When Franco-Algerian hellraiser Rachid Taha passed in 2018, days short of his 60th birthday, the world lost a polyglot cultural provocateur par excellence, personifying the punk-rock planet implied once upon a time by The Clash. Black sheep of the Arabic-pop family and a thorn in the side of the “douce France” of Front National types, Taha made marvelous use of the resources his bi-continental identity afforded him, generating raw heat from their underlying frictions. This posthumous album sadly suggest that Taha was nowhere near out of good ideas, but one can find solace in its almost comprehensive summary of his fortes.
Latest 360 Content
Concert review Rock/Experimental
FIJM 2026: Yoo II Avec Nolan Potter Brings Krautrock Madness to JazzFest
By Stephan Boissonneault
Concert review expérimental / contemporain/Traditional
FIJM 2026 I Tanya Tagaq Summons the Spirits
By Stephan Boissonneault
Interview Jazz
FIJM 2026 | A Love Supreme played straightforward by Isaiah Collier’s Quartet
By Alain Brunet
Concert review Jazz
FIJM 2026 | Kassa Overall Crumbles the Boundary Between Jazz and Hip Hop
By Harry Skinner
Concert review Jazz
FIJM 2026 | Anamaria Oramas Showcases Authentic Colombian Jazz
By Michel Labrecque
Concert review Jazz
FIJM 2026 | The Art of the Perfect Trio at Upstairs with Billy Childs
By Frédéric Cardin
Interview Jazz/Moyen-Orient / Levant / Maghreb
FIJM 2026 | Ibrahim Maalouf All The Way… With Four Pistons!
By Alain Brunet
Interview Jazz
FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival
By Michel Labrecque
Concert review Jazz
FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood
By Frédéric Cardin
Concert review Jazz