U.K. pianist and composer Alexis Ffrench adds the album Dreamland to his already extensive discography, which consists mainly of works for solo piano, or for piano with string accompaniment. Although at first glance, the album can be described as neo-classical, a romantic spirit reigns within some of the tracks. The melodies are deeply emotional and lyrical, often supported by the special expressiveness of a cello’s timbre. What strikes us most as we listen to the songs is the sense of optimism that seems to guide the notes played by the pianist. This album is full of hope, as witnessed by the piece “One”, in which Ffrench integrates a choir singing in a gospel style. Other pieces for solo piano are more sober: “Wishing”, among others, consists of a sweet melody doubled by an accompaniment without embellishments. This is in perfect harmony with the composer’s desire to democratize classical music and make it accessible. A rethought and very rhythmic version of the renowned “Für Elise” also adds a small dancing note to this album with varied styles. Dreamland is a little bit of sweetness that brings warmth and a good mood.
Latest 360 Content
Interview Classical/classique
Trio Garibaldi: The Album In Faded Sepia | Viola, Piano, and Clarinet in Service of New Creation
By Alain Brunet
Concert review expérimental / contemporain/Experimental / Contemporary
Semaine du Neuf | Nous perçons les oreilles: Surrendering Body and Mind to the Music
By Alexandre Villemaire
Interview expérimental / contemporain
5ilience | Devinim, When Sounds Move Through The Reeds
By Jeremy Fortin
Interview Africa/Caribbean
Caribbean Love: Richy Jay, Between Heritage and Tropical Rhythms
By Sandra Gasana
Concert review musique de film
The magic of Miyazaki comes to life with the FILMharmonic Orchestra
By Frédéric Cardin
Interview Classical/classique
Caprice au 9e | Telemann and The Traveling Musicians of the Baroque Era
By Alain Brunet
Column
Airat Ichmouratov will compose Alice in Wonderland for Montreal’s Grands Ballets canadiens
By Frédéric Cardin
Concert review expérimental / contemporain/Multidisciplinaire
Semaine du Neuf | Lovemusic: A Clash of Bodies and Sounds
By Jeremy Fortin
Album review Electronic/Pop/Classical/classique/Jazz 2026
The Setting – The Setting
By Stephan Boissonneault
Concert review Pop/musique de film/pop symphonique
Symphonic Tribute to Daft Punk: Effective Fusion, Mostly
By Frédéric Cardin
Interview Blues/Americana/classic rock/Rock/southern rock/southern soul
The Sheepdogs, or How to Become a Classic “Outside the Storm”
By Alain Brunet
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain
Semaine du Neuf | Collective Improv Night with No Hay Banda, Ana Maria Romano, and Limules
By Frédéric Cardin
Concert review Classical/classique
Arion Baroque Orchestra: Il pianto di Maria: Tears of Joy
By Alexandre Villemaire
Concert review Experimental/jeunesse
Semaine du Neuf | Sound understanding for children under 3 years… and us
By Vitta Morales
Concert review expérimental / contemporain/Indigenous peoples























