{"id":86487,"date":"2022-12-30T06:29:19","date_gmt":"2022-12-30T11:29:19","guid":{"rendered":"https:\/\/panm360.com\/records\/programmateurs-de-concerts-leurs-meilleurs-albums-de-2022\/"},"modified":"2022-12-30T09:36:31","modified_gmt":"2022-12-30T14:36:31","slug":"programmateurs-de-concerts-leurs-meilleurs-albums-de-2022","status":"publish","type":"records","link":"https:\/\/panm360.com\/en\/records\/programmateurs-de-concerts-leurs-meilleurs-albums-de-2022\/","title":{"rendered":"Concert curators: their best albums of 2022"},"content":{"rendered":"\n

Concert halls and festivals programmers are the heroes behind the scenes, the ones you never see on stage but who make sure that the stages are always occupied by captivating and enchanting bands or artists. It’s a job that requires not only an in-depth knowledge of the current music scene, the one that’s worth the detour, the one that attracts both crowds and adventurous music lovers, but also an ability to negotiate with the teams of said bands and artists in order to convince them to come and visit us. These music curators spend a large part of their time attending concerts and of course listening to a lot of music. PAN M 360 approached some of them to share with us three of their favorite albums released in 2022.<\/strong><\/p>\n\n\n\n

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Meyer Billurcu \/ Blue Skies Turn Black<\/strong><\/p>\n\n\n\n

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President and co-founder of the production company Blue Skies Turn Black, in charge of the programming of the venue\/bar Le Ritz PDB. When it started in 2000, BSTB operated as both a label and a promotion company. In 2007, however, the label ceased operations so that BSTB could focus on concert promotion. Blue Skies Turn Black has become an essential part of the Montreal music scene, having collaborated with a wide range of international and local artists in venues of all sizes across the city.<\/strong><\/p>\n\n\n\n

Beach House<\/strong><\/p>\n\n\n\n

Once Twice Melody (February)
Sub Pop <\/strong><\/p>\n\n\n\n

Dream Pop<\/strong><\/p>\n\n\n\n