Électronique future bass / euro-disco / micro-house
Interview Pop/Électronique
SAT / Dômesicle | Marie Davidson takes on the terms and conditions
By Loic Minty
Concert review Electro/Electronic/Électro/Électronique
MUTEK | RICO X PARIA Ensemble, heritage and radical futurism
By Félicité Couëlle-Brunet
Concert review Electronic/Électronique
MUTEK | K-Phi-A – organic digital breezes and mechanofluidity
By Z Neto Vinheiras
Concert review Electronic/expérimental / contemporain/Électronique
MUTEK | Yu Su & Myriam Boucher, A Journey Without Shores
By Marc-Antoine Bernier
Album review Classical/classique/Électronique 2025
Andrew Staniland – The Laws of Nature
By Frédéric Cardin
Concert review Électro/Électronique
Art of the Line: Klangkarussell’s Euro Vision at SAT
By Loic Minty
Concert review Jazz/Classical/classique/Électronique/expérimental / contemporain/Hip Hop
African American Sound Recordings at SAT : Noise Floor
By Loic Minty
Album review Classical/classique/Électronique 2025
Molécule/Orchestre national de Lille; Alexandre Bloch, dir. – Symphonie no 1 ‘’quantique’’
By Frédéric Cardin
Concert review Chanson francophone/Electronic/Électronique/Pop
POP Montreal | And God Created Virginie B
By Alain Brunet
Album review Classical/classique/Électronique 2024
David Merrill – Golden Oranges of Mars
By Frédéric Cardin
Album review expérimental / contemporain/Électronique 2024
Kristina Warren – Three Rivulets
By Frédéric Cardin
Interview Electronic/Électronique
Mutek 2024 | Alain Mongeau and Vincent Lemieux Reveal the Highlights of the Program
By Alain Brunet
Concert review Electronic/Électronique
PAN M 360 at Nuits d’Afrique – Pahua : A Latina Tornado
By Michel Labrecque
Interview Électronique
SAT Dômesicle | Elena Colombi, a lot from the head for the body
By Alain Brunet
Interview Électronique
MUTEK 2023 | Honeydrip, a taste of electronics, afro-caribbean, chill. and more from MTL
By Alain Brunet
Interview Électronique























