Listings 360

Full listings 360
  • No results

Oumou Sangaré at the MTELUS

Sun 21 Apr 2024 • 08:00 pm Pop / Rock / Wassoulou Traditional
MTELUS - Montréal 60$
· by Rédaction PAN M 360

Since Moussolou, her first album released in 1989, the life of Malian singer Oumou Sangaré has known no respite. From this rich and hectic journey we can recall some of the most decisive recordings in contemporary African music, all produced by the World Circuit label: Ko Sira in 1993, Worotan in 1996 and Seya, nominated for Best World Music Album at the 2009 Grammy Awards. Numerous international tours and acclaim on prestigious stages such as the Sydney Opera House, London’s Queen Elizabeth Hall and Tokyo’s Nippon Budokan complete this list of honors. Timbuktu, the first production on her Oumsang label, is the latest act in this unparalleled musical epic, with which World Circuit is once again associated. It consecrates this artist from the slums of Bamako who has become a global superstar, as well as a universally admired feminist icon. With a powerful aura comparable to that of Grace Jones, the transgressive black icon par excellence, Oumou has long since crossed the barriers separating musical genres and continents. Yesterday invited by Alicia Keys for a televised duet, she is now cited as an example by artists as considerable as Aya Nakamura, who dedicated the song Oumou Sangaré to her in 2017, or Beyoncé, who sampled one of her most famous creations, Diaraby Néné, for the track Mood 4 Eva from the soundtrack of the film The Lion King: The Gift in 2019.

Depuis Moussolou, son premier album sorti en 1989, la vie de la chanteuse malienne Oumou Sangaré n’a connu aucun répit. De ce riche et trépidant voyage on retient notamment des enregistrements parmi les plus décisifs de la musique africaine contemporaine, tous produits par le label World Circuit : Ko Sira en 1993, Worotan en 1996 et Seya nominé dans la catégorie Meilleur Album de World Music des Grammy Award en 2009. De nombreuses tournées internationales et la consécration obtenue sur les scènes prestigieuses que sont l’Opéra de Sydney, le Queen Elizabeth Hall de Londres ou le Nippon Budokan de Tokyo, complètent ce tableau d’honneur. Timbuktu, première production de son label Oumsang constitue le nouvel acte de cette épopée musicale sans équivalent à laquelle World Circuit est à nouveau associée. Il consacre cette artiste issue des quartiers pauvres de Bamako devenue une superstar mondiale, ainsi qu’une icône féministe unanimement admirée. D’une aura puissante comparable celle d’une Grace Jones, icone noire transgressive par excellence, Oumou a depuis longtemps franchi les barrières séparant genres musicaux et continents. Hier invitée par Alicia Keys pour un duo télévisé, elle est désormais citée en exemple par des artistes aussi considérables qu’Aya Nakamura, qui lui a dédié la chanson Oumou Sangaré en 2017, ou Beyoncé, qui a samplé l’une de ses plus célèbres créations, Diaraby Néné, pour le titre Mood 4 Eva tiré de la bande originale du film The Lion King : The Gift en 2019.

TO BUY YOUR TICKET, CLICK HERE!

This content comes from Productions Nuits d’Afrique and is adapted by PAN M 360.

Latest 360 Content

FMA 2026 | MaqaMorphose presents Abdelwahab, Romantic Composer

FMA 2026 | MaqaMorphose presents Abdelwahab, Romantic Composer

Jazz@Vue | Impressive Léno duo and the elegance of Gentiane MG

Jazz@Vue | Impressive Léno duo and the elegance of Gentiane MG

Fontaines D.C. – Dopamine Chamber

Fontaines D.C. – Dopamine Chamber

Queens of the Stone Age – Perfecth

Queens of the Stone Age – Perfecth

Sophia Stel – the greatest album of all time

Sophia Stel – the greatest album of all time

The Fall – Post Script

The Fall – Post Script

Le Vivier: Judith Fliedl’s Super Ultra Violin

Le Vivier: Judith Fliedl’s Super Ultra Violin

Trio Helios and the aesthetics of ugliness

Trio Helios and the aesthetics of ugliness

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Guillaume Côté bewitches the Grands Ballets and the Montreal audience

Guillaume Côté bewitches the Grands Ballets and the Montreal audience

They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II

They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

The Brooks – Live in Brazil

The Brooks – Live in Brazil

Meagan Milatz – Innig

Meagan Milatz – Innig

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Damian Nisenson – Lento

Damian Nisenson – Lento

Kaoru Watanabe – The Arch

Kaoru Watanabe – The Arch

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Charlotte Greve – Waterbodies

Charlotte Greve – Waterbodies

Ernesto Cervini Quartet – Water Pistols at Dawn

Ernesto Cervini Quartet – Water Pistols at Dawn

Sophianne Girard – Si vivante

Sophianne Girard – Si vivante

Tara Davidson’s Marni Project – The Reflection of an Echo

Tara Davidson’s Marni Project – The Reflection of an Echo

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers