Latest 360 Content

Deerhoof – Noble and Godlike in Ruin
Album review expérimental / contemporain/Rock/Pop 2025

Deerhoof – Noble and Godlike in Ruin

By Stephan Boissonneault
A Place To Bury Strangers on Building Sonic Weapons and Playing Shows That Feel Like Car Crashes
Interview expérimental / contemporain/Experimental / Contemporary/Rock

A Place To Bury Strangers on Building Sonic Weapons and Playing Shows That Feel Like Car Crashes

By Stephan Boissonneault
Apolline Jesupret – Bleu ardent
Album review Classical/classique 2025

Apolline Jesupret – Bleu ardent

By Frédéric Cardin
Alison Luthmers – Johann Helmich Roman : Assaggi for solo violin
Album review Classical/classique 2025

Alison Luthmers – Johann Helmich Roman : Assaggi for solo violin

By Frédéric Cardin
Choses Sauvages – Choses Sauvages III
Album review Rock/party 2025

Choses Sauvages – Choses Sauvages III

By Marilyn Bouchard
A party with post-punk Brooklynites TVOD
Interview Rock

A party with post-punk Brooklynites TVOD

By Vitta Morales
FIRE! Orchestra at FIMAV: Power Trio Meets Canadian Community of Avant-Garde Players
Interview expérimental / contemporain/Experimental / Contemporary/Jazz/Soul/R&B/Psychedelia

FIRE! Orchestra at FIMAV: Power Trio Meets Canadian Community of Avant-Garde Players

By Alain Brunet
Everything is Recorded – Temporary
Album review Electronic/Folk/Americana/Jazz 2025

Everything is Recorded – Temporary

By Michel Labrecque
Blondshell – If You Asked For a Picture
Album review Rock 2025

Blondshell – If You Asked For a Picture

By Stephan Boissonneault
Hitting a Fever Pitch at the Ribbon Skirt LP Launch 
Concert review Rock

Hitting a Fever Pitch at the Ribbon Skirt LP Launch 

By Lyle Hendriks
Wu-Tang Clan & Mathematics – Black Samson, the Bastard Swordsman.
Album review Hip Hop 2025

Wu-Tang Clan & Mathematics – Black Samson, the Bastard Swordsman.

By Stephan Boissonneault
Jazz at the Festival International de Jazz de Montréal explained by Modibo Keita
Interview Jazz

Jazz at the Festival International de Jazz de Montréal explained by Modibo Keita

By Alain Brunet
Dalit Hadass Warshaw, Boston Modern Orchestra Project / Gil Rose – Sirens
Album review Classical/classique 2025

Dalit Hadass Warshaw, Boston Modern Orchestra Project / Gil Rose – Sirens

By Réjean Beaucage
Howard Shore/Orchestre Philharmonique de Radio France – Shore : Anthology
Album review musique de film 2025

Howard Shore/Orchestre Philharmonique de Radio France – Shore : Anthology

By Frédéric Cardin
Quatuor Diotima – Boulez : Livre pour quatuor
Album review Classical/classique 2025

Quatuor Diotima – Boulez : Livre pour quatuor

By Frédéric Cardin
LMNL – Rainbow
Album review Electronic/Classical/classique 2025

LMNL – Rainbow

By Frédéric Cardin
Strat Andriotis – Exits
Album review Jazz 2025

Strat Andriotis – Exits

By Frédéric Cardin
Richard Reed Parry – The Actor
Album review musique de film 2025

Richard Reed Parry – The Actor

By Frédéric Cardin
Tamara Stefanovich – Organised Delirium
Album review Classical/classique 2025

Tamara Stefanovich – Organised Delirium

By Frédéric Cardin
stef.in – Icterus II
Album review expérimental / contemporain/Experimental / Contemporary/prog 2025

stef.in – Icterus II

By Frédéric Cardin
Galan Trio – Embrace
Album review Classical/classique 2025

Galan Trio – Embrace

By Frédéric Cardin
Jack Van Zandt – A Chaos of Light and Motion
Album review Classical/classique 2025

Jack Van Zandt – A Chaos of Light and Motion

By Frédéric Cardin
Tommy Crane – Reality Curated: Live at Ursa
Album review Electronic/Pop/dream pop 2025

Tommy Crane – Reality Curated: Live at Ursa

By Frédéric Cardin
Thomas DeLio – Anti-paysage
Album review expérimental / contemporain 2025

Thomas DeLio – Anti-paysage

By Frédéric Cardin
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