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Dominique Beauséjour-Ostiguy et Jean-Michel Dubé en webdiffusion

Classical
Webdiffusion - Montreal De 20 à 45$
· by Rédaction PAN M 360

Récipiendaire de nombreux prix, le violoncelliste Dominique Beauséjour-Ostiguy, a été classé, par la CBC, parmi les 30 jeunes musiciens les plus prometeurs du Canada en 2018. Soliste, chambriste et compositeur, il est membre du Trio de l’île , du Quatuor Andora, du Duo BOA expérience et du Trio Hochelaga. Jean-Michel Dubé est pianiste, concertiste et gagnant de concours prestigieux. Ardent défenseur de la musique d’André Mathieu, il est « artiste en résidence » de l’Orchestre symphonique de Drummondville pour 2021-2022. Ce duo va interpréter la musique de trois compositeurs québécois, dont une œuvre spécifiquement composée par Dominique Beauséjour-Ostiguy.

Dominique Beauséjour-OstiguySonate pour violoncelle no 2 et piano en sol mineur
André MathieuPrélude romantique pour piano
André GagnonSonate pour violoncelle et piano (musique de la télésérie Juliette Pomerleau)

Le concert est disponible sur demande du 17 avril au 1 mai 2022.

Recipient of numerous awards, cellist Dominique Beauséjour-Ostiguy has been ranked by the CBC as one of 2018’s 30 best young promising musicians in Canada. Soloist, chamber musician and composer, he is a member of Trio de l’île, the Andora Quatuor, the BOA Experience Duo and the Hochelaga Trio. Jean-Michel Dubé is a pianist, concertist, and laureate of several prestigious competitions. Strong advocate of André Mathieu’s music, he is the “resident artist” of the Drummondville Symphonic Orchestra in 2021-2022. The duo will perform works from three Quebec composers, including a piece composed by Dominique Beauséjour-Ostiguy for the occasion.

Dominique Beauséjour-OstiguyCello Sonata No 2 and Piano in G minor
André MathieuRomantic Prelude for Piano
André GagnonCello and Piano Sonata (music from TV show Juliette Pomerleau)

The concert is available on demand from April 17 to May 1, 2022

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Ce contenu provient de la Place des Arts et est adapté par PAN M 360.

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