Listings 360

Full listings 360
  • No results

Born of Osiris au Théâtre Fairmount

Sat 28 Jun 2025 • 07:00 pm Deathcore / heavy metal / Melodic Death Metal
Théâtre Fairmount - Montréal 40,96$
· by Rédaction PAN M 360

Le groupe de metal progressif Born of Osiris, originaire de Chicago, est l’un des premiers groupes de deathcore des années 2000 à avoir abandonné ce genre au profit d’un mélange brutal mais envoûtant de death metal technique et de metalcore. Leur style se distingue par des duels de guitares virtuoses et des claviers quasi psychédéliques, influencés aussi bien par Judas Priest et Iron Maiden que par Helloween et Meshuggah. D’abord ancré dans le deathcore avec l’EP The New Reign (2007), le groupe évolue vers un son plus technique et mélodique avec Higher Place (2009), attirant un public grandissant. Ils ont placé quatre albums dans la première moitié du classement américain, dont Tomorrow We Die Alive (2013), qui a atteint la 27ᵉ place. Soul Sphere (2015) s’est hissé à la deuxième place des classements hard rock. En 2017, The Eternal Reign, une réinterprétation progressive et réenregistrée de The New Reign, a suscité autant d’éloges que de critiques. The Simulation (2019), un EP de 28 minutes censé être la première partie d’un diptyque, n’a finalement jamais eu de suite. Le groupe a sorti un album entièrement différent, Angel or Alien, en juillet 2021.

The Chicago-based progressive metal outfit Born of Osiris are known as one of the first deathcore acts from the 2000s to leave that genre behind in favor of a brutal yet alluring meld of technical death metal and metalcore filled with flashy twin-guitar leads and near-psychedelic keyboard adventures that owe as much to Judas Priest and Iron Maiden as they do Helloween and Meshuggah. Though they began as a typical deathcore band with 2007’s The New Reign EP, by 2009’s Higher Place, they’d all but abandoned that sound to focus on a more technically advanced, melodically astute, and brutally forceful approach. Its appeal garnered an ever-growing cadre of admirers. They have placed four albums in the upper half of the U.S. album chart, including 2013’s Tomorrow We Die Alive, which peaked at number 27. Subsequent titles like 2015’s Soul Sphere went to number two on the hard rock charts. 2017’s The Eternal Reign was a progressive, track-by-track re-recording of 2007’s The New Reign; it met with both high praise and withering criticism. 2019’s The Simulation was 28-minute EP that was reportedly the first of a two-part album, but it never materialized. An entirely different outing titled Angel or Alien appeared in July 2021.

POUR ACHETER VOTRE BILLET, C’EST ICI!

Ce contenu provient d‘AllMusic et est adapté par PAN M 360

Latest 360 Content

Tracks and Feel: Live Sports at Bar le Ritz PDB

Tracks and Feel: Live Sports at Bar le Ritz PDB

Status/Non-Status – Big Changes

Status/Non-Status – Big Changes

Pro Musica / Mélodînes | Piano four hands delight with La Fiammata

Pro Musica / Mélodînes | Piano four hands delight with La Fiammata

The Shits – Diet Of Worms

The Shits – Diet Of Worms

Poison Ruïn – Hymns From The Hills

Poison Ruïn – Hymns From The Hills

Crack Cloud – Peace And Purpose

Crack Cloud – Peace And Purpose

Grace Ives, extremely intimate and volatile

Grace Ives, extremely intimate and volatile

Grace Ives – Girlfriend

Grace Ives – Girlfriend

Grace Ives Is the Not So Shy ‘Girlfriend’

Grace Ives Is the Not So Shy ‘Girlfriend’

OperaM3F | When a jazz quartet meets versatile voices

OperaM3F | When a jazz quartet meets versatile voices

Geneviève Bilodeau – Rendre Grâce

Geneviève Bilodeau – Rendre Grâce

Valérie Lacombe: From Classical Violin to Jazz Drums

Valérie Lacombe: From Classical Violin to Jazz Drums

UdeM – Ultrasound | Florence Dubé, Allison Chidiac, Alexandre Hamel, Alexandre Vaillant, Florence Lafontaine, Olivier Martin-Fréchette, Charles Anthony Raymond-Plante, Jacob Boucher, Rafaël Bouthillette, Félix Gervais-Richard

UdeM – Ultrasound | Florence Dubé, Allison Chidiac, Alexandre Hamel, Alexandre Vaillant, Florence Lafontaine, Olivier Martin-Fréchette, Charles Anthony Raymond-Plante, Jacob Boucher, Rafaël Bouthillette, Félix Gervais-Richard

UdeM – Ultrasound | Aurélie Théroux Sénécale, Maurice du Berger, Zao Dinel, Platon Beliaevskin, Ziryab El Hihi, Ac Riznar, Alex Ronald Brisson, Matisse Charbonneau, Jaden Brown

UdeM – Ultrasound | Aurélie Théroux Sénécale, Maurice du Berger, Zao Dinel, Platon Beliaevskin, Ziryab El Hihi, Ac Riznar, Alex Ronald Brisson, Matisse Charbonneau, Jaden Brown

Nuits d’Afrique Productions | Zalam Kao, Grand Prize Winner of the Syli d’Or

Nuits d’Afrique Productions | Zalam Kao, Grand Prize Winner of the Syli d’Or

Codes d’Accès, Constellations corporelles | “Crowdwork” by Alexis Blais, for Violins, Viola, and Loudspeakers

Codes d’Accès, Constellations corporelles | “Crowdwork” by Alexis Blais, for Violins, Viola, and Loudspeakers

My New Band Believe – My New Band Believe

My New Band Believe – My New Band Believe

Anna Calvi – Is This All There Is – EP

Anna Calvi – Is This All There Is – EP

Courtney Barnett – Creature of Habit

Courtney Barnett – Creature of Habit

Codes d’accès, Constellations corporelles | “Assembly Line Apparitions” by Nicholas Ma

Codes d’accès, Constellations corporelles | “Assembly Line Apparitions” by Nicholas Ma

Krooked Kings, catchy human experience

Krooked Kings, catchy human experience

High Klassified & Zach Zoya Reunite: Misstape II

High Klassified & Zach Zoya Reunite: Misstape II

Ping Pong Go – Smash Combat

Ping Pong Go – Smash Combat

Holy Fuck – Event Beat

Holy Fuck – Event Beat

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers