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Le Vivier : Mathilde Côté: Suzanne Guité – Théâtre Musical Contemporain à l’Espace orange de l’Édifice Wilder

Tue 24 Nov 2026 • 07:30 pm / Wed 25 Nov 2026 • 07:30 pm théâtre musical
Espace Orange-Édifice Wilder - Montréal De 15$ à 35$
· by Rédaction PAN M 360

Entre théâtre et musique, le projet Suzanne Guité porté par la compositrice gaspésienne Mathilde Côté, met en lumière la vie, l’œuvre et la fougue de cette créatrice visionnaire. Suzanne Guité était une artiste gaspésienne, une femme d’idées, d‘images et de mots. Des années 1950 à 1980, elle a mené de front sa carrière d’artiste, produit sculptures, murales, aquarelles et œuvres textiles, dirigé un centre d’art à Percé et élevé 4 enfants entre le Mexique, l’Europe et la Gaspésie. Suite à son assassinat en 1981, elle est tombée dans l’oubli collectif, comme trop de femmes de son époque. Alors que l’année 2026 marque le centenaire de sa naissance, la compositrice Mathilde Côté lui rend un hommage poétique. On découvre Suzanne Guité à travers sa propre parole, incarnée par l’actrice et percussionniste Krystina Marcoux, Suzanne prend vie et se raconte. La pierre et le bois à sculpter deviennent des entités sonores en conversation avec l’artiste. On y parle d’art, d’amour et de maternité dans ce qu’ils ont de beau, de fort et de difficile.

Between theatre and music, the Suzanne Guité project, led by Gaspesian composer Mathilde Côté, brings to light the life, work and fervour of this visionary creator. Suzanne Guité was a Gaspesian artist, a woman of ideas, images and words. From the 1950s to the 1980s, she pursued her career as an artist on all fronts — producing sculptures, murals, watercolours and textile works, directing an art centre in Percé and raising four children between Mexico, Europe and the Gaspé Peninsula. Following her murder in 1981, she fell into collective oblivion, like too many women of her time. As the year 2026 marks the centenary of her birth, composer Mathilde Côté pays her a poetic tribute. We discover Suzanne Guité through her own words: embodied by actress and percussionist Krystina Marcoux, Suzanne comes to life and tells her own story. The stone and wood awaiting the sculptor’s hand become sonic entities in conversation with the artist. The work speaks of art, of love and of motherhood — in all that is beautiful, powerful and difficult about them.

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Ce contenu provient de Le Vivier et est adapté par PAN M 360

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