{"id":55868,"date":"2021-11-02T15:47:35","date_gmt":"2021-11-02T19:47:35","guid":{"rendered":"https:\/\/panm360.com\/?post_type=records&#038;p=55868"},"modified":"2021-11-02T15:47:39","modified_gmt":"2021-11-02T19:47:39","slug":"kyary-pamyu-pamyu-candy-racer","status":"publish","type":"records","link":"https:\/\/panm360.com\/en\/records\/kyary-pamyu-pamyu-candy-racer\/","title":{"rendered":"Kyary Pamyu Pamyu &#8211; Candy Racer"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">2021 marks ten years since teenaged Tokyo model and fashion blogger Kiriko Takemura adopted the stage name Kyary Pamyu Pamyu, and embarked on a musical career that would place her at the pinnacle of Japan\u2019s pop charts, and make her the international avatar of her hometown\u2019s notoriously anarchic and colourful fashion scene, centered in the Harajuku neighbourhood. The silly brilliance of Kyary Pamyu Pamyu isn\u2019t her work alone; like Madonna, what she lacks in true genius as a dancer or singer, she makes up for with a supernatural knack for assembling the right talent around her. The designers, directors and stylists who initially helped give form to the entity called KPP have been retained for the ten-year milestone, most notably her songwriter and producer Yasutaka Nakata, who had performed the same function for the trio Perfume, KPP \u2019s predecessors in J-pop preeminence. Nakata\u2019s formative years were clearly spent immersed in the multiculti mash-up of the fin-de-si\u00e8cle Shibuya-kei scene (ruled by the likes of Cornelius and Pizzicato 5), and he\u2019s taken that sensibility, fuel-injected it with arena-standard EDM punch, and generated a definitive J-pop sound.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Candy Racer<\/em>, Kyary\u2019s first album in three years and first on her own label KRK Lab, remains largely loyal to the winning formula, and not just in the unhealthy preoccupation with sugary sweets. \u201cGentenkaihi\u201d seems a direct echo of the wild piano-pop, the sense of Burt Bacharach gone berserk, that made \u201cFurosidation\u201d such a delight back in 2013. The melody of \u201cGum Gum Girl\u201d carries the self-aware faux-Asian kitsch flavour that\u2019s found in so many of her songs and videos. There are however some interesting new twists here, such as the aggressive abstraction of \u201cDodonpa\u201d. Overall, <em>Candy Racer<\/em> is a successful celebration of KPP\u2019s first ten years. The question that only the next ten can answer, though, is where does this artist, a flawless incarnation of the caprice and self-indulgence of youth, go from here? It will be fun to find out.<br><\/p>\n\n\n\n<iframe title=\"Spotify Embed: Candy Racer\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/1i5J264nc9xYsroDS3FTHx?utm_source=oembed\"><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>2021 marks ten years since teenaged Tokyo model and fashion blogger Kiriko Takemura adopted the stage name Kyary Pamyu Pamyu, and embarked on a musical career that would place her at the pinnacle of Japan\u2019s pop charts, and make her the international avatar of her hometown\u2019s notoriously anarchic and colourful fashion scene, centered in the [&hellip;]<\/p>\n","protected":false},"author":62,"featured_media":55869,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4571],"tags":[],"generale":[],"genre":[3148,3204],"annee":[6739],"pays":[3841],"label":[7393],"class_list":["post-55868","records","type-records","status-publish","format-standard","has-post-thumbnail","hentry","category-record-reviews","genre-edm-2","genre-j-pop-2","annee-2021-en","pays-japan-2","label-krk-lab-nippon-columbia"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - 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