If on this ninth album, Antibes native Anthony Gonzales takes such poetic lyrical flight, it’s because it’s the soundtrack to Les Rencontres d’après minuit, the first feature film by his brother Yann, a dreamlike surrealist fable about love and sexual abandon that allows each spectator to project themselves into their own fantasies. Soundwise, the magnificent score is also a tribute to the great music of French cinema of the 1970s, and one of the most significant titles in the group’s discography.
Latest 360 Content
Interview expérimental / contemporain/Experimental / Contemporary/Jazz/Soul/R&B/Psychedelia
FIRE! Orchestra at FIMAV: Power Trio Meets Canadian Community of Avant-Garde Players
By Alain Brunet
Album review Hip Hop 2025
Wu-Tang Clan & Mathematics – Black Samson, the Bastard Swordsman.
By Stephan Boissonneault
Album review Classical/classique 2025
Dalit Hadass Warshaw, Boston Modern Orchestra Project / Gil Rose – Sirens
By Réjean Beaucage
Album review musique de film 2025
Howard Shore/Orchestre Philharmonique de Radio France – Shore : Anthology
By Frédéric Cardin
Album review Classical/classique 2025
Quatuor Diotima – Boulez : Livre pour quatuor
By Frédéric Cardin
Album review expérimental / contemporain/Experimental / Contemporary/prog 2025
stef.in – Icterus II
By Frédéric Cardin
Album review Classical/classique 2025
Jack Van Zandt – A Chaos of Light and Motion
By Frédéric Cardin
Album review Electronic/Pop/dream pop 2025
Tommy Crane – Reality Curated: Live at Ursa
By Frédéric Cardin
Album review expérimental / contemporain 2025
No Hay Banda – Steven Kazuo Takasugi : Il Teatro Rosso
By Frédéric Cardin
Album review Classical/classique 2025