Jazz

PAN M 360 at FIJM 2024 | Depth and emotion with Melissa Aldana

by Varun Swarup

At the Pub Molson stage last night, saxophonist Melissa Aldana delivered a performance that firmly established her as one of the leading saxophonists of her generation. Playing selections from her latest album, Echoes Of The Inner Prophet (2024), the evening showcased Aldana’s evolving artistry and her remarkable ability to channel profound emotion through her music, no matter how complex the underlying form.

From the moment she took to the stage, it was clear that the audience was in for something special. Her tenor saxophone playing was both assured and immensely expressive, displaying a maturity and depth that belied her age. The concert opened with the esoteric number “The Solitary Seeker”, whose enigmatic harmonies were gracefully navigated by the band, inviting the audience into Aldana’s introspective and richly textured musical world. There was a certain spirituality in the Chilean saxophonist’s playing, and you didn’t have to be a musician to appreciate it. The crowd responded enthusiastically to Aldana’s music, adding to the energy of the band, which included pianist Glenn Zaleski, drummer Kush Abadey and bassist Pablo Menares.

Their interplay was spot-on, with each musician contributing to a coherent, dynamic collective sound. Zaleski was in top form, elevating the compositions with his solos. Melissa Aldana is more than just a saxophonist; she’s also a conductor and composer. Her talent for creating tunes that foster a four-way conversation, where each voice is heard and valued, was commendable and a pleasure to behold.

photo: YouTube page of Serendignity

Jazz / Salsa

PAN M 360 at FIJM 2024 | Audrey Ochoa Quartet, a convincing groove

by Vitta Morales

The Audrey Ochoa quartet gave a very competent performance last evening at the Pub Molson stage. Highlights of the show include several selections from her latest album The Head of a Mouse which was well received here at PAN M 360. Notably, the quartet formation resulted in versions of these songs that were more bare-bones, but still effective. Additionally, Ochoa showed off her talent as a vocalist singing “I want you back” by the Jackson 5. There were, however, a few elements that stopped this good show from being a great one. 

When joking with the crowd, Ochoa comes across as rather clunky. Her voice also betrayed a nervousness when speaking that affected the vibe of her set. (Did someone forget to tell her that Montreal Jazz Fest was one of the happiest places on earth?)
This nervousness, fortunately, seemed to be completely forgotten as soon as Ochoa began to speak instead through her horn. When soloing, you can see she has a confidence coming from somewhere visceral; it would be nice for her to maintain that. 

Another nitpick of mine was the use of sheet music on stage by some of the musicians. I wasn’t under the impression that they were absolutely dependent on their charts but having them visible, along with music stands, created a barrier between audience and performer. It felt to me like I was watching a high-level rehearsal of interesting compositions and that a final dash of showmanship was missing. 

Finally, to my ears, the bassist and pianist didn’t nail the more salsa influenced moments of Ochoa’s music. It takes a while to learn salsa grooves with the proper inflections, and their interpretations lapsed into cruise ship level approximations at the worst of times. Only the drummer, besides Ochoa herself, seemed to have a decent command of Latin rhythms as the approximations percussion wise were quite serviceable and groovy. 

Regardless, I believe Ochoa has a lot of skill and it wouldn’t take much work on her end to transform her concerts into true events. I’m glad the prolific Edmontonian trombonist was able to make it to this year’s festival as it was a pleasure to review her eclectic music and see her abilities in a live setting. Here’s hoping she finds just a little bit of arrogance to match her prowess musically. 

photo: Artist Instagram page @audreyochotron

Jazz

International Jazz Festival: “Apéro Jazz Molson” – Donald Dogbo and Tevel Sela Quartet!

by Rédaction PAN M 360

The International Jazz Festival is back in Montreal this year for a 44th edition!

From June 27 to July 6, 2024, the “Apéro Jazz Molson” series, presented by Molson, features jazz artists from a wide range of aesthetics, all free of charge!

  • Donald Dogbo – Friday, July 5, 2024
  • Tevet Sela Quartet – Saturday, July 6, 2024

This content is from the official website of the International Jazz Festival of Montreal and is adapted by PAN M 360.

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