Electroacoustic
Album review Electronic/Classical/classique/Experimental / Contemporary/expérimental / contemporain 2025
Nathan Davis, Sylvia Milo – Earthworks
By Réjean Beaucage
Interview Classical/classique/Electronic/expérimental / contemporain
Corie Rose Soumah & Hypercube at Le Vivier: So Much Material… Skill
By Alain Brunet
Concert review Jazz/Classical/classique/Électronique/expérimental / contemporain/Hip Hop
African American Sound Recordings at SAT : Noise Floor
By Loic Minty
Album review alt-rock/Classical/classique/Electronic 2025
MARO + NASAYA – Lifeline
By Michel Labrecque
Concert review classique/Classical/Jazz/musique du monde/Traditional
28th Opus Awards Gala | 32 Trophies For The Concert Ecosystem
By Judith Hamel
Album review Electronic/Classical/classique/Experimental / Contemporary/expérimental / contemporain 2024
Taylor Deupree: Sti.ll (Top Albums 2024)
By Réjean Beaucage
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain/Modern music
The inner cinema of composer and sound artist Roxanne Turcotte
By Frédéric Cardin
Concert review Classical/classique/Electronic/expérimental / contemporain
Akousma | Hamelin, Présences imaginées, Uppender
By Laurent Bellemare
Concert review Classical/classique/Electronic/expérimental / contemporain
Akousma | Solace all in Drone, Complex Path, Familiar Gardens
By Laurent Bellemare
Concert review Classical/classique/Electronic/expérimental / contemporain
Akousma | Cime, Rumors and Ghosts at Usine C
By Salima Bouaraour
Concert review Classical/classique/Electronic/expérimental / contemporain
Akousma | Mystic Oracle, Magnetic Tumult, Granular Gymell
By Salima Bouaraour
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain
Ludwig Berger: the music of singing trees and long gone eras
By Frédéric Cardin
Interview Classical/classique/expérimental / contemporain
AKOUSMA | Estelle Schorpp and Research-Creation
By Salima Bouaraour
Interview Classical/classique
Akousma | 23rd Edition Presented by Its Artistic Director
By Alain Brunet
Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Classical/classique 2024
Alexandre Tessier – Temps
By Laurent Bellemare
Album review Electronic/Classical/classique/expérimental / contemporain 2023
PAN M 360 / TOP 100 : Joseph Branciforte & Theo Bleckmann – LP2
By Réjean Beaucage
Album review Classical/classique/expérimental / contemporain/Hip Hop 2023
PAN M 360 / TOP 100: Aho Ssan – Rhizomes
By Alain Brunet
Album review expérimental / contemporain/Classical/classique 2023
Nicole Rampersaud – Saudade
By Frédéric Cardin
Concert review Classical/classique/expérimental / contemporain
AKOUSMA , October 20 | Giannini, Benedicte, Merino, Block, Gonima, Aho Ssan
By Salima Bouaraour
Interview Africa/Classical/classique/Electronic/expérimental / contemporain/hip-hop abstrait
AKOUSMA | Aho Ssan, Afro-electro-acoustic rhizomes
By Alain Brunet
Album review Classical/classique/expérimental / contemporain/Hip Hop 2023
Aho Ssan – Rhizomes
By Alain Brunet
Interview Classical/classique/expérimental / contemporain
AKOUSMA | Tomoko Sauvage, in praise of electro-aquatics
By Salima Bouaraour
Interview Classical/classique/expérimental / contemporain
AKOUSMA | Rocío Cano Valiño, composition, architecture and the “physicality of sound
By Laurent Bellemare
Album review expérimental / contemporain/Classical/classique 2023