{"id":150778,"date":"2025-12-30T09:24:54","date_gmt":"2025-12-30T14:24:54","guid":{"rendered":"https:\/\/panm360.com\/?post_type=records&p=150778"},"modified":"2026-01-02T10:20:14","modified_gmt":"2026-01-02T15:20:14","slug":"best-albums-of-2025-saya-gray-saya-2","status":"publish","type":"records","link":"https:\/\/panm360.com\/en\/records\/best-albums-of-2025-saya-gray-saya-2\/","title":{"rendered":"Best Albums of 2025 | Saya Gray – Saya"},"content":{"rendered":"\n

When we listen to certain albums, it can become immediately clear which songs are the singles and which songs are there to make up the numbers. This is very much not the case on Saya Gray\u2019s latest effort SAYA<\/em>, released in February of 2025. It is a project that does well to showcase an artist who has spent years honing her songwriting, and who really understands what makes a memorable pop hook. In preparation for writing about the album I genuinely had to look up the singles, because truthfully, any song on this album could have worked.<\/p>\n\n\n\n

Saya Gray spent a lot of her early career as a sidewoman, notably working as a touring bassist alongside Daniel Caesar and Liam Payne before she began releasing her own music. Her initial releases \u2013 the 2022 album 19 Masters<\/em> and the EP\u2019s QWERTY<\/em> and QWERTY II<\/em> released in 2023 and 2024 respectively \u2013 each feature just about as many contrasting sounds as anyone could reasonably expect on a single album or EP. Taken out of context the music can at times be difficult to parse, but the projects do operate on their own logic in a way that helps to create an interesting and unique atmosphere. With this in mind, I found myself surprised at the straight-forwardness of SAYA<\/em> on first listens. To be clear, this is not to the album\u2019s detriment; in fact, by stripping away some (not all) of the eclectic sonic range of her previous work, Gray has managed to put the spotlight on her songwriting prowess.<\/p>\n\n\n\n

So, where to start with highlights of the album? On an album pretty much devoid of lowlights, this is a difficult question. The opener, \u2018…THUS IS WHY ( I DON\u2019T SPRING 4 LOVE )\u2019 is, by Gray\u2019s standards, a fairly straight forward indie pop fare. It has plenty of memorable hooks and lush backing vocals, accompanied by some catchy guitar work. There is just a hint of influence from the early 2010\u2019s indie folk craze in there as well \u2013 something that is also present on \u2018SHELL ( OF A MAN )\u2019 \u2018PUDDLE ( OF ME )\u2019 and \u2018LIE DOWN..\u2019. In contrast, tracks like \u201810 WAYS ( TO LOSE A CROWN )\u2019 and \u2018H.B.W.\u2019 take the listener to entirely different places. Even on her most cohesive project to date, there are songs that, from the outside, don\u2019t seem as though they should go together. What makes everything tick, however, is that on every track, Saya Gray sounds unmistakably like herself.<\/p>\n\n\n\n