When Franco-Algerian hellraiser Rachid Taha passed in 2018, days short of his 60th birthday, the world lost a polyglot cultural provocateur par excellence, personifying the punk-rock planet implied once upon a time by The Clash. Black sheep of the Arabic-pop family and a thorn in the side of the “douce France” of Front National types, Taha made marvelous use of the resources his bi-continental identity afforded him, generating raw heat from their underlying frictions. This posthumous album sadly suggest that Taha was nowhere near out of good ideas, but one can find solace in its almost comprehensive summary of his fortes.
Latest 360 Content
Album review Classical/classique 2025
Vancouver Contemporary Orchestra; Vancouver Chamber Choir – Christopher Tyler Nickel : Mass; Te Deum
By Frédéric Cardin
Album review Classical/classique 2025
Marc-André Hamelin; Quatuor Takacs – Dvořák & Price : Piano Quintets
By Frédéric Cardin
Concert review Classical/classique
OCM: Bernstein and his “Side stories” in the spotlight
By Frédéric Cardin
Album review classique/Western European 2025
Constantinople – Nordic Lights in Persian Sky
By Frédéric Cardin
Concert review Pop/Jazz/Rock
Syncopation & Synergy: Karneef’s jazz fusion meshes with Rapallo’s corporate yacht pop
By Stephan Boissonneault
Interview Classical/classique/période moderne
Classica 2025 Presented by Marc Boucher: The Art of The Piano with Serhiy Salov and Jean-Philippe Sylvestre
By Alain Brunet
Interview Classical/classique/Pop/latino
Classica 2025 Presented by Marc Boucher: Women’s Cellos
By Alain Brunet
Interview Jazz
Classica 2025 presented by Marc Boucher: The Köln Concert String Quartet
By Alain Brunet
Album review Classical/classique 2025
Spółdzielnia Muzyczna Contemporary Ensemble / Zygmunt Krauze – Konteksty
By Réjean Beaucage
Concert review expérimental / contemporain/Classical/classique
Le Vivier: many skills, few surprises
By Frédéric Cardin
Interview Electronic/expérimental / contemporain