{"id":15321,"date":"2020-04-02T00:58:00","date_gmt":"2020-04-02T04:58:00","guid":{"rendered":"https:\/\/panm360.com\/?post_type=records&#038;p=15321"},"modified":"2020-04-01T13:15:09","modified_gmt":"2020-04-01T17:15:09","slug":"katmandu-ivan-conti","status":"publish","type":"records","link":"https:\/\/panm360.com\/en\/records\/katmandu-ivan-conti\/","title":{"rendered":"Katmandu"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Formed a full half-century ago, Brazilian jazz-funk trio Azymuth have managed to remain not only relevant but perpetually au courant, seemingly by never taking themselves too seriously, subscribing to a philosophy of <em>samba doido<\/em> (\u201ccrazy samba\u201d). This principle extends to their solo efforts, like drummer Ivan \u201cMam\u00e3o\u201d Conti\u2019s tasty 2019 album <em>Poison Fruit<\/em>. \u201cKatmandu\u201d is an orphan track left over from those sessions, and that seems a bit of serendipity \u2013 the jam\u2019s so good, it merits its own release by name. Its EP is the second in a series of 12-inch EPs celebrating the silver anniversary of Far Out Recordings, a U.K. label that has assured a place for Brazilian grooves in the upscale clubs of Europe and North America. The remixes here are disappointing, only serving to diminish a sublime little number. \u201cKatmandu\u201d finds Conti\u2019s easy but energetic groove bedeviled by electronic hallucinations and nerve-wracking nocturnal noises, a ghostly chorus haunting the whole affair. The perfect sound for Halloween in the rainforest, let\u2019s say.<\/p>\n\n\n\n<iframe style=\"border: 0; width: 350px; height: 588px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=251921831\/size=large\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/ivanconti.bandcamp.com\/album\/katmandu\">Katmandu by Ivan Conti<\/a><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>Formed a full half-century ago, Brazilian jazz-funk trio Azymuth have managed to remain not only relevant but perpetually au courant, seemingly by never taking themselves too seriously, subscribing to a philosophy of samba doido (\u201ccrazy samba\u201d). This principle extends to their solo efforts, like drummer Ivan \u201cMam\u00e3o\u201d Conti\u2019s tasty 2019 album Poison Fruit. \u201cKatmandu\u201d is [&hellip;]<\/p>\n","protected":false},"author":62,"featured_media":15095,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4571],"tags":[],"generale":[3815,3814],"genre":[4007,3155,3195,4162,3210],"annee":[4573],"pays":[3838],"label":[5160],"class_list":["post-15321","records","type-records","status-publish","format-standard","has-post-thumbnail","hentry","category-record-reviews","generale-albums-en","generale-lire-en","genre-brazilian","genre-electronic","genre-house-2","genre-jazz-en-2","genre-jazz-funk-2","annee-2020-en","pays-brazil-2","label-far-out-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ivan Conti | Katmandu - PAN M 360 | Review<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/records\/katmandu-ivan-conti\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ivan Conti | Katmandu - PAN M 360 | Review\" \/>\n<meta property=\"og:description\" content=\"Formed a full half-century ago, Brazilian jazz-funk trio Azymuth have managed to remain not only relevant but perpetually au courant, seemingly by never taking themselves too seriously, subscribing to a philosophy of samba doido (\u201ccrazy samba\u201d). 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