sheds Light on The Musical
By Alexandre Villemaire
Interview Classical/classique
The OSL Winter Classical Festival: Baroque-Style with Mathieu Lussier
By Alexandre Villemaire
Interview période moderne/Classical/classique
The OSL Winter Classical Festival: Mosaïque nordique directed by Jean-Marie Zeitouni
By Alain Brunet
Interview classique
The OSL Winter Classic Festival: The Program as Told by Simon Ouellette
By Alexandre Villemaire
Album review Folk/Americana/Chanson francophone/Pop 2025
Laura Cahen – De l’autre côté
By Alain Brunet
Album review chanson keb franco/Folk/Americana/Pop/Rock 2025
Lou-Adriane Cassidy – Journal d’un Loup-Garou
By Arielle Desgroseillers-Taillon
Concert review
Marlaena Moore soars during her Because You Love Everything release
By Stephan Boissonneault
Interview expérimental / contemporain
Montréal / Nouvelles Musiques : Ruben Zahra and Kafka’s Insect: Metamorphosis in music/video immersion
By Alain Brunet
Concert review Classical/classique