Taken under the wing of Drake on his label OVO Sound, the Canadian duo dvsn release their third studio album, A Muse In Her Feelings. Singer Daniel Daley and his sidekick, producer Nineteen85, present a resolutely Toronto-based 16-track work. Almost an hour long, this opus counts on the participation of other established artists from the T-dot such as PARTYNEXTDOOR, Jessie Reyez and Shantel May. There’s no doubt that Toronto, home to The Weeknd and Drake, has become a global R&B capital. Their influence is palpable throughout A Muse In Her Feelings. It’s sometimes confusing, with Daley borrowing too much of Drake’s flow and The Weeknd’s falsetto intonations. Nineteen85’s productions are, as usual, focused on the rhythm of the cymbals and the velvety sound of the keyboards. The result is a monochromatic album with few highlights. If the choice of collaborators is sometimes debatable, the popular Future, Ty Dolla $ign, and Buju Banton don’t particularly leave their mark on their respective collaborative piece. However, Daley’s style does match the haunting voices of Summer Walker and Snoh Aalegra on “’Flawless’ Do It Well” and “Between Us”, perhaps the two catchiest tracks on the album. A Muse In Her Feelings is a sensual and refined work that is never unpleasant to the ear. It does not, however, convey any definite emotion to the listener, more like a diluted version of better music already released. For the time being, dvsn remain a fixture on the urban Canadian music scene.
Latest 360 Content
Interview expérimental / contemporain/Classical/classique
Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”
By Frédéric Cardin
Interview classique/Moyen-Orient / Levant / Maghreb
FMA 2026 | Amin Reihani: Making Music a Language of Peace
By Sandra Gasana
Album review Classical/classique 2026
Susan Fancher/Ināra Zandmane – Strange Lights
By Frédéric Cardin
Interview Classical/classique
Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music
By Frédéric Cardin
Concert review classique/Classical
SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music
By Pietro Freiburger
Interview
Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic
By Michel Rondeau
Interview Classical/classique/Electronic
Akousma | Les Artefacts sonores de Roxanne Turcotte
By Alexandre Villemaire
Interview Electronic/expérimental / contemporain
Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge
By Michel Rondeau
Interview Electronic/expérimental / contemporain
Akousma | Exzald S, la violence du calme
By Alain Brunet
Concert review Caribbean
Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal
By Juliana Cortes
Interview arts numériques/Classical/classique/Électronique
Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion
By Alexandre Villemaire
Interview arts numériques/Classical/classique/Électronique
Akousma | Alex Brisson et l’exploration musicale du feedback
By Alexandre Villemaire
Concert review Classical/classique
Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music
By Frédéric Cardin
Concert review Classical/classique
Arion: Cinderella has fun and unleashes her magic
By Frédéric Cardin
Interview Caribbean/Piano
Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy
By Sandra Gasana
Concert review Classical/classique























