A happy event to be highlighted: the re-release of two out-of-print records from the ’80s and ’90s by Joëlle Léandre, queen of all queens of strings. In the first part, the contrabassist offers solid and meaningful interpretations of works by Cage, Bussotti, Scelsi, Jolas, Kanach and Druckman. Complement the programme are compositions and improvisations in which Léandre reveals herself as a rooted, virtuosic, theatrical and lyrical artist. A tribute to the emancipated contrabass.
Latest 360 Content
Interview Pop/expérimental / contemporain/Rock
Critique Love… Critical Minerals in Montreal’s Underground
By Marilyn Bouchard
Album review Jazz/expérimental / contemporain/Rock 2025
The Mars Volta – Lucro sucio; Los ojos del vacio
By Stephan Boissonneault
Interview chanson keb franco/Pop
Before Sitting Down Alone at The Piano, Ingrid St-Pierre Responds
By Marilyn Bouchard
Interview Jazz/Classical/classique
Lionel Belmondo , Yannick Rieu and l’OSL: Symphonic Jazz Around Brahms, Ravel and Boulanger
By Alain Brunet
Interview chanson keb franco/Pop
Stéphanie Boulay: Healing Album, Reconstruction Album
By Marilyn Bouchard
Interview Electronic/Experimental / Contemporary/expérimental / contemporain
Joni Void wants you to ‘watch experimental films in the club’ or at La Lumière
By Stephan Boissonneault
Interview chanson keb franco/Americana/Folk/Singer-Songwriter
Laurence Hélie Has Found Her Name
By Simon Gervais
Interview classique/Classical
Quatuor Molinari and Berio, in the words of Olga Ranzenhofer
By Alain Brunet
