{"id":5437,"date":"2019-12-11T12:20:30","date_gmt":"2019-12-11T17:20:30","guid":{"rendered":"https:\/\/panm360.com\/records\/lest-we-forget-what-we-came-here-to-do\/"},"modified":"2019-12-19T12:46:50","modified_gmt":"2019-12-19T17:46:50","slug":"lest-we-forget-what-we-came-here-to-do","status":"publish","type":"records","link":"https:\/\/panm360.com\/en\/records\/lest-we-forget-what-we-came-here-to-do\/","title":{"rendered":"Lest We Forget What We Came Here to Do"},"content":{"rendered":"\r\n<p class=\"wp-block-paragraph\">There\u2019s a surprising richness of content packed into the lean, tight sound of Sons of Kemet, a key act in London, U.K.\u2019s consequential jazz scene of the last decade. Concurrent dialogues converge here, one between Shabaka Hutching\u2019s frantic yet focused reed riffs and the hefty tuba grooves of the mighty Theon Cross, the other the interplay between dual drummers Tom Skinner and Seb Rochford. The topics on the table are post-colonial in persuasion, allusions to African diasporic precedents and prospects, particularly Caribbean. It\u2019s fierce and adamant music, expressed in the imperative, but with an undeniable optimism and confidence.<\/p>\r\n\r\n\r\n\r\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3239196474\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"http:\/\/sonsofkemet.bandcamp.com\/album\/lest-we-forget-what-we-came-here-to-do\">Lest We Forget What We Came Here To Do by Sons Of Kemet<\/a><\/iframe>\r\n","protected":false},"excerpt":{"rendered":"<p>There\u2019s a surprising richness of content packed into the lean, tight sound of Sons of Kemet, a key act in London, U.K.\u2019s consequential jazz scene of the last decade. Concurrent dialogues converge here, one between Shabaka Hutching\u2019s frantic yet focused reed riffs and the hefty tuba grooves of the mighty Theon Cross, the other the [&hellip;]<\/p>\n","protected":false},"author":62,"featured_media":0,"menu_order":2,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[],"tags":[2512],"generale":[3815,3814],"genre":[],"annee":[3816],"pays":[3837],"label":[3717],"class_list":["post-5437","records","type-records","status-publish","format-standard","hentry","tag-top-360","generale-albums-en","generale-lire-en","annee-2015-en","pays-united-kingdom","label-naim-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lest We Forget What We Came Here to Do - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/records\/lest-we-forget-what-we-came-here-to-do\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lest We Forget What We Came Here to Do - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"There\u2019s a surprising richness of content packed into the lean, tight sound of Sons of Kemet, a key act in London, U.K.\u2019s consequential jazz scene of the last decade. Concurrent dialogues converge here, one between Shabaka Hutching\u2019s frantic yet focused reed riffs and the hefty tuba grooves of the mighty Theon Cross, the other the [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/panm360.com\/en\/records\/lest-we-forget-what-we-came-here-to-do\/\" \/>\n<meta property=\"og:site_name\" content=\"PAN M 360\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/panm360\/\" \/>\n<meta property=\"article:modified_time\" content=\"2019-12-19T17:46:50+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/panm360.com\/wp-content\/uploads\/2019\/12\/Sons-of-Kemet-Lest-We-Forget-What-We-Came-Here-to-Do.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@PANM360\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/panm360.com\/en\/records\/lest-we-forget-what-we-came-here-to-do\/\",\"url\":\"https:\/\/panm360.com\/en\/records\/lest-we-forget-what-we-came-here-to-do\/\",\"name\":\"Lest We Forget What We Came Here to Do - PAN M 360\",\"isPartOf\":{\"@id\":\"https:\/\/panm360.com\/en\/#website\"},\"datePublished\":\"2019-12-11T17:20:30+00:00\",\"dateModified\":\"2019-12-19T17:46:50+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/panm360.com\/en\/records\/lest-we-forget-what-we-came-here-to-do\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/panm360.com\/en\/records\/lest-we-forget-what-we-came-here-to-do\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/panm360.com\/en\/records\/lest-we-forget-what-we-came-here-to-do\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/panm360.com\/en\/home-360\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Albums\",\"item\":\"https:\/\/panm360.com\/en\/records\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Lest We Forget What We Came Here to Do\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/panm360.com\/en\/#website\",\"url\":\"https:\/\/panm360.com\/en\/\",\"name\":\"PAN M 360\",\"description\":\"Le m\u00e9dia num\u00e9rique de la musique !\",\"publisher\":{\"@id\":\"https:\/\/panm360.com\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/panm360.com\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/panm360.com\/en\/#organization\",\"name\":\"PAN M 360\",\"url\":\"https:\/\/panm360.com\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/panm360.com\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/panm360.com\/wp-content\/uploads\/2019\/12\/PAN-M360_Logo_RGB.jpg\",\"contentUrl\":\"https:\/\/panm360.com\/wp-content\/uploads\/2019\/12\/PAN-M360_Logo_RGB.jpg\",\"width\":1663,\"height\":631,\"caption\":\"PAN M 360\"},\"image\":{\"@id\":\"https:\/\/panm360.com\/en\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/panm360\/\",\"https:\/\/x.com\/PANM360\",\"https:\/\/www.instagram.com\/panm360\/\",\"https:\/\/www.linkedin.com\/company\/panm360\/\",\"https:\/\/www.youtube.com\/channel\/UCHEFHd3UhIrV6EJ3ltzVKOA?view_as=subscriber\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Lest We Forget What We Came Here to Do - PAN M 360","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/panm360.com\/en\/records\/lest-we-forget-what-we-came-here-to-do\/","og_locale":"en_US","og_type":"article","og_title":"Lest We Forget What We Came Here to Do - PAN M 360","og_description":"There\u2019s a surprising richness of content packed into the lean, tight sound of Sons of Kemet, a key act in London, U.K.\u2019s consequential jazz scene of the last decade. 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