Nicknamed God by many who have seen and heard him live, the pianist has thrived at ECM over the past few years. Among his recordings for the famous German label, Daylight Ghosts ranks as his most successful. Recorded with outstanding musicians Chris Speed on brass, Chris Lightcap on bass and Dave King on drums, these jazz works flirt with contemporary classical music. Moreover, the subtle use of electronic effects reinforces its modernity without perverting its foundations. Could Taborn be the Andrew Hill of the 21st century?
Latest 360 Content
What to watch Rock/Soul/R&B/Ambient/Electronic
Chauffeur et Parlak – “The Napoli Run”
By Stephan Boissonneault
Concert review indie/Pop/Soul/R&B
Arlo Parks’ infectious, festive melancholy at the Beanfield.
By Luc Tremblay
Concert review Folk/Americana/Electronic/Classical/classique/expérimental / contemporain/Jazz/indie
Montreal Anti-Jazz Police Festival at URSA – Day 1
By Frédéric Cardin
Interview classique/Classical
Piano Symphonique | Julia Mirzoev, Braden McConnell & Antoine Rivard-Landry
By Varun Swarup
Album review Rock/Psychedelia 2024
Single of the Day: Magick Brother & Mystic Sister “The Hierophant”
By Stephan Boissonneault
What to watch Caribbean/Rock
The Bolokos – feat. Fanswa Ladrezeau – Kouté Pou Tann
By Stephan Boissonneault
Album review expérimental / contemporain/Rock/Experimental / Contemporary 2024
Cell Press – Cages
By Alexander Quiquero
Concert review Classical/classique
Opera McGill Presents Semele: An Ambitious Evening with the Gods
By Elena Mandolini
Interview Electronic
In Pursuit Of Repetitive Beats Experience Strives for Human Connection through VR
By Salima Bouaraour
Album review Pop/Rock/Experimental / Contemporary/expérimental / contemporain 2024