{"id":5502,"date":"2019-12-11T12:20:36","date_gmt":"2019-12-11T17:20:36","guid":{"rendered":"https:\/\/panm360.com\/records\/la-saboteuse\/"},"modified":"2019-12-21T09:23:11","modified_gmt":"2019-12-21T14:23:11","slug":"la-saboteuse","status":"publish","type":"records","link":"https:\/\/panm360.com\/en\/records\/la-saboteuse\/","title":{"rendered":"La Saboteuse"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Bahraini-British trumpeter and band leader Yazz Ahmed came into her own with this consequential 2017 effort (The Wire\u2019s Jazz Album of the Year, among other accolades), introspective in its theme yet marvelously inquisitive and gregarious in practice. Tapping into her Arab roots and art-rock resume (which includes work with Radiohead), Ahmed adds to the vocabulary of new British jazz, following her caprices to some wondrous, even hallucinatory places. Mad Hatter and March Hare to her Alice are Lewis Wright on vibes and Shabaka Hutchings on bass clarinet, though Naadia Sherriff\u2019s dauntless Rhodes steals the show on the exquisite \u201cOrgan Eternal\u201d. The palpably feminine energy carries over to this year\u2019s <em>Polyhymnia<\/em>, which builds on a commission for London\u2019s Women of the World Festival \u2014 far larger in scale, with two dozen players on board, but frustratingly constrained in comparison.<\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2276699715\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/yazzahmed.bandcamp.com\/album\/la-saboteuse-2\">La Saboteuse by Yazz Ahmed<\/a><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>Bahraini-British trumpeter and band leader Yazz Ahmed came into her own with this consequential 2017 effort (The Wire\u2019s Jazz Album of the Year, among other accolades), introspective in its theme yet marvelously inquisitive and gregarious in practice. Tapping into her Arab roots and art-rock resume (which includes work with Radiohead), Ahmed adds to the vocabulary [&hellip;]<\/p>\n","protected":false},"author":62,"featured_media":0,"menu_order":2,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[],"tags":[2512],"generale":[3815,3814],"genre":[4176,4162],"annee":[3821],"pays":[3837],"label":[3717],"class_list":["post-5502","records","type-records","status-publish","format-standard","hentry","tag-top-360","generale-albums-en","generale-lire-en","genre-contemporary-jazz","genre-jazz-en-2","annee-2017-en","pays-united-kingdom","label-naim-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La Saboteuse - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/records\/la-saboteuse\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Saboteuse - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"Bahraini-British trumpeter and band leader Yazz Ahmed came into her own with this consequential 2017 effort (The Wire\u2019s Jazz Album of the Year, among other accolades), introspective in its theme yet marvelously inquisitive and gregarious in practice. Tapping into her Arab roots and art-rock resume (which includes work with Radiohead), Ahmed adds to the vocabulary [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/panm360.com\/en\/records\/la-saboteuse\/\" \/>\n<meta property=\"og:site_name\" content=\"PAN M 360\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/panm360\/\" \/>\n<meta property=\"article:modified_time\" content=\"2019-12-21T14:23:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/panm360.com\/wp-content\/uploads\/2019\/12\/Yazz-Ahmed-La-Saboteuse-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@PANM360\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/records\\\/la-saboteuse\\\/\",\"url\":\"https:\\\/\\\/panm360.com\\\/en\\\/records\\\/la-saboteuse\\\/\",\"name\":\"La Saboteuse - PAN M 360\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#website\"},\"datePublished\":\"2019-12-11T17:20:36+00:00\",\"dateModified\":\"2019-12-21T14:23:11+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/records\\\/la-saboteuse\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/panm360.com\\\/en\\\/records\\\/la-saboteuse\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/records\\\/la-saboteuse\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/panm360.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Albums\",\"item\":\"https:\\\/\\\/panm360.com\\\/en\\\/records\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"La Saboteuse\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/panm360.com\\\/en\\\/\",\"name\":\"PAN M 360\",\"description\":\"Le m\u00e9dia num\u00e9rique de la musique !\",\"publisher\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/panm360.com\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#organization\",\"name\":\"PAN M 360\",\"url\":\"https:\\\/\\\/panm360.com\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/panm360.com\\\/wp-content\\\/uploads\\\/2019\\\/12\\\/PAN-M360_Logo_RGB.jpg\",\"contentUrl\":\"https:\\\/\\\/panm360.com\\\/wp-content\\\/uploads\\\/2019\\\/12\\\/PAN-M360_Logo_RGB.jpg\",\"width\":1663,\"height\":631,\"caption\":\"PAN M 360\"},\"image\":{\"@id\":\"https:\\\/\\\/panm360.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/panm360\\\/\",\"https:\\\/\\\/x.com\\\/PANM360\",\"https:\\\/\\\/www.instagram.com\\\/panm360\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/panm360\\\/\",\"https:\\\/\\\/www.youtube.com\\\/channel\\\/UCHEFHd3UhIrV6EJ3ltzVKOA?view_as=subscriber\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"La Saboteuse - PAN M 360","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/panm360.com\/en\/records\/la-saboteuse\/","og_locale":"en_US","og_type":"article","og_title":"La Saboteuse - PAN M 360","og_description":"Bahraini-British trumpeter and band leader Yazz Ahmed came into her own with this consequential 2017 effort (The Wire\u2019s Jazz Album of the Year, among other accolades), introspective in its theme yet marvelously inquisitive and gregarious in practice. 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