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Latest 360 Content
Interview classique
Airborne strings in the Parks of Montreal with Andrei Feher and the Orchestre classique de Montréal
By Frédéric Cardin
Concert review Rock/Pop/Soul/R&B/Jazz
OSHEAGA 2026 | Blood Orange Pokes A Hole in the Clouds
By Stephan Boissonneault
Interview Indigenous peoples
Présence autochtone 2026 | We talk about the Programming with the Director
By Frédéric Cardin
Interview
Concerts aux Îles du Bic | Samaqani Cocahq Gives Voice to Wolastoq Traditions
By Jeremy Fortin
Interview Classical/classique/Electronic
Concerts aux Îles du Bic | Pierre-Luc Lecours and the Ensemble Modulaire: Between Sound, Image, and the Moment
By Chloé Rouffignac
Interview classique/Classical
Concerts aux Îles du Bic | Andrea Stewart: “We’re always creating”
By Chloé Rouffignac
Interview classique/Classical
Lanaudière 2026 | Saskia Giorgini : The Italian Piano
By Pietro Freiburger
Interview classique/Classical
Lanaudière 2026 | The Romantic Exaltation of Beethoven to Tchaikovsky: Veronika Eberle Speaks to Us About It
By Alexandre Villemaire
Interview classique
Concerts au Îles du Bic – Boldness and community feeling, on the banks of the Bas-du-Fleuve
By Frédéric Cardin
Concert review latino
Nuits d’Afrique 2026 | Somos Más: A Celebration of Memory, Community, and Resistance
By Juliana Cortes
Album review Electronic/expérimental / contemporain/Rock 2026
Xiu Xiu – Eraserhead
By Stephan Boissonneault
Concert review Brazilian/Indigenous peoples
Nuits d’Afrique 2026 | Suraras dos Tapajós: Connecting Us to the Amazon Forest Through Music
By Juliana Cortes
Album review expérimental / contemporain/musique de film 2026