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	<title>Archives des 2026 - PAN M 360</title>
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		<title>Rémi Bolduc &#8211; Le Bolduc Groove Quintet</title>
		<link>https://panm360.com/en/records/remi-bolduc-le-bolduc-groove-quintet-nick-semenykhin-ira-coleman-rich-irwin-chantel-de-villiers-album-review-critique-jazz-montreal/</link>
		
		<dc:creator><![CDATA[Frédéric Cardin]]></dc:creator>
		<pubDate>Thu, 09 Apr 2026 00:39:13 +0000</pubDate>
				<category><![CDATA[Record Reviews]]></category>
		<guid isPermaLink="false">https://panm360.com/records/remi-bolduc-le-bolduc-groove-quintet-nick-semenykhin-ira-coleman-rich-irwin-chantel-de-villiers-album-review-critique-jazz-montreal/</guid>

					<description><![CDATA[<p>Rémi Bolduc is an ultra versatile saxophonist. He can, through a jazz framework solidly informed by the great rules of the genre, explore the rock, contemporary, Latin, Caribbean, funk, pop (and more) fringes that can rub against it. The Bolduc Groove Quintet showcases a journey into the heart of a coolness that moves with style [&#8230;]</p>
<p>L’article <a href="https://panm360.com/en/records/remi-bolduc-le-bolduc-groove-quintet-nick-semenykhin-ira-coleman-rich-irwin-chantel-de-villiers-album-review-critique-jazz-montreal/">Rémi Bolduc &#8211; Le Bolduc Groove Quintet</a> est apparu en premier sur <a href="https://panm360.com/en/">PAN M 360</a>.</p>
]]></description>
		
		
		
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		<title>Jazzlab Orchestra &#8211; Glissement du temps (Slip of Time)</title>
		<link>https://panm360.com/en/records/jazzlab-orchestra-glissement-du-temps-slip-of-time-effendi-critique-review-album-jazz-montreal/</link>
		
		<dc:creator><![CDATA[Frédéric Cardin]]></dc:creator>
		<pubDate>Tue, 07 Apr 2026 16:57:55 +0000</pubDate>
				<category><![CDATA[Record Reviews]]></category>
		<guid isPermaLink="false">https://panm360.com/records/jazzlab-orchestra-glissement-du-temps-slip-of-time-effendi-critique-review-album-jazz-montreal/</guid>

					<description><![CDATA[<p>It has been 20 years since the Jazzlab Orchestra, founded among others by doublebassist Alain Bédard, has been offering inventive, creative, and audacious jazz. (Glissement du temps, meaning Slip of Time) is another milestone of quality in the discography of the ensemble. Refined atonality, finely constructed and harnessed polyrhythm that induces a planned imbalance, polytonality [&#8230;]</p>
<p>L’article <a href="https://panm360.com/en/records/jazzlab-orchestra-glissement-du-temps-slip-of-time-effendi-critique-review-album-jazz-montreal/">Jazzlab Orchestra &#8211; Glissement du temps (Slip of Time)</a> est apparu en premier sur <a href="https://panm360.com/en/">PAN M 360</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>John Sweenie &#8211; Mysticism for Intellectuals</title>
		<link>https://panm360.com/en/records/john-sweenie-mysticism-for-intellectuals-album-jean-michel-pilc-remi-jean-leblanc-rich-irwin-bent-river-records-jazz-montreal/</link>
		
		<dc:creator><![CDATA[Frédéric Cardin]]></dc:creator>
		<pubDate>Mon, 06 Apr 2026 15:19:19 +0000</pubDate>
				<category><![CDATA[Record Reviews]]></category>
		<guid isPermaLink="false">https://panm360.com/records/john-sweenie-mysticism-for-intellectuals-album-jean-michel-pilc-remi-jean-leblanc-rich-irwin-bent-river-records-jazz-montreal/</guid>

					<description><![CDATA[<p>Some kinda Montreal invasion of Edmonton’s The Yardbird Suite jazz club happened a couple of months ago when tenor saxophonist John Sweenie and his fellow Montrealers (Jean-Michel Pilc on piano, Rémi-Jean Leblanc on bass and Rich Irwin on drums) recorded Mysticism for Intellectuals, a fantastically good and intelligent contemporary jazz album, tinged with some apathy-killing [&#8230;]</p>
<p>L’article <a href="https://panm360.com/en/records/john-sweenie-mysticism-for-intellectuals-album-jean-michel-pilc-remi-jean-leblanc-rich-irwin-bent-river-records-jazz-montreal/">John Sweenie &#8211; Mysticism for Intellectuals</a> est apparu en premier sur <a href="https://panm360.com/en/">PAN M 360</a>.</p>
]]></description>
		
		
		
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		<title>Angine de Poitrine &#8211; Vol. II</title>
		<link>https://panm360.com/en/records/angine-de-poitrine-vol-ii-album-review-critique-frederic-cardin/</link>
		
		<dc:creator><![CDATA[Frédéric Cardin]]></dc:creator>
		<pubDate>Fri, 03 Apr 2026 02:04:00 +0000</pubDate>
				<category><![CDATA[Record Reviews]]></category>
		<guid isPermaLink="false">https://panm360.com/records/angine-de-poitrine-vol-ii-album-review-critique-frederic-cardin/</guid>

					<description><![CDATA[<p>Everyone seems to be raving about Angine de Poitrine, especially about its avant-garde nature. I thought to myself that, being a subscriber to destabilising musical experiences (but not only, as you know if you follow the pace of my publications on all sorts of albums of all imaginable styles, or almost), I had to lend [&#8230;]</p>
<p>L’article <a href="https://panm360.com/en/records/angine-de-poitrine-vol-ii-album-review-critique-frederic-cardin/">Angine de Poitrine &#8211; Vol. II</a> est apparu en premier sur <a href="https://panm360.com/en/">PAN M 360</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Angine de Poitrine &#8211; Vol. II</title>
		<link>https://panm360.com/en/records/angine-de-poitrine-vol-ii/</link>
		
		<dc:creator><![CDATA[Alain Brunet]]></dc:creator>
		<pubDate>Fri, 03 Apr 2026 02:03:00 +0000</pubDate>
				<category><![CDATA[Record Reviews]]></category>
		<guid isPermaLink="false">https://panm360.com/?post_type=records&#038;p=155595</guid>

					<description><![CDATA[<p>A standout appearance at the Rencontres Trans Musicales in Rennes, an audio-visual recording broadcast by the famous American website KEXP, a global craze on music websites, all the way to national recognition on the show Tout le monde en parle… and the ensuing public schism—a spectacular cultural divide between enthusiastic fans and unabashed morons. Beyond [&#8230;]</p>
<p>L’article <a href="https://panm360.com/en/records/angine-de-poitrine-vol-ii/">Angine de Poitrine &#8211; Vol. II</a> est apparu en premier sur <a href="https://panm360.com/en/">PAN M 360</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Angine de Poitrine &#8211; Vol. II</title>
		<link>https://panm360.com/en/records/angine-de-poitrine-vol-ii-2/</link>
		
		<dc:creator><![CDATA[Simon Gervais]]></dc:creator>
		<pubDate>Fri, 03 Apr 2026 02:01:00 +0000</pubDate>
				<category><![CDATA[Record Reviews]]></category>
		<guid isPermaLink="false">https://panm360.com/?post_type=records&#038;p=155598</guid>

					<description><![CDATA[<p>With the release of Vol. II, the enigmatic Saguenay-based Pythagorean-Cubist Dada mantra-rock duo, Angine de Poitrine, has cemented its status as a global phenomenon, propelled in particular by their performance at the Rencontres Trans Musicales in Rennes, which was broadcast by KEXP. While this music captivates with its familiar strangeness and technical precision, the extraterrestrials [&#8230;]</p>
<p>L’article <a href="https://panm360.com/en/records/angine-de-poitrine-vol-ii-2/">Angine de Poitrine &#8211; Vol. II</a> est apparu en premier sur <a href="https://panm360.com/en/">PAN M 360</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>KNLO &#8211; Le cash vaut rien</title>
		<link>https://panm360.com/en/records/knlo-le-cash-vaut-rien/</link>
		
		<dc:creator><![CDATA[Charles Zoula]]></dc:creator>
		<pubDate>Wed, 01 Apr 2026 12:18:57 +0000</pubDate>
				<category><![CDATA[Record Reviews]]></category>
		<guid isPermaLink="false">https://panm360.com/records/knlo-le-cash-vaut-rien/</guid>

					<description><![CDATA[<p>In a landscape where rap often oscillates between well-established commercial codes and a return to boom bap roots, KNLO offers a more difficult-to-categorize approach. Neither completely old school, nor truly underground, nor entirely driven by commercial logic, Le cash vaut rien (Cash is Worthless) is more of an alternative approach. Musically, the six tracks on [&#8230;]</p>
<p>L’article <a href="https://panm360.com/en/records/knlo-le-cash-vaut-rien/">KNLO &#8211; Le cash vaut rien</a> est apparu en premier sur <a href="https://panm360.com/en/">PAN M 360</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Slayyter &#8211; WOR$T GIRL IN AMERICA</title>
		<link>https://panm360.com/en/records/slayyter-wort-girl-in-america/</link>
		
		<dc:creator><![CDATA[Jake Friesen]]></dc:creator>
		<pubDate>Mon, 30 Mar 2026 18:05:30 +0000</pubDate>
				<category><![CDATA[Record Reviews]]></category>
		<guid isPermaLink="false">https://panm360.com/?post_type=records&#038;p=155481</guid>

					<description><![CDATA[<p>Slayyyter has been a main pillar of my musical universe since the release of &#8220;Mine&#8221; in 2019. Her unique blend of chronically online girly pop lyricism, nostalgia, and tooth-ache-inducing production has been imitated by many in the hyperpop scene but never replicated. I’ve wondered for a long time when Slayyyter would finally release an album [&#8230;]</p>
<p>L’article <a href="https://panm360.com/en/records/slayyter-wort-girl-in-america/">Slayyter &#8211; WOR$T GIRL IN AMERICA</a> est apparu en premier sur <a href="https://panm360.com/en/">PAN M 360</a>.</p>
]]></description>
		
		
		
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		<title>Esteban La Rotta &#8211; Orbus Ille Germanus : L’art du luth allemand au XVe siècle</title>
		<link>https://panm360.com/en/records/esteban-la-rotta-orbus-ille-germanus-lart-du-luth-allemand-au-xve-siecle-german-lute-15th-century-album-review-critique-atma-montreal/</link>
		
		<dc:creator><![CDATA[Frédéric Cardin]]></dc:creator>
		<pubDate>Sat, 28 Mar 2026 21:55:21 +0000</pubDate>
				<category><![CDATA[Record Reviews]]></category>
		<guid isPermaLink="false">https://panm360.com/records/esteban-la-rotta-orbus-ille-germanus-lart-du-luth-allemand-au-xve-siecle-german-lute-15th-century-album-review-critique-atma-montreal/</guid>

					<description><![CDATA[<p>It is not only an album of very beautiful music that the lutenist Esteban la Rotta offers us, but also a fascinating lesson in the history of the beginnings of solo lute music in Europe, somewhere around the end of the Middle Ages/beginning of the Renaissance. It was the Germans who, at that time, developed [&#8230;]</p>
<p>L’article <a href="https://panm360.com/en/records/esteban-la-rotta-orbus-ille-germanus-lart-du-luth-allemand-au-xve-siecle-german-lute-15th-century-album-review-critique-atma-montreal/">Esteban La Rotta &#8211; Orbus Ille Germanus : L’art du luth allemand au XVe siècle</a> est apparu en premier sur <a href="https://panm360.com/en/">PAN M 360</a>.</p>
]]></description>
		
		
		
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		<item>
		<title>Colin Stetson &#8211; Something Very Bad Is Going to Happen</title>
		<link>https://panm360.com/en/records/colin-stetson-something-very-bad-is-going-to-happen-album-review-critique-soundtrack-netflix-series/</link>
		
		<dc:creator><![CDATA[Frédéric Cardin]]></dc:creator>
		<pubDate>Sat, 28 Mar 2026 21:49:20 +0000</pubDate>
				<category><![CDATA[Record Reviews]]></category>
		<guid isPermaLink="false">https://panm360.com/records/colin-stetson-something-very-bad-is-going-to-happen-album-review-critique-soundtrack-netflix-series/</guid>

					<description><![CDATA[<p>The atmospheric horror and visceral suspense Netflix miniseries, produced by the creators of Stranger Things, features an appropriately unsettling soundtrack by Montreal&#8217;s Colin Stetson. From the outset, we are immersed in a dark and menacing atmosphere, made up of abstract electro textures. Listen to Welcome to the Family, and you&#8217;ll want to get a divorce [&#8230;]</p>
<p>L’article <a href="https://panm360.com/en/records/colin-stetson-something-very-bad-is-going-to-happen-album-review-critique-soundtrack-netflix-series/">Colin Stetson &#8211; Something Very Bad Is Going to Happen</a> est apparu en premier sur <a href="https://panm360.com/en/">PAN M 360</a>.</p>
]]></description>
		
		
		
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