Fado

PAN M 360 AT FIJM | Ana Moura, The Queen of Fado

by Michel Labrecque

Sculptural, dressed entirely in red, Ana Moura presented herself as the queen of Portuguese fado which she is, to the acclamations of the room, largely Portuguese-speaking. 

Whether we like fado or not, this traditional Portuguese music which is the equivalent of the blues, the 44-year-old lady has a powerful, deep, extraordinary voice, which lets out deep feelings, often sadness, which is unique to the genre.

With her trio of musicians (drums, bass, Portuguese guitar), she first launched into more traditional fado, before slowly taking us into her new musical universe, more tinged with African and electronic sounds, with tones and rhythms that make the music more interesting.

After three songs, Ana Moura spoke to us, at great length, in English, a compromise language, since she explained to us in French that she does not speak French well. There are people who hate it when an artist talks too much, because it breaks the rhythm. But Ana really wanted to bring us into her world and make us understand it. 

She explained to us the genesis of her latest record Casa Guilhermina, the house which bears the first name of her grandmother, who is of Angolan origin, just like her mother. As a child, she constantly listened to Angolan Semba (not Brazilian Samba). She told us that this album is imbued with these rhythms and other regional music from Portugal, which are very important to her. 

She also dedicated a song that she wrote for Prince, yes the one from Minneapolis, who had already told her that he wanted to produce her music.

Throughout the performance, the three musicians were accompanied by synths, accordion, violin and recorded backing vocals. It’s like we’ve been treated to the low-budget version of the show.

Despite some reservations, it is difficult to doubt the authenticity of the Portuguese singer, who seeks, with other compatriots, to diversify current Portuguese-speaking music. And to share it with the planet.

My two Portuguese seatmates had bright eyes and were constantly moving. At the end of the concert, cheers rang out.

Everything was said.

Publicité panam
Publicité panam

Latest 360 Content

FIJM 2026 | Day 4 | June 28 | Modibo Keita’s Picks

FIJM 2026 | Day 4 | June 28 | Modibo Keita’s Picks

FIJM 2026 | MA:Q, a Healthy Dose of Vancouver Jazz Groove

FIJM 2026 | MA:Q, a Healthy Dose of Vancouver Jazz Groove

FIJM 2026 | Cécile Mc-Lorin Salvant Wins the Ella Fitzgerald Award During a Thrilling Concert!

FIJM 2026 | Cécile Mc-Lorin Salvant Wins the Ella Fitzgerald Award During a Thrilling Concert!

FIJM 2026 | Flore Laurentienne, The Ultimate Honor

FIJM 2026 | Flore Laurentienne, The Ultimate Honor

FIJM 2026 I The Barr Brothers say ‘thank you’ to Montreal

FIJM 2026 I The Barr Brothers say ‘thank you’ to Montreal

FIJM 2026 | June 27 | Day 3 | Modibo Keita’s Picks

FIJM 2026 | June 27 | Day 3 | Modibo Keita’s Picks

Summer 2026 at Cammac: Stéphane Tétreault, Schubert, jazz, brunch, and hypnosis on the program

Summer 2026 at Cammac: Stéphane Tétreault, Schubert, jazz, brunch, and hypnosis on the program

FIJM 2026 | Solarium: Traditional Music Through the Lens of Jazz

FIJM 2026 | Solarium: Traditional Music Through the Lens of Jazz

Suoni 2026 | Time travelling with Wendy Eisenberg 

Suoni 2026 | Time travelling with Wendy Eisenberg 

Suoni 2026 | Sunken Cages, “weird and interesting music” by Ravish Momin

Suoni 2026 | Sunken Cages, “weird and interesting music” by Ravish Momin

Suoni 2026 | Jardin botanique, bridge in the sky

Suoni 2026 | Jardin botanique, bridge in the sky

Francos 2026 | Deux albums de Pierre Lapointe magnifiés avec l’OM

Francos 2026 | Deux albums de Pierre Lapointe magnifiés avec l’OM

Suoni 2026 | Alex Motta, Mexican double bassist for all contemporary expressions

Suoni 2026 | Alex Motta, Mexican double bassist for all contemporary expressions

Atsuko Chiba – Atsuko Chiba

Atsuko Chiba – Atsuko Chiba

Suoni 2026 | Dancing on chaos with The Ex

Suoni 2026 | Dancing on chaos with The Ex

Suoni 2026 | Adrian Avendaño, all his paths for Trading Places

Suoni 2026 | Adrian Avendaño, all his paths for Trading Places

Violet Grohl – Be Sweet To Me

Violet Grohl – Be Sweet To Me

Kurt Vile – Philadelphia’s been good to me

Kurt Vile – Philadelphia’s been good to me

SUONI 2026 | Anju Singh, artist in residence from Vancouver to MTL

SUONI 2026 | Anju Singh, artist in residence from Vancouver to MTL

Cola – Cost Of Living Adjustment

Cola – Cost Of Living Adjustment

Francos 2026 I Grand Eugène, Small Dreampop Indie, Ready For Main Stage

Francos 2026 I Grand Eugène, Small Dreampop Indie, Ready For Main Stage

Francos 2026 I Zélie, jeune merveille à découvrir !

Francos 2026 I Zélie, jeune merveille à découvrir !

Suoni 2026 | Kiva Stimac explains her choices

Suoni 2026 | Kiva Stimac explains her choices

Francos 2026 | In the “Leloupsphere”… in the Dome and its aftermath

Francos 2026 | In the “Leloupsphere”… in the Dome and its aftermath

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers