Country : Label : Genres and styles : Year :

Sunglaciers – Spiritual Content

· by Ariel Rutherford

Sunglaciers are back with a new studio album, Spiritual Content, perhaps their best to date, and certainly my favourite. This fourth offering is a logical continuation of the Calgary band’s sonic evolution, while remaining fresh and innovative. Between heady post-punk litanies and meditative lulls, we find Sunglaciers’ appetite for contrasts, retro synths, a danceable groove, and a blend of multiple influences. 

Drones and synth loops layer over catchy guitar melodies and incantatory post-punk vocals to create complex soundscapes, rewarding repeated listening and delivering effective indie rock. Here we have an album that appears less aggressive than its predecessors, without losing any of its punk verve.  

Thus, on certain tracks such as “Dead Stop,” the left-field synths, organic sounds, and effective use of an almost hypnotic repetition will remind the listener of Stereolab’s pre-pop sound. A comparison that holds true on the melancholic “Starting to Come Back,” which also evokes the shoegaze of Panchiko, where the instruments slowly dissolve into an excellent, almost ambient conclusion, crafted with minute sonic details.

On other tracks, consider the abrasive punk energy of “Attention” and the over-the-top “Only Love” (whose chaotic vibe has a certain je ne sais quoi reminiscent of King Gizzard and The Lizard Wizard); it is energetic indie rock with psychedelic touches, made explosive by the preceding lulls, which punctuates the listening experience of Spiritual Content.

While variety is certainly present, one is never lost, as the post-punk framework ensures solid cohesion throughout.

All in all, the album runs for a total of 35 minutes that fly by in a flash, without ever feeling insufficient. The album’s pacing is masterful, built around the contrast between punk intensity and long passages of calm (sometimes flirting with ambient). I might have preferred the album’s final track, “Wait,” to be perhaps a touch more homogeneous, but let’s not quibble—it’s very good: the whole thing flows seamlessly, with each track seeming like a logical continuation of the one before.

The album’s greatest achievement boils down to two things: its effectiveness—you lose track of time—and its ability to combine stylistic coherence with a diversity of influences. The album echoes a tapestry of predecessors, from Joy Division to Yo La Tengo, but weaves them into a coherent whole that becomes its own. The terrain is familiar, but by no means uncharted. And it works!

Sunglaciers is a band worth checking out, and Spiritual Content is the latest in a series of excellent albums. Give it a listen. Even if it doesn’t grab you, you’ll have a good time, and if it does, you’ll find yourself coming back to it often.

Latest 360 Content

Steve Lacy – Oh yeah?

Steve Lacy – Oh yeah?

Nuits d’Afrique 2026 | Suraras dos Tapajós: Connecting Us to the Amazon Forest Through Music

Nuits d’Afrique 2026 | Suraras dos Tapajós: Connecting Us to the Amazon Forest Through Music

Réka Csiszér & Radwan Ghazi Moumneh – Le Révélateur

Réka Csiszér & Radwan Ghazi Moumneh – Le Révélateur

Yiddish Glory – The Silenced Songs of World War II

Yiddish Glory – The Silenced Songs of World War II

Lanaudière 2026 | Explosion of colours and emotions thanks to Payare, Weilerstein, Ortiz, and Shostakovich

Lanaudière 2026 | Explosion of colours and emotions thanks to Payare, Weilerstein, Ortiz, and Shostakovich

Nuits d’Afrique 2026 | Chris Combette: the groovy elegance of the Guyanese troubadour

Nuits d’Afrique 2026 | Chris Combette: the groovy elegance of the Guyanese troubadour

Nuits d’Afrique 2026 | Forro das Comadres: the Women’s Forro

Nuits d’Afrique 2026 | Forro das Comadres: the Women’s Forro

Kim Petras – Detour

Kim Petras – Detour

Nuits d’Afrique 2026 I African Circus Courtesy of Kalabanté Hits Different

Nuits d’Afrique 2026 I African Circus Courtesy of Kalabanté Hits Different

Nuits d’Afrique 2026 | Azara, the voice of flamenco takes root in Montreal

Nuits d’Afrique 2026 | Azara, the voice of flamenco takes root in Montreal

Nuits d’Afrique 2026 | The Two Enriches its Creole blues

Nuits d’Afrique 2026 | The Two Enriches its Creole blues

PRIMAVERA SOUND – PORTO 2026 : The Big Little Festival on a Human Scale

PRIMAVERA SOUND – PORTO 2026 : The Big Little Festival on a Human Scale

Real Farmer – Two Wrongs Don’t Make A Right

Real Farmer – Two Wrongs Don’t Make A Right

knitting, frown line, and Fireball Kid Tear Up Sala Rossa

knitting, frown line, and Fireball Kid Tear Up Sala Rossa

Nuits d’Afrique 2026 | Celebrate with Labess

Nuits d’Afrique 2026 | Celebrate with Labess

Nuits d’Afrique 2026 | The virtuoso balafon of Seydou Diabaté, at the heart of the Kanazoé Orkestra

Nuits d’Afrique 2026 | The virtuoso balafon of Seydou Diabaté, at the heart of the Kanazoé Orkestra

Nuits d’Afrique 2026 | MTELUS Falls to Grand Lamine Touré

Nuits d’Afrique 2026 | MTELUS Falls to Grand Lamine Touré

Nuits d’Afrique 2026 | Somos Más, A Feminine and Plural Harmonies

Nuits d’Afrique 2026 | Somos Más, A Feminine and Plural Harmonies

Nuits d’Afrique 2026 | Soul of Zoo confirms his “connections” on stage

Nuits d’Afrique 2026 | Soul of Zoo confirms his “connections” on stage

Nuits d’Afrique 2026 | The people of Guinea, Represented by their State, Pay Tribute to the “Baobab of the Night”

Nuits d’Afrique 2026 | The people of Guinea, Represented by their State, Pay Tribute to the “Baobab of the Night”

Soul of Zoo Unveils “Connection,” The Result of Collaborations From Here and Abroad

Soul of Zoo Unveils “Connection,” The Result of Collaborations From Here and Abroad

Birds of Prrrey – Peace Love Homicide

Birds of Prrrey – Peace Love Homicide

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers