Listings 360

Full listings 360
  • No results

POP Montréal : Marnie Stern + GLADHANDING + Ribbon Skirt

Sat 28 Sep 2024 • 08:30 pm Experimental / Indigenous peoples / Punk
La Sotterenea - Montréal 17,39$
· by Rédaction PAN M 360

Marnie Stern

L’une des guitaristes les plus acclamées du 21e siècle, la compositrice new-yorkaise Marnie Stern s’inspire de diverses influences, dont Television, Sleater-Kinney, Royal Trux, The Who, Deerhoof et King Crimson. Son premier album en dix ans, The Comeback Kid, est sorti en 2023 et a reçu des critiques élogieuses de The Guardian, Fresh Air de NPR avec Terry Gross, Pitchfork, Bandcamp Daily et plus encore.

One of the most acclaimed guitarists of the 21st century, New York City-based songwriter Marnie Stern’s singular playing draws from various influences, including Television, Sleater-Kinney, Royal Trux, The Who, Deerhoof, and King Crimson. Her first album in ten years, The Comeback Kid, was released in 2023 to rave reviews from The Guardian, NPR’s Fresh Air with Terry Gross, Pitchfork, Bandcamp Daily and more.

GLADHANDING

1000 cyborg bataille royale

1000 cyborg battle royale

Ribbon Skirt

Guidé par la musicienne Anishinaabe Tashiina Buswa, Ribbon Skirt est un groupe montréalais connu autrefois sous le nom de Love Language. Avec un spectacle captivant, ils ont participé à des festivals à travers le Canada et les États-Unis, incluant SXSW, New Colossus, Sled Island, Sappyfest, Flourish et Pop Montréal, et ont partagé la scène avec Dehd, Ombiigizi, Packs, Chad VanGaalen et Enumclaw. Leur premier album présente un son plus sombre et plus introspectif, abordant les thèmes de la mémoire, du deuil et de la connexion de Buswa à son identité autochtone et à ses pratiques culturelles. Produit par Scott ‘Monty’ Munro (Preoccupations) et Marlaena Moore, et avec beaucoup des expérimentations en studio, le groupe a émergé avec un premier album confiant, mélangeant boîtes à rythmes et synthétiseurs pour compléter l’énergie du groupe sur scène. Continuant à pousser leur son dans une nouvelle direction, le groupe a choisi de travailler avec le légendaire batteur et compositeur expérimental Greg Saunier (Deerhoof) pour le mixage, et l’album a été masterisé par Mikey Young (Total Control).

Led by Anishinaabe musician Tashiina Buswa, Ribbon Skirt are a band from Montreal, formerly known as Love Language. With a captivating live show, they have played festivals across Canada and the US including SXSW, New Colossus, Sled Island, Sappyfest, Flourish and Pop Montreal, and shared stages with Dehd, Ombiigizi, Packs, Chad VanGaalen and Enumclaw. Their debut album brings a darker and more introspective sound, dealing with themes of memory, grief and Buswa’s connection to her Indigenous identity and cultural practices. Produced by Scott ‘Monty’ Munro (Preoccupations) and Marlaena Moore, and with endless experimentation in the studio the band emerged with a confident debut album mixing drum machines and synths to compliment the energy of the live band. Continuing in this spirit of pushing their sound into a new direction, the band chose to work with legendary experimental drummer and composer Greg Saunier (Deerhoof) on mixing, and the album was mastered by Mikey Young (Total Control).

POUR ACHETER VOTRE BILLET, C’EST ICI!

Ce contenu provient de POP Montréal et est adapté par PAN M 360.

Latest 360 Content

They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II

They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

The Brooks – Live in Brazil

The Brooks – Live in Brazil

Meagan Milatz – Innig

Meagan Milatz – Innig

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Damian Nisenson – Lento

Damian Nisenson – Lento

Kaoru Watanabe – The Arch

Kaoru Watanabe – The Arch

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Charlotte Greve – Waterbodies

Charlotte Greve – Waterbodies

Ernesto Cervini Quartet – Water Pistols at Dawn

Ernesto Cervini Quartet – Water Pistols at Dawn

Sophianne Girard – Si vivante

Sophianne Girard – Si vivante

Tara Davidson’s Marni Project – The Reflection of an Echo

Tara Davidson’s Marni Project – The Reflection of an Echo

Susan Fancher/Ināra Zandmane – Strange Lights

Susan Fancher/Ināra Zandmane – Strange Lights

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers