When Franco-Algerian hellraiser Rachid Taha passed in 2018, days short of his 60th birthday, the world lost a polyglot cultural provocateur par excellence, personifying the punk-rock planet implied once upon a time by The Clash. Black sheep of the Arabic-pop family and a thorn in the side of the “douce France” of Front National types, Taha made marvelous use of the resources his bi-continental identity afforded him, generating raw heat from their underlying frictions. This posthumous album sadly suggest that Taha was nowhere near out of good ideas, but one can find solace in its almost comprehensive summary of his fortes.
Latest 360 Content
Interview classique/Classical/Création
Opér’actuel | From Grief Comes Creation: Rachel Krehm’s Journey Through Her Opera Come Closer
By Alexandre Villemaire
Concert review Classical/classique
A star-studded season launch for Yannick and his OM
By Frédéric Cardin
Interview Classical/classique
Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau
By Frédéric Cardin
Album review Classical/classique 2026
Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy
By Frédéric Cardin
Album review Classical/classique 2026
Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos
By Frédéric Cardin
Concert review Experimental/Hip Hop
FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise
By Jake Friesen
Interview Experimental/Hip Hop
POP MTL 2026 | haha Laughing All the Way to the Bank
By Jake Friesen & Lyle Hendriks
Interview classique/Classical
The Four Seasons of Quebec: Interview with François Dompierre
By Frédéric Cardin
Interview Classical/classique