indie / Indie Pop / Nu Soul

Arlo Parks’ infectious, festive melancholy at the Beanfield.

by Luc Tremblay

British singer Arlo Parks found herself in front of a packed Beanfield Theatre (formerly Corona) last night.

Montreal is discovering Arlo Parks on stage. 23 years old, fragile, sometimes melancholy, always touching, festive, and rocking when—at the end of the show—she hangs her guitar around her neck and jams with contagious pleasure with the excellent trio that accompanies her, carried by the precise, irresistible groove of her rhythm section.

When she performs “Cola,” the song that revealed her in 2018, the Beanfield becomes a choir and intones: I loved you to death and now I don’t really care.

Parks grew up in London, but her Nigerian and Chadian roots also cut a deep furrow on the French side, her mother being a Parisian. The richness of her origins and influences explains the depth of her creation. Some might try to classify her as indie-pop or neo-soul, but her palette is much broader; she discovered King Krule at the age of 13 and is inspired by Hendrix, Bowie, and Sufjan Stevens. In the course of the show, she gives a passing salute to Radiohead – the filiation is obvious.

As a poet, she explores the wounds of childhood and broken love. And the dangers of vulnerability; in “Devotion,” we tremble as she sings against a sharp guitar backdrop: “Your eyes destroying me, I’m wide open, all yours baby, flood me with your nervous love”. Sentimental misunderstandings are also on the agenda, as you may know from “Eugene.” No? Remedy that quickly.

Parks is moved by this first sold-out concert in America, so it’s no surprise that this stop on the Soft Machine American Tour is the beginning of a love affair between her and MTL. It wouldn’t be the first time that music lovers here have forged a deep and lasting relationship with innovative British artists.

Preceded in the first half by an outspoken Chloé George, irresistible and inspired, Arlo Parks delivers a 75-minute performance that leaves us moved. Does her poetry take us away from the heaviness of the times? So close, in fact, that all we can see and feel is profound humanity. We leave the Corona light.

Latest 360 Content

Annie Dominique Quintet – Entre Deux Rives

Annie Dominique Quintet – Entre Deux Rives

Lorraine Desmarais – & Friends

Lorraine Desmarais – & Friends

Opér’actuel 2026: Akasha, masala opera

Opér’actuel 2026: Akasha, masala opera

POP MTL 2026 | 3 Picks for Wednesday September 23

POP MTL 2026 | 3 Picks for Wednesday September 23

Opér’actuel | From Grief Comes Creation: Rachel Krehm’s Journey Through Her Opera Come Closer

Opér’actuel | From Grief Comes Creation: Rachel Krehm’s Journey Through Her Opera Come Closer

Sarah Davachi – The Will of Tongues

Sarah Davachi – The Will of Tongues

Bruce Liu – Lunaris

Bruce Liu – Lunaris

A star-studded season launch for Yannick and his OM

A star-studded season launch for Yannick and his OM

POP MTL 2026 : 25 Years of Artistic Vision and DIY

POP MTL 2026 : 25 Years of Artistic Vision and DIY

Interpol – This Mirror Weighs A Ton

Interpol – This Mirror Weighs A Ton

thèriot. – the Other

thèriot. – the Other

David Occhipinti – Looking Glass

David Occhipinti – Looking Glass

Bonobo – Distance in Static

Bonobo – Distance in Static

Andrew Yee – Trans Requiem

Andrew Yee – Trans Requiem

Strat Andriotis – The Wolf Sleeps Alone

Strat Andriotis – The Wolf Sleeps Alone

Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau

Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau

Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy

Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy

TransQueb – Maelstrom

TransQueb – Maelstrom

Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos

Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos

FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise

FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise

POP MTL 2026 | haha Laughing All the Way to the Bank

POP MTL 2026 | haha Laughing All the Way to the Bank

The Four Seasons of Quebec: Interview with François Dompierre

The Four Seasons of Quebec: Interview with François Dompierre

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Brìghde Chaimbeul and Colin Stetson – All the light in the world

Brìghde Chaimbeul and Colin Stetson – All the light in the world

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers