Listings 360

Full listings 360
  • No results

Descendents au MTelus

Sat 30 Aug 2025 • 07:30 pm college rock / Pop-Punk / Punk
MTELUS - Montréal De 63$ à 79$
· by Rédaction PAN M 360

Portés par le « rejet, la nourriture, le café, les filles, la pêche et encore la nourriture », les Descendents émergent au cœur de l’âge d’or de la scène punk de Los Angeles. Alliant la rage brute du hardcore à une sensibilité mélodique étonnamment marquée et à un humour pince-sans-rire souvent tourné vers l’autodérision, ils se démarquent nettement de leurs contemporains de la côte Ouest. Peu à peu, ils s’imposent comme l’un des groupes punk les plus durables et aimés de leur époque.
Bien que leur musique la plus emblématique semble célébrer leur propre immaturité, les Descendents ont aussi su évoluer, mûrir et continuer à créer des morceaux qui leur plaisent — et plaisent à leur public — bien au-delà de 2020. Leur premier album, Milo Goes to College (1982), reste leur chef-d’œuvre incontesté. Cool to be You (2004) marque un retour en force énergique et réussi, tandis que 9th & Walnut (2021) revisite leurs tout débuts, en redonnant vie à des chansons oubliées.

Fueled by “rejection, food, coffee, girls, fishing and food,” the Descendents sprang up during the halcyon days of the Los Angeles punk scene. Fusing the blind rage of hardcore with an unexpectedly wry, self-deprecating wit and a strong melodic sensibility that set them distinctly apart from their West Coast brethren, they gradually emerged as one of the most enduring and adored punk bands of their time.
While the band seemingly celebrated their own immaturity in their most iconic music, they also found a way to grow up and continue to make music that pleased themselves and their fans well past 2020. 1982’s Milo Goes to College was their first and most enduring masterpiece, 2004’s Cool to be You was a strong, lively reunion effort, and 2021’s 9th & Walnut looked back to their earliest days, revisiting a handful of forgotten songs.

POUR ACHETER VOTRE BILLET, C’EST ICI!

Ce contenu provient d’AllMusic et est adapté par PAN M 360

Latest 360 Content

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

The Brooks – Live in Brazil

The Brooks – Live in Brazil

Meagan Milatz – Innig

Meagan Milatz – Innig

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Damian Nisenson – Lento

Damian Nisenson – Lento

Kaoru Watanabe – The Arch

Kaoru Watanabe – The Arch

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Charlotte Greve – Waterbodies

Charlotte Greve – Waterbodies

Ernesto Cervini Quartet – Water Pistols at Dawn

Ernesto Cervini Quartet – Water Pistols at Dawn

Sophianne Girard – Si vivante

Sophianne Girard – Si vivante

Tara Davidson’s Marni Project – The Reflection of an Echo

Tara Davidson’s Marni Project – The Reflection of an Echo

Susan Fancher/Ināra Zandmane – Strange Lights

Susan Fancher/Ināra Zandmane – Strange Lights

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers