Coup de Coeur Francophone | Comment Debord and Thaïs at Club Soda

by Théo Reinhardt

Comment Debord, a big family

Club Soda was more than full to the rafters as groove septet Comment Debord showed what they’re made of. It all kicked off with a jam between the two percussionists, which got the crowd excited, and finally released when the first notes of Chandail principal were heard. This is followed by a celebration of their new album Monde autour, with its rocking, laid-back and sometimes intimate tracks.

Comment Debord’s strength in concert is that they bring us right into the gang. They talk to us as if we’re not so far from being friends, as if we’ve met them before. In the middle of the show, singer Rémi Gauvin pulls a piece of paper out of his pocket with a few questions prepared to get to know the audience better: “Who here manages their eco-anxiety by microdosing mush?”, “Who plays Dungeons Dragons?”, followed by “Who had sex today?”, each question followed by a variable amount of applause, except “Who has ever smoked pot?”, which was virtually unanimous.

How Debord is this group of non-stressed and non-stressers, who know how to play good music, but don’t make a big deal of it. The knowing glances, the laughter, the numerous guitar, bass and drum solos, as well as the instrumental breaks… all good stuff. Whether you’re a young enthusiast or an old nostalgic, don’t miss your chance to see this band.

Thaïs, between aerobatics and gliding

ThaÏs, the Paris-born Montreal singer-songwriter, gave the first performance of the evening. In a sober formula, accompanied by her keyboard, synthesizer and drummer, she still managed to render her songs well. The songs have a gentle background but are enhanced by driving rhythms that sometimes lead to delectable peaks of energy.

This is warm, airy pop, on which the artist’s voice can run between words or flutter over a vowel. Between songs, Thaïs talks fast, makes spontaneous jokes, and walks the line between nervousness and adrenalin. At one point, she plays us her cover of Ariane Moffatt’s Blanche. It’s the song that sees her unfold most vocally. And she can fly high, Thaïs! We’d like to see more of this release.

Photos by Théo Reinhardt

Latest 360 Content

Classica 2026 | Michel Legrand, Opera, Symphony, Jazz… Lorraine Desmarais Tells All!

Classica 2026 | Michel Legrand, Opera, Symphony, Jazz… Lorraine Desmarais Tells All!

The Musical Rebirth of Mantisse

The Musical Rebirth of Mantisse

CMIM 2026 | Japan Triumphs with Russian and Hungarian Music!

CMIM 2026 | Japan Triumphs with Russian and Hungarian Music!

SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work

SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work

Kon-Fusion – Arriba de su Muro

Kon-Fusion – Arriba de su Muro

Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix

Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix

With Yatou, Noubi Brings Together Voices From Around the World

With Yatou, Noubi Brings Together Voices From Around the World

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Boards of Canada – Inferno

Boards of Canada – Inferno

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Duo BoMi – Du Liban au Kurdistan

Duo BoMi – Du Liban au Kurdistan

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Classica 2026 | A Brandenburg Evening with Caprice

Classica 2026 | A Brandenburg Evening with Caprice

Abdel Grooz Brings Mozaïk to A Spectacular Close

Abdel Grooz Brings Mozaïk to A Spectacular Close

The Lake : Swan song for a Fairy Tale

The Lake : Swan song for a Fairy Tale

Classica 2026 | Klezmer music in the church!

Classica 2026 | Klezmer music in the church!

Aldous Harding – Train on the Island

Aldous Harding – Train on the Island

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers