Listings 360

Full listings 360
  • No results

FME : SHOW DE NUIT – Mary Shelley au sous-sol du Petit Théâtre du Vieux Noranda

Fri 29 Aug 2025 • 01:30 am Dance-Punk / Post-Punk
Sous-sol du Petit Théâtre du Vieux Noranda – 112 7e Rue - Rouyn-Noranda De 14$ à 280$
· by Rédaction PAN M 360

Mary Shelley est un groupe punk de Brooklyn à l’énergie débridée, qui transforme chaque prestation en invitation à danser, sauter, cogner ou simplement perdre le contrôle. Ce quatuor électrique brise les barrières de genre avec audace : leurs rythmes post-punk se mêlent à des influences disco, shoegaze, hip-hop et bien plus encore. Le résultat est un cocktail sonore imprévisible, où chaque morceau est unique, porté par une impulsion créative qui refuse toute répétition. Leur son rappelle à la fois l’urgence d’IDLES, l’excentricité de Talking Heads, la densité de Radiohead, l’intensité de Kendrick Lamar et même l’esprit libre de Dolly Parton ou Viagra Boys. Des critiques enthousiastes, comme The Deli ou Look At My Records!, célèbrent leur chaos (presque) contrôlé et leur charisme singulier. Sur scène, Mary Shelley enflamme les foules, qu’ils jouent dans une cave, une arrière-cour ou un théâtre de 500 places. Le groupe a tourné en Amérique du Nord, en Europe et au Royaume-Uni, notamment en première partie de Gogol Bordello, dont le chanteur Eugene Hütz a publié deux de leurs morceaux sur son label Casa Gogol Records. Mary Shelley, c’est du punk dansant, irrévérencieux et furieusement vivant.

Mary Shelley is Brooklyn’s genre-defying punk band known for turning chaos into groove. Fusing post-punk with dance rhythms, disco, shoegaze, hip-hop, and more, their shape-shifting sound channels raw energy and artistic spontaneity. Each track reinvents the band’s sonic identity, refusing formulas in favor of fearless exploration. Their inspirations stretch far and wide—from IDLES, Talking Heads, and Radiohead, to Kendrick Lamar, Dolly Parton, and Viagra Boys. Critics have embraced the band’s intensity and eccentricity: The Deli says their music “will probably make you wanna dance the pogo or smash things,” while Look At My Records! likens their energy to the “(barely) controlled chaos of The Birthday Party” with shades of Mark Mothersbaugh and Jim Morrison “on a triple shot red eye.” Their electrifying live shows have captivated audiences in basements, backyards, and major venues across North America, Europe, and the UK. A 2023 West Coast tour with Gogol Bordello helped elevate their reach, with frontman Eugene Hütz releasing two Mary Shelley songs on his Casa Gogol Records label. With infectious rhythms and irreverent lyrics that probe both human nature and their own absurdities, Mary Shelley offers punk you can dance to—fierce, unpredictable, and undeniably alive.

POUR ACHETER VOTRE BILLET, C’EST ICI!

Ce contenu provient du Festival de musique émergente et est adapté par PAN M 360

Latest 360 Content

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

The Brooks – Live in Brazil

The Brooks – Live in Brazil

Meagan Milatz – Innig

Meagan Milatz – Innig

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Damian Nisenson – Lento

Damian Nisenson – Lento

Kaoru Watanabe – The Arch

Kaoru Watanabe – The Arch

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Charlotte Greve – Waterbodies

Charlotte Greve – Waterbodies

Ernesto Cervini Quartet – Water Pistols at Dawn

Ernesto Cervini Quartet – Water Pistols at Dawn

Sophianne Girard – Si vivante

Sophianne Girard – Si vivante

Tara Davidson’s Marni Project – The Reflection of an Echo

Tara Davidson’s Marni Project – The Reflection of an Echo

Susan Fancher/Ināra Zandmane – Strange Lights

Susan Fancher/Ināra Zandmane – Strange Lights

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers