Originally from Yorkshire and now based in South London, Emma-Jean Thackray has always known she wanted to be an artist. It was only after playing in a number of soul and jazz bands in her home region that she trained in jazz composition at university. A multi-instrumentalist, singer, and producer, Thackray is a band in her own right, as proven by Ley Lines (2018), an album co-written by Gilles Peterson and Theo Parrish, which she produced entirely. Released on the label she created, Yellow offers a rich, organic sound recorded in the studio. It could perhaps be put in the easy-listening category, thanks to particularly catchy tracks like “Say Something”; one thing is certain, it’s more accessible than her previous EP Um Yang (2020) which played in the free-jazz court. The 14 compositions conjure up names like JDilla and Fela Kuti. The band leader is an Afrobeat lover and borrows her kick-hi-hat-snare rhythmic patterns from house music, which gives her work an unstoppable groove. Seeking to stimulate both mind and body, Thackray does not hesitate to emphasize the esoteric, as illustrated by the album cover (Sun Ra is not far away), the track “Third Eye” (“Just two eyes / They don’t see the truth / They only show what it takes to survive”), or the call to prayer “May There Be Peace”. With Yellow, Emma-Jean Thackray reminds us how much music connects us to ourselves, as well as to others.
Latest 360 Content
Album review Classical/classique 2024
Orchestre du Centre national des Arts/Orchestre symphonique de Québec/Choeur Mendelssohn/Jean-Sébastien Vallée, dir. – Jacques Hétu : Symphonie no 5 op.81
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2024
Alexandre David – Photogrammes
By Frédéric Cardin
Album review Classical/classique 2024
Matthieu Lussier/Amanda Keesmaat/Christophe Gauthier – Un basson sous l’Empire : la musique d’Étienne Ozi
By Frédéric Cardin
Concert review Electronic
Igloofest 2nd Night: Wild Card with Apashe, Marie Davidson, Dileta
By Loic Minty
Interview expérimental / contemporain/Musique de création
Montréal / Nouvelles Musiques : ¡Némangerie mâchée! Voice / Video Conversation
By Alain Brunet
Concert review
First Night of Igloofest 2025: Tali Rose and Michael Bibi’s Party
By Félicité Couëlle-Brunet
Concert review classique/Classical/orchestre/période moderne
OSM | Mahler, Payare and The OSM: Between Inner Turmoil, Light and Fatality, a Powerful Evening.
By Hélène Archambault
Interview Métal/métal progressif/Rock
Voivod + OSM = Symphonic Metal! The Maestra Explains
By Alain Brunet
Interview Métal/métal progressif/Rock
Voivod + OSM = Symphonic Metal! Michel Langevin Explains
By Alain Brunet
Interview Musiques du Monde
Intimate concerts to delve into music and emotions at the Centre des musiciens du monde
By Frédéric Cardin
Interview Africa/Hip Hop/latino
KingAlexBeats, From Laval to Miami, From Local Culture to Shakira and Pitbull
By Alain Brunet
Album review Classical/classique/expérimental / contemporain/Métal/Modern music 2024
Ensemble Tikoro – Hell Chamber
By Laurent Bellemare
Album review Rock/death metal progressif/Metal 2024
Mitochondrion – Vitriseptome
By Laurent Bellemare
Interview Africa/Musiques du Monde