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POP Montréal présente Esmerine et Jason Sharp

Sun 02 Oct 2022 • 08:00 pm Experimental / Contemporary / Jazz / Pop
La Sala Rossa - Montréal 20 $
· by Rédaction PAN M 360

Cofondée par le percussionniste Bruce Cawdron et la violoncelliste Rebecca Foon en 2001, Esmerine, plusieurs fois lauréate d’un Juno, garde un pied dans le terrain nouveau musique / expérimental de contemporains comme celui de Rachels, et l’autre dans un paysage instrumental plus viscéral et lyrique, tel que cultivé par The Dirty Three. Esmerine a sorti sept albums acclamés de musique de chambre moderne minimaliste et expressive.

Co-founded by percussionist Bruce Cawdron and cellist Rebecca Foon in 2001, multi Juno-winning Esmerine keeps one foot in the new music/experimental terrain of contemporaries like Rachels’s, and the other in a more visceral and lyrical instrumental landscape, as cultivated by the likes of The Dirty Three. Esmerine has released seven critically-acclaimed albums of minimalist, expressive modern chamber music.

Pilier de la communauté musicale d’avant-jazz, expérimentale et d’improvisation de Montréal depuis de nombreuses années, Jason Sharp est un saxophoniste et compositeur électroacoustique dont l’accent croissant sur le travail en solo depuis 2015 a produit un corpus musical unique qui fusionne la technologie et le corps humain. Sharp associe une maîtrise de la technique étendue du saxophone à des microphones et à des composants électroniques personnalisés qui traduisent son klaxon, sa respiration et son pouls physique en un éventail de déclencheurs, d’échantillons et de synthèse modulaire – résultant en des œuvres de biofeedback électroacoustique formidables, viscérales, hautement évocatrices et infailliblement musicales.

A mainstay of Montreal’s avant-jazz, experimental and improv music community for many years, Jason Sharp is a saxophonist and electro-acoustic composer whose increasing focus on solo work since 2015 has yielded a unique corpus of music that fuses technology and the human body. Sharp blends a mastery of extended saxophone technique with customized microphones and electronics that translate his horn, breath and physical pulse into an array of triggers, samples and modular synthesis – resulting in formidable, visceral, highly evocative, and unfailingly musical works of electroacoustic biofeedback.

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Ce contenu provient de POP Montréal et est adapté par PAN M 360.

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