Early Music / Traditional

Fête de la Musique 2025 | Love at first song for Ménestrel duo

by Frédéric Cardin

There are some encounters whose impact you can’t guess until you’ve experienced them. I didn’t know the Ménestrel duo, made up of Kerry Bursey (vocals and lute) and Janelle Lucyk (vocals and violin), before this concert of just under an hour on the small and intimate Deslauriers stage in the village of Tremblant. The duo has been active since 2019 and has crossed Canada in its entirety (its “13 provinces and territories”) playing from its repertoire: ancient music, whether folk or baroque, Renaissance, and medieval. In Tremblant, the two artists, partly based in Montreal, launched their program with a few folk songs (À la claire fontaine, Greensleeves, la Louison, Au mois de mai, etc.) played with exquisite finesse and refinement, which allowed them to continue further with a few Baroque gems (magnificent Frescobaldi and tender Monteverdi in a duet version of Si dolce il tormento, an air of such beauty that it could make you cry with happiness). The champion of all categories of lyrical tears, John Dowland, a big musical star of the Shakespearean era, also benefited from sensitive and delicate interpretations by the two artists. Both voices are very beautiful, Bursey’s tenor is easy, but above all Lucyk’s angelic soprano, which can enchant even the most demanding music lovers. No doubt that your humble servant will be closely watching Ménestrel’s next activities, because he will not be able to forget, like all the spectators present, the impressive quality of the performance heard on this little Sunday midday at the Festival of Music.

Classical / latino / Tango / Tango Nuevo

Fête de la musique de Tremblant 2024 | Piazzolla told in words and music

by Frédéric Cardin

At once didactic, playful and musically solid, cellist Dominique Beauséjour-Ostiguy and guitarist Christ Habib’s show Hommage à Piazzolla succeeds in making a history lesson on the life and career of the great composer/bandoneonist light and entertaining. Over the course of an hour, the two young artists use music to take us from the composer’s very beginnings (influenced by traditional tango, then jazz and finally very serious classical music) to his maturity, that of Tango Nuevo. Even if the two musicians’ presentations lack a little professionalism, the information offered and their relative conciseness have the advantage of adding a dose of meat around the bone for the many laymen, without making it academic. That said, the most remarkable thing there is the quality of the duo’s playing, particularly that of Beauséjour-Ostiguy. His technical ease, coupled with an intensely felt musicality, make him one of today’s finest young classical talents. Hats off, too, to Christ Habib, who expresses himself with a beautiful tactile delicacy.

Choral Music / Classical / Jazz / Musiques du Monde / Vocal Jazz

Fête de la musique de Tremblant 2024 | Beautiful flights of latino a capella singing

by Frédéric Cardin

Mikhaëlle Salazar is ‘Chilicoise’, as she says herself. The young woman of Chilean and Quebecois origin founded the Mikha.elles vocal quartet in 2020. Of course, the pandemic has meant that the group’s influence has only just begun. But the group is showing great potential to spread the word. What we heard on the Deslauriers stage at Tremblant’s Fête de la Musique on Saturday afternoon made a pleasant impression. The a capella quartet, made up of Mikhaëlle Salazar and her friends Marie-Neiges Harvey, Carmelle Gauvin and Judith Little-Daudelin, lead the listener through a repertoire of songs, original compositions and Latin folklore, set to harmonies bordering on jazz and supported by an onomatopoeic rhythm reminiscent of men’s barbershop ensembles. It’s elegant yet relaxed, an image reinforced by Mikhaëlle Salazar’s simple, engaging presence. The young ladies were among the first to launch the activities of this Fête de la Musique 2024, so they had to perform in the light rain, which only dried up a little later. The audience was nevertheless present and remained attentive, a sign that the quality was there.

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