{"id":157186,"date":"2026-04-27T18:15:58","date_gmt":"2026-04-27T22:15:58","guid":{"rendered":"https:\/\/panm360.com\/records\/kelzk-dlb-ii\/"},"modified":"2026-05-04T22:25:32","modified_gmt":"2026-05-05T02:25:32","slug":"kelzk-dlb-ii","status":"publish","type":"records","link":"https:\/\/panm360.com\/en\/records\/kelzk-dlb-ii\/","title":{"rendered":"Kelzk – DLB II"},"content":{"rendered":"\n

An identity that reveals itself without imposing itself<\/strong><\/p>\n\n\n\n

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The artistic direction of DLB II<\/em> perfectly illustrates this approach. Through the album cover\u2014a visual metaphor of an iceberg whose submerged portion reveals a rough diamond\u2014Kelzk conveys a powerful idea: that of an inner journey long hidden, now ready to emerge. This image echoes the impression she gives in interviews. A \u201cquiet strength.\u201d She doesn\u2019t seek to impose her identity with fanfare. She lets it take root gradually. And it is precisely this restraint that reinforces her credibility.<\/p>\n\n\n\n

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A diversity of sounds that creates a sense of cohesion<\/strong><\/p>\n\n\n\n

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Musically, DLB II<\/em> stands out for its rich blend of influences\u2014Afro R&B, bouyon, trap, and rap, with forays into Afrohouse sounds\u2014that flow seamlessly into one another. The album is instantly accessible. Despite the diversity of styles, the tracks flow naturally, without any breaks. It\u2019s a project that works just as well for focused listening as it does for background music\u2014in the car, on the go, or during everyday moments. Right from the introduction with \u201cAucun Traka,\u201d Kelzk sets the tone. The opening is laid-back, almost detached, in a vibe that at times recalls Missy Elliott\u2019s world, with that nonchalant yet controlled edge. A confidence that immediately establishes his presence.<\/p>\n\n\n\n

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Songs that embody her artistic range<\/strong><\/p>\n\n\n\n

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Among the standout tracks, \u201cTrop parl\u00e9,\u201d featuring Shah Frank, stands out as one of the project\u2019s highlights. Driven by an Afro-R&B aesthetic, the track captivates with its balance: smooth, danceable, with a fluid energy and a masterful performance. Kelzk\u2019s vocals are particularly masterful here\u2014calm yet powerful, carried by a restrained emotion. The choral treatment of certain passages adds extra depth, with resonances that evoke African influences in a modern approach. Taking a more energetic direction, \u201cTap\u201d blends bouyon and trap into a direct and effective formula. The track rests on a punchy rhythm and immediate energy, designed for movement. \u201cMona Lisa\u201d offers a more laid-back vibe, rooted in Afrohouse sounds. The track sets a nocturnal, almost introspective atmosphere, with ethereal textures and a hypnotic progression. Finally, \u201cRap prolifique,\u201d featuring Raccoon, brings the project back to a more rap-oriented foundation. The solid instrumental and the complementary flows allow both artists to deliver an effective and well-structured track.<\/p>\n\n\n\n

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A collaborative and polished production<\/strong><\/p>\n\n\n\n

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The project draws on several collaborations that enrich its various facets, notably with Shah Frank, Raccoon, Ya Cetidon, MADRiiNA, and David Campana. On the production side, names like Majosty, Fistoon, K.Status, and Agoldencoast help build a cohesive sound despite the diversity of influences. A large portion of the tracks was conceived organically, with writing and production developed simultaneously, reinforcing the fluidity of the whole.<\/p>\n\n\n\n

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With DLB II<\/em>, Kelzk has clearly reached a new milestone. The project confirms her ability to build a cohesive world, navigate between multiple styles, and assert her identity without overdoing it. Through this album and this interview, one thing becomes clear: Kelzk is moving forward with confidence, without rushing, driven by a solid vision. If this trajectory continues, she could quickly establish herself as one of the rising stars of rap and urban music in Montreal. An artist who doesn\u2019t have to raise her voice to be heard\u2014but who, little by little, is taking her rightful place.<\/p>\n\n\n\n

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