The tuba’s not the most common instrument to assemble a trio around, nor the easiest, and this one wisely favours functionality over fireworks. A frequent face amid London’s high-yield jazz scene, having worked with Makaya McCraven and Sons of Kemet among others, tubist Cross and his comrades incorporate a rousing New Orleans bump into the cosmopolitan vocabulary of their milieu on Fyah, their first full album. Cross’s playing is implacable and massive, yet steps with a conscientious lightness, a gentle-giant comportment that generously builds space and structure in, on and around which drummer Moses Boyd and saxophonist Nubya Garcia can flesh out the details.
Latest 360 Content
Interview classique/Classical
Lanaudière 2026 | Saskia Giorgini : The Italian Piano
By Pietro Freiburger
Interview classique/Classical
Lanaudière 2026 | The Romantic Exaltation of Beethoven to Tchaikovsky: Veronika Eberle Speaks to Us About It
By Alexandre Villemaire
Interview classique
Concerts au Îles du Bic – Boldness and community feeling, on the banks of the Bas-du-Fleuve
By Frédéric Cardin
Concert review latino
Nuits d’Afrique 2026 | Somos Más: A Celebration of Memory, Community, and Resistance
By Juliana Cortes
Album review Electronic/expérimental / contemporain/Rock 2026
Xiu Xiu – Eraserhead
By Stephan Boissonneault
Concert review Brazilian/Indigenous peoples
Nuits d’Afrique 2026 | Suraras dos Tapajós: Connecting Us to the Amazon Forest Through Music
By Juliana Cortes
Album review expérimental / contemporain/musique de film 2026
Réka Csiszér & Radwan Ghazi Moumneh – Le Révélateur
By Frédéric Cardin
Album review Experimental / Contemporary/expérimental / contemporain 2026
Chanel Beads – Your Day Will Come
By Stephan Boissonneault
Concert review classique/Classical
Lanaudière 2026 | Explosion of colours and emotions thanks to Payare, Weilerstein, Ortiz, and Shostakovich
By Frédéric Cardin
Concert review Caribbean/Jazz/Reggae
Nuits d’Afrique 2026 | Chris Combette: the groovy elegance of the Guyanese troubadour
By Frédéric Cardin
Concert review Africa/Jazz/cirque
Nuits d’Afrique 2026 I African Circus Courtesy of Kalabanté Hits Different
By Stephan Boissonneault
Interview latino/Western European/Jazz
Nuits d’Afrique 2026 | Azara, the voice of flamenco takes root in Montreal
By Frédéric Cardin
Concert review Africa/Americana/Indian Ocean
Nuits d’Afrique 2026 | The Two Enriches its Creole blues
By Sandra Gasana
Concert review
PRIMAVERA SOUND – PORTO 2026 : The Big Little Festival on a Human Scale
By Patrick Baillargeon
