DROP [04] : Codex Empire • D.Blavatsky • The Marquis • Creature
by Louis Paulhus
Attention, dark and industrial techno lovers, Codex Empire is coming to Montreal for the next show organized by AMP Industrial Events! The SAT will welcome British producer Mahk Rumbae for his first concert on Canadian soil as he uses his machines to create abyssal sonorities that only he knows the recipe for. The veteran of the Berlin label [aufnahme + wiedergabe] will be joined by D.Blavatsky who, as usual, offers a dazzling performance of hardcore techno with forceful rhythms and a wild, unbridled energy. Get ready to dance!
Originally from Detroit, the crucible of techno, Omar-S is a worthy representative of the local underground. His unique style, with its focus on house, is in line with that of his predecessors, such as Theo Parrish or Moodymann. A prolific producer and excellent DJ, during his sets he oscillates between techno, house and deep house. Dance music with a deep debt to to jazz and soul (Motown), which finds its spirit in Chicago house, sometimes even sampling disco. The only watchword is: groovy. Put out your dancing shoes!
A member of the Anjunabeats collective, this 24-year-old Californian concocts progressive trance house that’s distinct from the array of current offerings, which is to be sure extremely vast. The aim is obviously to fill the dancefloor until the wee hours. Barely out of his teens, Spencer Brown turned heads with the EP Chalice on the LE7ELS label, before joining the Anjunabeats stable and releasing several recordings that won over electronic fans, including the album Illusion of Perfection (2018) and the very recent Stream of Consciousness, which will certainly be on the table at Espace SAT.
The eminence noire of experimental techno with industrial accents, the German artist SNTS arrives masked and hooded like the Grim Reaper, a spectral and fiercely anonymous figure. His music is darker than dark, dystopian, even apocalyptic. His rhythms are violently binary, his grooves tinged with finely chopped sounds, processed voices, symphonic fragments, mystical psalmodies and more. Needless to say, this darkness is accompanied by a cold, clinical, resolutely Germanic aesthetic. A great night, guaranteed! SNTS shares the program with Montrealer Softcoresoft, whose praises we sang in mention of a program presented earlier in February at the SAT.
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