{"id":155794,"date":"2026-04-07T12:57:55","date_gmt":"2026-04-07T16:57:55","guid":{"rendered":"https:\/\/panm360.com\/records\/jazzlab-orchestra-glissement-du-temps-slip-of-time-effendi-critique-review-album-jazz-montreal\/"},"modified":"2026-04-07T14:28:42","modified_gmt":"2026-04-07T18:28:42","slug":"jazzlab-orchestra-glissement-du-temps-slip-of-time-effendi-critique-review-album-jazz-montreal","status":"publish","type":"records","link":"https:\/\/panm360.com\/en\/records\/jazzlab-orchestra-glissement-du-temps-slip-of-time-effendi-critique-review-album-jazz-montreal\/","title":{"rendered":"Jazzlab Orchestra &#8211; Glissement du temps (Slip of Time)"},"content":{"rendered":"\n<p class=\"has-medium-font-size wp-block-paragraph\">It has been 20 years since the Jazzlab Orchestra, founded among others by doublebassist Alain B\u00e9dard, has been offering inventive, creative, and audacious jazz. (<em>Glissement du temps<\/em>, meaning <em>Slip of Time<\/em>) is another milestone of quality in the discography of the ensemble. Refined atonality, finely constructed and harnessed polyrhythm that induces a planned imbalance, polytonality that eradicates any banality, impressionist touches that have something almost poetic\u2014this is the impressive specification of all the scholarly techniques made available to this all-star band &#8220;made in Montreal.&#8221;<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong><a href=\"http:\/\/www.dieseonze.com\/calendrier.php?l=fr\" target=\"_blank\" rel=\"noreferrer noopener\">ALBUM LAUNCH CONCERT ON APRIL 30 2026, AT DI\u00c8SE ONZE JAZZ CLUB, MONTREAL<\/a><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"JLO   Concert Bourgie 24 FPS   2 35 1 FINAL\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/lOyJfbhS_t0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">A dozen big names from the Montreal scene share the fates of the various pieces in the program. There are never fewer than five, often seven to nine, which creates a rich, generous sound space. The writing dares to embrace contemporaneity, particularly atonality, but does not dwell on it dogmatically. The necessity of groove, here airy yet firmly present, takes precedence over what could have become academicism.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Different atmospheres, dressed in very varied textures, are drawn in each piece, written by almost as many artists: Fran\u00e7ois Bourassa (excellent <em>Amigos<\/em>, well rooted in contemporary and scholarly hard bop), Gentiane MG (the pianist&#8217;s impressionistic sophistication is well recognised in <em>Murs de verre<\/em>), Erik Hove (alert and playful pen in <em>Outer Chamber<\/em>), Claire Devlin (superb <em>Night Bus<\/em>, perhaps my favourite of the album, which propels us at a sustained, pleasant pace into the nocturnal Montreal), Pierre de Bethmann (<em>EMT<\/em>, which means &#8220;at the same time,&#8221; and which skilfully overlays various textures) and Michel Lambert (two tracks: <em>Thanks Collier<\/em>, the most audacious of the lot, and the strange <em>La Mule<\/em>, which seems to sway like an indecisive animal).<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">We can only tip our hats very high to the exceptional quality of the ensemble and individual playing in this demanding program, even for the most formidable performers. Very great art, of high intellectual level, yes, but which can be listened to super well even by the rookiest ears of contemporary jazz.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">It should be noted that this album is a testament to Mario Allard&#8217;s very last solo recorded in studio, in <em>Murs de verre <\/em>by Gentiane MG. Allard left us suddenly in 2025. He was a legend in the Montreal jazz ecosystem.&nbsp;<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The album is released everywhere on April 10, but is already available on Bandcamp (see below). Note that the vinyl version includes four tracks, while the CD version has seven. Three other tracks from this recording will also be released later in the year, in the form of a complementary EP.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Mario Allard &#8211; Alto &amp; Bari Sax (1-3)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Annie Dominique &#8211; Alto, Soprano &amp; Tenor Sax,<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Bass Clarinet<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Claire Devlin &#8211; Soprano &amp; Tenor Sax<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Erik Hove &#8211; Alto Sax, Flute (4, 6, 7)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Jacques Kuba S\u00e9guin &#8211; Trumpet (1-3, 5)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Nicolas Riverin &#8211; Trumpet (4, 6, 7)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Thomas Morelli-Bernard &#8211; Trombone<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Michael Johancsik &#8211; Tenor Sax, Flute (6)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Fran\u00e7ois Bourassa &#8211; Piano (2, 3)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Marie-Fatima Rudolf &#8211; Piano (1, 4-7)<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Alain B\u00e9dard &#8211; Bass<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Michel Lambert &#8211; Drums<\/p>\n\n\n\n<iframe style=\"border: 0; width: 400px; height: 373px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2658947642\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/transparent=true\/\" seamless><a href=\"https:\/\/jazzlaborchestra.bandcamp.com\/album\/slip-of-time\">Slip of Time de Jazz Lab Orchestra<\/a><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>It has been 20 years since the Jazzlab Orchestra, founded among others by doublebassist Alain B\u00e9dard, has been offering inventive, creative, and audacious jazz. (Glissement du temps, meaning Slip of Time) is another milestone of quality in the discography of the ensemble. Refined atonality, finely constructed and harnessed polyrhythm that induces a planned imbalance, polytonality [&hellip;]<\/p>\n","protected":false},"author":775,"featured_media":155793,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4571],"tags":[],"generale":[3815,3814],"genre":[4176],"annee":[10592],"pays":[4040],"label":[5045],"class_list":["post-155794","records","type-records","status-publish","format-standard","has-post-thumbnail","hentry","category-record-reviews","generale-albums-en","generale-lire-en","genre-contemporary-jazz","annee-2026-2","pays-canadaquebec-en","label-effendi-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Critique\/Review - Jazzlab Orchestra - Glissement du temps (Slip of Time) - PAN M 360<\/title>\n<meta name=\"description\" content=\"Atonalit\u00e9 raffin\u00e9e, polyrythmie finement 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