Osheaga: Chappell Roan Could Literally Kill Us All and Get Away With It

by Lyle Hendriks

I think Chappell Roan is about to become one of the most successful musicians of all time, and this summer will be the point we look back on as the moment she caught fire. I arrived at the mainstage a full 30 minutes before Roan’s scheduled start time, and was surprised to find myself completely and utterly late. Before long, I was lost in the throng, some 30,000 people all pushing towards the front, cheering at nothing as the electric charge of Roan’s imminent appearance climbed and climbed.

When Chappell Roan and the band took the stage, the sound was deafening. Dressed in a stunning, drag-inspired fairy outfit, Roan wears the pop-star persona as if she was made for it. And from the very first song to the last, 30,000 people screamed every single word. Cleverly, most of the straightforward lyrics were displayed behind her, which means that I—as someone who had never listened to an entire Chappell Roan song in my life—can’t stop singing the hooks to “Good Luck, Babe!” and “HOT TO GO!” for the life of me.


We were like lemmings headed for the cliff. Again and again, people collapsed from the heat around me. One person next to me spent more than five minutes on the ground before finally getting medical attention. When she got back to her feet, I assumed she’d be headed to the exit. But no—she got right back to dancing and screaming her heart out. We might expect this lack of self-preservation from someone who’s been wearing a diaper at the front of the crowd for the last four hours, but we were nowhere near the stage. The show was simply that unmissable.

It’s hard to describe what makes Chappell Roan so completely phenomenal. Perhaps it’s her incessant energy as she bounces, crawls, and glides across the stage. Perhaps it’s the mostly unsung but utterly exceptional skills of her band. Maybe it’s Roan’s electrifying singing voice soaring over some of the most irresistible pop songs I’ve ever heard. She’s a sensation, a natural-born icon, and she put on one of the best shows I’ve seen in my entire life. 

By now, I think we’re all ready to say goodbye to the last generation of pop stars. We’ve had more than enough millennial acts cram their boring songs about stupid men down our throats. If the crowd at Chappell Roan’s Osheaga set is anything to go by (and it most definitely is), we’re ready for hot tracks from weird queers. We’re ready for something more real, something in sync with the discordant world we live in, something that reaches out, grabs us by the throats, and makes a mess of us. “Lightning in a bottle” doesn’t even begin to describe Chappell Roan. She’s a nuclear bomb in a Birkin bag, and I can’t wait to see where she touches down next.

Photos By Tim Snow

Latest 360 Content

Mundial Montreal | Royal Treatment for Magdala

Mundial Montreal | Royal Treatment for Magdala

Mundial Montréal | Eli Levinson Presents The ENTIRE Program!

Mundial Montréal | Eli Levinson Presents The ENTIRE Program!

Festival Marathon de M pour MTL | Mikey’s Programming Overview

Festival Marathon de M pour MTL | Mikey’s Programming Overview

Tryptique

Tryptique

Peggy Lee & Cole Schmidt – Forever Stories of: Moving Parties

Peggy Lee & Cole Schmidt – Forever Stories of: Moving Parties

Andrew Wells-Oberegger – Déjouer le glas

Andrew Wells-Oberegger – Déjouer le glas

Alfredo Santa Ana – Before the World Sleeps

Alfredo Santa Ana – Before the World Sleeps

BADBADNOTGOOD – Mid Spiral

BADBADNOTGOOD – Mid Spiral

Elisabeth Saint-Gelais – Infini

Elisabeth Saint-Gelais – Infini

Bryn Roberts – Aloft

Bryn Roberts – Aloft

Quatuor Esca – Esca

Quatuor Esca – Esca

Arthur Levering – OceanRiverLake

Arthur Levering – OceanRiverLake

Steven Osborne/London Philharmonic Orchestra, dir.: Edward Gardner – Tippett : Concerto pour piano; Symphonie no 2

Steven Osborne/London Philharmonic Orchestra, dir.: Edward Gardner – Tippett : Concerto pour piano; Symphonie no 2

The inner cinema of composer and sound artist Roxanne Turcotte

The inner cinema of composer and sound artist Roxanne Turcotte

Coup de coeur francophone – Gabriella Olivo + Daria Colonna

Coup de coeur francophone – Gabriella Olivo + Daria Colonna

Guillaume Villeneuve and Quatuor Cobalt’s Reflets du temps

Guillaume Villeneuve and Quatuor Cobalt’s Reflets du temps

N NAO – Pleine Lune

N NAO – Pleine Lune

Coup de cœur francophone | OGB: A Triptych of EPs and A Pair of Jazz Bangereux For a Strong Comeback

Coup de cœur francophone | OGB: A Triptych of EPs and A Pair of Jazz Bangereux For a Strong Comeback

Elisabeth St-Gelais: “Poursuivie par le même rêve” at l’Infini

Elisabeth St-Gelais: “Poursuivie par le même rêve” at l’Infini

Coup de cœur francophone | Sarahmée Ascends The Throne

Coup de cœur francophone | Sarahmée Ascends The Throne

AmyJo Doh & the Spangles – Spangle Landia

AmyJo Doh & the Spangles – Spangle Landia

OSM | Alpine Symphony: When Woods Become Sherpas

OSM | Alpine Symphony: When Woods Become Sherpas

Francis Choinière and OPCM: 10 Seasons And Counting

Francis Choinière and OPCM: 10 Seasons And Counting

SAMWOY – Poison

SAMWOY – Poison

Subscribe to our newsletter