{"id":168339,"date":"2026-11-13T10:13:35","date_gmt":"2026-11-13T15:13:35","guid":{"rendered":"https:\/\/panm360.com\/records\/orchestre-filmharmonique-francis-choiniere-a-tribute-to-john-williams-atma-montreal\/"},"modified":"2026-11-13T10:15:34","modified_gmt":"2026-11-13T15:15:34","slug":"orchestre-filmharmonique-francis-choiniere-a-tribute-to-john-williams-atma-montreal","status":"publish","type":"records","link":"https:\/\/panm360.com\/en\/records\/orchestre-filmharmonique-francis-choiniere-a-tribute-to-john-williams-atma-montreal\/","title":{"rendered":"Orchestre FILMharmonique\/Francis Choini\u00e8re &#8211; A Tribute to John Williams"},"content":{"rendered":"\n<p class=\"has-medium-font-size wp-block-paragraph\">I will never say no to new recordings of John Williams&#8217; excellent music. Whether it is concert music (the composer has written magnificent concertos for practically every instrument in an orchestra), or, of course, from his vast catalogue of film music.<br><\/p>\n\n\n\n<iframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/4M8zjFrDyfc0tH4zYLMELu?utm_source=generator&#038;si=146e3162bf404fc3\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">I won&#8217;t turn my nose up at the meticulous quality of Francis Choini\u00e8re&#8217;s interpretations as the conductor of the FILMharmonique either. Take, for example, in the theme of <em>Jurassic Park<\/em>, the heartfelt crescendos, not forced, and the subtle nuances of strings, full of tenderness, the shorter pauses than usual in the brass motifs in the first part of the piece that intelligently lighten the message, in short, very beautiful ideas put forward by a conductor who understands his subject very well. Then those fine violin lines in the <em>Harry Potter<\/em> theme (and the bass trombone adding an amazing pedal!), or <em>Schindler&#8217;s List<\/em> played with sensitivity by the solo violin, and so on for the rest of the program.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">There is therefore nothing really to lament in this recording, except the program itself. All these themes, all these melodies, we have heard them time and time again. Especially if we are even slightly in love with film music. Yet, in each of these elaborate soundtracks, there are exceptional orchestral gems that remain far too confidential compared to the main themes, and which deserve much greater visibility.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Let&#8217;s take <em>Indiana Jones.<\/em> The famous march is always fun, but if we dug a little deeper, we could suggest the <em>Scherzo for Motorcycle and Orchestra<\/em> from the 3rd installment, Th<em>e Last Crusade,<\/em> a small masterpiece of less than three minutes of exciting orchestration, like a miniature concerto for orchestra that Williams enhances with an irrepressible pulse. Williams is probably the composer who knows best how to make a symphonic orchestra bounce, film composer or classical composer alike, without resorting to the methods of American Minimalism. In the same film, <em>Escape From Venice<\/em> is another example of swirling writing in which no desk has the right to rest for a moment.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">On the <em>Jaws<\/em> side, do you know the piece <em>Out to Sea\/The Shark Cage Fugue<\/em>? Trust me, you should. What other composer would dare to propose an authentic and spectacular fugue, in the rules of the art, to accompany a terrifying scene where we never see the monster in question? It is simply fabulous, and a thrilling piece. And then, in <em>Star Wars<\/em>, well, it would take another three full pages to list the gems. A few, off the top of my head: in <em>Episode IV<\/em>, the iconic <em>Binary Sunset<\/em>, the wild <em>The Land of the Sand People<\/em>, and the epic <em>The Last Battle<\/em>; in <em>Episode V<\/em>, <em>The Battle in the Snow<\/em> with its soaring tubas, crowned with elegant roughness, the exciting <em>Asteroid Field,<\/em> the Ravelian <em>City in the Clouds,<\/em> or even <em>Yoda and the Force<\/em>; then in <em>Episode VI<\/em>, <em>Into the Trap<\/em>, <em>The Forest Battle,<\/em> or the darkly hymnic <em>The Emperor<\/em>. I don&#8217;t even mention the other six episodes, written later, as we know.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">I could also continue with less spectacular films, like <em>Munich<\/em>, <em>Angela\u2019s Ashes, Dracula, The Fury, The Witches of Eastwick, Born on the Fourth of July, Hook, JFK, Sleepers, Catch Me if You Can<\/em>, and so on, for which he wrote wonders.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">In short, <em>A Tribute to John Williams<\/em> is well played, well recorded (indeed, hats off to the sound engineer) without a doubt. But since film music is no longer as snubbed as it was 20 or 30 years ago, please offer us new perspectives. There are plenty of them.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">A few Williams gems (enjoy):<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Lost World (From &quot;The Lost World: Jurassic Park&quot; Soundtrack)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/Yr4OmiKsNe4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Jaws - Out to sea - The shark cage Fugue - John Williams\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/KKXUzOsJJUQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Scherzo (From &quot;Indiana Jones and the Last Crusade&quot;)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/wLi6E3LRWJM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Battle in the Snow\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/nq7OfcXBmUc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Emperor\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/FvMtMfIr-sU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"End Credits\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/x6SYzttUS0g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Suite from &quot;Born on the Fourth of July&quot;: III. Massapequa... The Early Days\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/mwl_AZu9gis?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sleepers 01. Sleepers At Wilkinson\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/v84CGzo8UYE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>I will never say no to new recordings of John Williams&#8217; excellent music. Whether it is concert music (the composer has written magnificent concertos for practically every instrument in an orchestra), or, of course, from his vast catalogue of film music. I won&#8217;t turn my nose up at the meticulous quality of Francis Choini\u00e8re&#8217;s interpretations [&hellip;]<\/p>\n","protected":false},"author":775,"featured_media":168338,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false},"categories":[4571],"tags":[],"generale":[3815,3814],"genre":[3111,9949],"annee":[10592],"pays":[4040,3827],"label":[3591],"class_list":["post-168339","records","type-records","status-publish","format-standard","has-post-thumbnail","hentry","category-record-reviews","generale-albums-en","generale-lire-en","genre-classical","genre-musique-de-film-en","annee-2026-2","pays-canadaquebec-en","pays-united-states","label-atma-classique-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Orchestre FILMharmonique\/Francis Choini\u00e8re - A Tribute to John Williams - PAN M 360<\/title>\n<meta name=\"description\" content=\"la qualit\u00e9 soign\u00e9e des interpr\u00e9tations de Francis Choini\u00e8re \u00e0 la direction du FILMharmonique.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/records\/orchestre-filmharmonique-francis-choiniere-a-tribute-to-john-williams-atma-montreal\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Orchestre FILMharmonique\/Francis Choini\u00e8re - 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