Garage Rock / Stoner Rock

Bird’s View – Do I Have To Call

by Stephan Boissonneault

Feeling like the Frankfurt, Germany answer to the Queens of The Stone Age, Bird’s View’s “Do I Have To Call,” is a heavy song about escapism. With an easy-to-grab-onto Drop D guitar bending riff, and bombastic drums fills, the track has a way of seeping into your mind and staying there minutes after your initial listen. The music video follows the band on tour, opening for bigger acts like Skid Row, Greenlung, Planet of Zeus, and others. Stay from the alt rock breakdown during the outro. Bird’s View is one to watch.

EDM / Industrial

SINthetik Messiah – Der Anfang

by Stephan Boissonneault

Featuring the power of AI and a cosmic metal warrior princess, the music video for “Der Anfang,” from SINthetik Messiah is sure to make your head spin. With powerful industrial bass and soundscape EDM, SINthetik transports the listener into a cyberpunk world multiverse. Musically the track feels like it could play in a darkened German nightclub until the wee hours.

Darkwave / Gothic

Jessie Berkshires – Testify

by Stephan Boissonneault

Nothing like some super gothic dark synthpop to ring in the new year. This time it comes from Jessie Berkshires’ “Testify.” In the same vibe as someone like M83 or Phantogram, “Testify,” seems like it is about confession. The singer-songwriter leaves it just vague enough to come up with your own understanding of the witch-like and ethereal vocals. A vocalist, songwriter, and visual artist, Jessie self-directed the music video as well.

Post-Punk

Real Farmer – The Straightest Line

by Stephan Boissonneault

It seems like straightforward and frenetic post-punk is back in 2024 thanks to a band like Netherlands’ Real Farmer. They just dropped the single “The Straightest Line,” out on Peter Doherty’s Strap Originals label, which is completely volatile. With a trilling rhythm guitar like Wire and post-hardcore vocals, Real Farmer’s sound slaps your brain around like a piece of crumbling, floating tinfoil. It feels a bit like the debut LP of IDLES but with more of an old-school punk rock flair. Think MC5 meets The Fall.

The lyrics in “The Straightest Line” are straightforward but so relatable; how is someone to walk the straightest line when there are so many vices to entertain oneself?

The music video is a simple one, featuring Real Farmer in a black room, lit by minimal light as the camera moves on a dolly sometimes in slow motion or upside down, looking at times like a worn-out zine. The artistic direction is a good one for the fact that it makes you focus on the music, something sometimes lost in this day and age of music videos.

Real Farmer will be following up on the release with the Compare What’s There LP out in early March.

rap

Dax – Catch The Rain

by Stephan Boissonneault

Leave it to Dax, a Canadian rapper, based in St. Johns to drop an absolute banger of a music video with high production value and a flowing narrative. Each of his videos is well thought out and an absolute marvel, dealing with the pitfalls of mental health, addiction, and other horrifying realities. His latest “Catch The Rain” is no different. Following a kind of old school Eminem-type flow as Dax raps about the storm of conflicting thoughts in his mind while we watch the aftermath of a car crash and his life flash before his eyes.

Post-Punk

Sleep Kicks – Sawdust

by Stephan Boissonneault

Sleep Kicks, an indie rock quartet from Oslo, Norway, returns with new music only months after the release of the acclaimed debut album, The Afterdrop. The new single is paired with a behind-the-scenes music video showing Sleep Kicks in the recording studio with momentary cuts between live concert footage. The new single “Sawdust” is a bright and sparkling post-punk epic that sounds a bit Inteprol, Joy Division, and LCD Soundsystem, with lyrics about isolation, war, and violence.

Check out the music video below:

Indie Rock / Noise Rock / Noise-Pop / Rock

Koalra – The Clouds Still Hang On You

by Stephan Boissonneault

A mix between 90s shoegaze and ethereal indie rock in the shape of someone like Washed Out or Band of Horses, Koalra, a noise punk/alt-rock group from Portland, emerges with “The Clouds Still Hang On You,” a buzzing and nostalgic-sounding indie jam perfect for rainy days.

The single is from the upcoming album Disasterclass, due a few days before Christmas. The music video, with Super 8 flair, sometimes feels like a skate video montage, 90s dance video, or hazy travel memoir. Definitely for fans of something a little obscure, but still attainable and sonically easy to latch onto.

Darkwave / Gothic

MENTHÜLL – FOR THE LAST TIME

by Stephan Boissonneault

MENTHÜLL is an atmospheric darkwave duo from Gatineau-Hull, Québec with a penchant for sinister-sounding songs that feel like the themes of films about vampires and the arcane arts.

A bit of Bauhaus, Echo & The Bunnymen, and Boy Harsher, their newest single “FOR THE LAST TIME,” comes with an experimental, black and white music video near a forest cabin. The MENTHÜLL duo, Gabriel and Yseult, dance and stand near the cabin as the 808 drums, thundering bass, and looped guitar lines consume the scenery. It feels like a dimly lit German nightclub at times, perfect for the winter months.

Art Rock / New Wave

Max Fulcrum & The Win – I COULD CHANGE

by Stephan Boissonneault

Max Fulcrum & The Win is a UK collective art rock project led by one Dominic Rose. The debut single “I COULD CHANGE,” begins with a darkened goth rock disco, almost a bit like The Birthday Party, and then morphs into a new wave-y flavour with a buzzing guitar line reminiscent of someone like The Human League.

The change is not abrupt but sonically organic, a difficult thing to do when balancing on the genre line. “I COULD CHANGE” then finished with a very Bowie-esque outro that begs for a second listen.

The accompanying video feels very art house DIY, featuring scratchy film and blurry images of a woman (Elinor Haskew) moving to the music. Enjoy below.

Hip Hop / power-pop / Synth-Pop

Wordburglar – 1980 Force

by Stephan Boissonneault

Wordburglar is an alternative hip-hop/hyperpop, self-proclaimed “Nerdcore” group now based in Toronto. Their songs live within a comic book or pop culture world, filled with quick references you may or may not know, in the style of a modernized Public Enemy.

One of the newest tracks “1980 Force,” from the new The Spinner Rack EP focuses on a toy line of action figures called the 1980 Force, based on the GI JOE series and other ’80s action toys.

But the video is too much fun, stylized like a 1980s Saturday morning toy commercial with a cheesy, but lovely boom bap rap and a treasure trove of character names and figures—that we’re pretty sure Wordburglar commissioned to have made for the video. Nothing like this exists and the world is better for it. Enjoy!

Synthwave

Polar Baron – Ruby Rumble

by Stephan Boissonneault

With some oscillating synthesizer loops, 808 drums fills, and cyber funk bass lines, Polar Baron takes us into the world of the unknown on “Ruby Rumble,” a track that feels like it could be the theme song to a to-be-written heroic synthwave hero epic in the style of Tron. The visualizer also keeps your attention with scratchy cosmic colours that move to the beat of the music. We envision more from Polar Baron in the new year, but until then, check out the new visualizer here:

Electro / Post-Punk / Post-Rock

We Owe – Slight Inconvenience

by Louise Jaunet

To support the release of his full-length Major Inconvenience on Montreal label Mothland, Christopher Pravdica’s solo project We Owe (Swans, Human Impact, Yonatan Gat, Twiggy Branches) has released “Slight Inconvenience,” the third video made by the artist Jim Larson, following up “Time Suck” and “Illogical Thinking.” While the bassist from Swans is renowned for his simple, bombastic 3-note rhythms, Pravdica’s second self-produced album is an ambitious mix of diverse sampling, from drums and acoustic percussion to synthesizers, bass guitar, autoharp, and kalimba. 

Operating outside the mainstream alternative circle and its now sanitized and homogenized subject matter, the album is a gritty synthpunk excursion, combining a bright, cerebral post-rock approach with tape-damaged anti-pop hooks, which Pravdica himself describes as “post-alternative.” “Slight Inconvenience,” was initially created instrumentally with the help of orchestral samples from drummer Phil Puleo (Swans, Cop Shoot Cop, Human Impact). The lyrics, taken from an interview with a psychiatric in-patient, were added later.

Orchestral and atmospheric, the song evokes the drive to broaden one’s horizons. A kind of softness lurks behind the backing vocals and arrangements, producing a striking contrast with the sense of confinement of the interview. For Chris Pravdica, all thoughts can lead to ideas, if you dare to carry your determination to the end. Sometimes, out of sincere love for people, primitive and anarchic instincts may try to push certain limiting ideas. This crazy major inconvenience could actually turn out to be a gift, if you are willing to believe in it yourself.

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