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POP Montréal : Totalement Sublime, Niia et Raveen

Sat 30 Sep 2023 • 08:00 pm Electro-Pop
Le Ministère - Montréal 17,74$
· by Rédaction PAN M 360

Totalement Sublime, composé de Élie Raymond et Thomas Bruneau-Faubert (Foreign Diplomats/Frais Dispo) ainsi que de Marc-Antoine Barbier (Choses Sauvages), naît d’une envie de créer en se donnant carte blanche. Le projet électro-pop peint des environnements contemplatifs, traitant de sujets comme la fatigue, la chaleur ou encore la nostalgie. Ensemble,ils expérimentent des arrangements éclectiques, empruntant à la musique japonaise des années 80 (Yasuaki Shimizu, Ryuichi Sakamoto) ainsi qu’à l’avant-garde new-yorkaise (Philip Glass, Arthur Russell, Gray). Totalement Sublime, c’est aussi le nom d’une couleur “grège riche”de la compagnie Bétonel.

Totalement Sublime, made up of Élie Raymond and Thomas Bruneau-Faubert (Foreign Diplomats/Frais Dispo) and Marc-Antoine Barbier (Choses Sauvages), was born of a desire to create by giving themselves carte blanche. The electro-pop project paints contemplative environments, dealing with subjects such as fatigue, heat and nostalgia. Together, they experiment with eclectic arrangements, borrowing from 80s Japanese music (Yasuaki Shimizu, Ryuichi Sakamoto) as well as the New York avant-garde (Philip Glass, Arthur Russell, Gray). Totally Sublime is also the name of a “rich greige” color from the Bétonel company.

Niia – chanteuse, compositrice, multi-instrumentiste, productrice, réalisatrice et muse basée à Los Angele – apparaît et disparaît avec toute la pompe silencieuse d’un succube fantomatique ou d’une chanteuse de boîte de nuit dans un rêve lynchien à bord d’un vaisseau spatial. En même temps, elle n’est pas seulement à l’écran… Non, elle est aussi derrière la caméra, tirant les ficelles et jouant les déesses avec les émotions de quiconque serait assez curieuxe pour écouter, regarder et ressentir. Elle est à la fois complètement branchée et totalement en retrait du monde. Elle est en effet séquestrée dans son propre royaume de doutes, d’anxiétés, de désirs, de karma et d’impressions de soi.

Niia – Los Angele-based singer, composer, multi-instrumentalist, producer, director and muse – appears and disappears with all the silent pomp of a ghostly succubus or nightclub singer in a Lynchian dream aboard a spaceship. At the same time, she’s not just on screen… No, she’s also behind the camera, pulling the strings and playing goddess with the emotions of anyone curious enough to listen, watch and feel. She’s both completely plugged in and totally removed from the world. She is, in effect, sequestered in her own realm of doubts, anxieties, desires, karma and self-impressions.

Vétérans de la scène musicale montréalaise, Raveen revien au POP Montréal pour interpréter des chansons de leur deuxième album à venir en 2024. Après que la déportation du bassiste-producteur Stokely Diamantis ait mis de côté la sortie du disque, avec d’autres retards causés par la pandémie, Raveen est retourné en 2023 en studio pour mettre des touches finales au disque qu’ils ont produit en collaboration avec le batteur de BRAIDS, Austin Tufts. L’album fait suite à leur premier album de 2017, Always, qui leur a donné la chance de jouer au Festival international de jazz de Montréal, à POP Montréal, ainsi qu’à d’autres festivals et performances au Royaume-Uni et aux États-Unis.

Veterans of the Montreal music scene, Raveen return to POP Montreal to perform songs from their forthcoming second album in 2024. After the deportation of bassist-producer Stokely Diamantis put the record’s release on hold, along with other delays caused by the pandemic, Raveen returned to the studio in 2023 to put the finishing touches on the record, which they produced in collaboration with BRAIDS drummer Austin Tufts. The album follows their 2017 debut Always, which gave them the chance to play at the Montreal International Jazz Festival, POP Montreal, as well as other festivals and performances in the UK and US.

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Ce contenu provient de POP Montréal et est adapté par PAN M 360.

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