ATSUKO CHIBA BRING THEIR NEW SOUNDSCAPES TO LE PHOQUE OFF FESTIVAL

Interview by Stephan Boissonneault
Genres and styles : Experimental Rock / Post-Rock / Prog Rock

Additional Information

“So, this is where the magic happens,” says a clean-bearded man opening up some warehouse doors. He is David Palumbo, bassist/vocalist for Montreal’s experimental post-rock group, Atsuko Chiba. We walk down a short hallway with Karim Lakhdar (the lead vocalist/ and a guitar/synth player of Atsuko Chiba) and Mothland label co-founder, Philippe Larocque, towards another set of doors. 

As they open, a vast studio space comes into our vision—filled with guitars, amps, mixers, microphones, a drum set, notebooks (probably full of song ideas), and a rack with two newer band t-shirt designs. This is Room 11, the second home of Atsuko Chiba members, where they rehearse, experiment, and create some of the most thought-provoking music to come out of Eastern Canada. 

Their latest album, Water, It Feels Like It’s Growing has been making waves on North American radio, including landing a spot on the NACC Top 5 College Radio charts. It feels like this twisting experimental rock chimera of a band is finally getting the recognition they deserve. Though, they never got into this to grab recognition.

“I agree that Water is our most accessible album,” says guitarist Kevin McDonald, at a Mothland party weeks prior. “But we definitely know that we are a niche band.”

There are a few tour posters and a pile of road cases shaped like an “L” on the floor of Room 11 and I count close to 25 cases of gear. You see, in a few minutes we will be piling into the band tour van, on our way to Atsuko Chiba’s next gig in Quebec City, for the Le Phoque Off festival. 

“It’s pretty insane that we are taking this much gear for a 25 minute set, but hey, that’s part of the Atusko lifestyle,” says drummer and projectionist, Anthony Piazza, who the band commonly refers to as “Pia.”

The drive is a quick one and I hear a few tour stories from their time hopping between the States, like the one about Atsuko members meeting two “really high guys” and being invited into their apartment to make dinner. As we listen to The Rolling Stones, I also learn about “The Room,” an inside joke when the band members metaphorically make characters they’ve met on tour meet. It’s surreal and satirical, but an excellent way to kill a few hours on the road. 

Atsuko Chiba uses projections when they play live, like many psychedelic music groups, but the difference is they program and sequence them live as well. Pia, Palumbo, and guitar/synth player, Eric Schafhauser all trigger the visuals and lights. It’s really a wonder to see live. Each member has to be so in tune with one another as there’s about a million different sounds consuming the room during a song like “Link.” 

At one point during the Le Phoque Off show, McDonald’s guitar cuts out during a transitory interlude. I think to myself, “This is it, they have to restart,” and interrupt the soundscape. But no. They all motion to one another to extend a certain noisy instrumental, making the transition seamless. Of course, this band has been around for a decade at least. And with this much gear to set up and play with, they’ve run into about every problem in the book and know how to keep the intensity going.

“Water, It Feels Like It’s Growing”

“Water, It Feels Like It’s Growing”

The show in the Le Pantoum first floor is wild and vivid. Atusko opens the show with their trip-hop meets prog rock track “Quick Infant Guilt,” immediately grabbing the attention of  Le Phoque Off concert goers, Heavy synthesizers, and Rage Against the Machine-esque vocals, it feels like Run The Jewels fronting the heavier parts of The Weather Report with a bit of The Mars Volta. Just primo stuff. 

They then play a few numbers off of Water and end with the very doom heavy outro of the title track. The whole gig is fantastic, but over too soon, and I’m not the only one who thinks so. Hearing chatter along the crowd, I hear that they are left craving more, and perhaps that’s the point. Atsuko Chiba don’t get to play “Shook (I’m Often) which seems to be the most popular on Water, so we will just have to wait for that.

But worry not. If you missed Le Phoque Off and have been devouring the new record on loop like myself, Atsuko Chiba’s album release show is March 10th. We wait in anticipation. 

Latest 360 Content

Codes d’accès, Constellations corporelles | “Assembly Line Apparitions” by Nicholas Ma

Codes d’accès, Constellations corporelles | “Assembly Line Apparitions” by Nicholas Ma

Finale Sylis d’or 2026: we present to you Zalam Kao

Finale Sylis d’or 2026: we present to you Zalam Kao

Finale Sylis d’or 2026: we present to you Tamboréal Samba Bloco

Finale Sylis d’or 2026: we present to you Tamboréal Samba Bloco

Lamia Yared: Between the Minho, Euphrates, eras and traditions

Lamia Yared: Between the Minho, Euphrates, eras and traditions

The Rich and Winding Journey of Irem Bekter

The Rich and Winding Journey of Irem Bekter

Le Vent du Nord is Coming Home… and To the Théâtre Outremont

Le Vent du Nord is Coming Home… and To the Théâtre Outremont

POP FM | The Story of a True Hitmaker, Gabriel Fredette

POP FM | The Story of a True Hitmaker, Gabriel Fredette

OSM – Yulianna Avdeeva: A Life For The Piano

OSM – Yulianna Avdeeva: A Life For The Piano

Pro Musica : Armenia, Georgia and Russia expressed through a cello/piano duet

Pro Musica : Armenia, Georgia and Russia expressed through a cello/piano duet

Triple Concerto by Jacques Hétu: finally, a real premiere!

Triple Concerto by Jacques Hétu: finally, a real premiere!

Jordi Savall: From the Old World to the New, Songs and Dances of Oppression and Also of Hope

Jordi Savall: From the Old World to the New, Songs and Dances of Oppression and Also of Hope

Flore Laurentienne, Vol 3: The River and Nature, Objects of Contemplation… Orchestral

Flore Laurentienne, Vol 3: The River and Nature, Objects of Contemplation… Orchestral

Valérie Clio Makes a Luminous Comeback with Crépuscule

Valérie Clio Makes a Luminous Comeback with Crépuscule

Mikha.elles: Latin Vibrations in Four Voices

Mikha.elles: Latin Vibrations in Four Voices

Franky Freedom: and A Second for The Glory of Quebec’s Neo-Jazz Fusion

Franky Freedom: and A Second for The Glory of Quebec’s Neo-Jazz Fusion

Esteban la Rotta: Back to the Ancient Origins of the Lute

Esteban la Rotta: Back to the Ancient Origins of the Lute

We’re talking with John Sweenie about Mysticism for Intellectuals, an album that will make the “Best of” list for 2026.

We’re talking with John Sweenie about Mysticism for Intellectuals, an album that will make the “Best of” list for 2026.

MTL Tiga brings HotLife to the dance floor

MTL Tiga brings HotLife to the dance floor

Beethoven and Brahms: First and Last Flames of Musical Passion on the 9th Floor

Beethoven and Brahms: First and Last Flames of Musical Passion on the 9th Floor

OSM | All About the 2026-2027 Season, Words From The Artistic and Musical Direction

OSM | All About the 2026-2027 Season, Words From The Artistic and Musical Direction

Zarra Back on The Starting Line

Zarra Back on The Starting Line

Eric Dion, “L’origine du vent”… and His Gaspé Songs

Eric Dion, “L’origine du vent”… and His Gaspé Songs

Jacques Kuba Séguin and the Polish Connection on tour in Canada

Jacques Kuba Séguin and the Polish Connection on tour in Canada

Gentiane MG: in sync with the world… thanks to the birds

Gentiane MG: in sync with the world… thanks to the birds

Subscribe to our newsletter