{"id":135606,"date":"2025-04-01T15:07:38","date_gmt":"2025-04-01T19:07:38","guid":{"rendered":"https:\/\/panm360.com\/records\/molecule-orchestre-national-de-lille-alexandre-bloch-dir-symphonie-no-1-quantique-alpha\/"},"modified":"2025-04-02T13:33:44","modified_gmt":"2025-04-02T17:33:44","slug":"molecule-orchestre-national-de-lille-alexandre-bloch-dir-symphonie-no-1-quantique-alpha","status":"publish","type":"records","link":"https:\/\/panm360.com\/en\/records\/molecule-orchestre-national-de-lille-alexandre-bloch-dir-symphonie-no-1-quantique-alpha\/","title":{"rendered":"Mol\u00e9cule\/Orchestre national de Lille; Alexandre Bloch, dir. &#8211; Symphonie no 1 \u2018\u2019quantique\u2019\u2019"},"content":{"rendered":"\n<p class=\"has-medium-font-size wp-block-paragraph\">The crossover between DJing and symphonic music is not always a happy one, far from it. All too often, it ends up with an orchestral framework supported by beats and vaguely impressionistic colourings. I&#8217;m not saying it&#8217;s unpleasant or even bad, but you don&#8217;t often get the impression of going very deep into the exchange.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">This <em>Symphonie no 1 \u2018\u2019quantique\u2018\u2019<\/em> by French electro artist, producer and DJ Romain De La Haye-Serafini, aka Mol\u00e9cule, dares to dig deeper. Here, electro is not used to provide a techno-pop pulse but to serve as a palette of colours and textures that evolve throughout the work, moulding themselves to the orchestral plasticity like a new instrument.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mol\u00e9cule: Symphonie N\u00b0 1 &quot;Quantique&quot;\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/vi7vu0WgPJM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">A true post-modern expression, this \u2018molecular\u2019 symphony constructs an abstract narrative that is intuitively coherent in its unfolding through a vast array of modern and contemporary stylistic tools. We hear spectralism, impressionism, cinematic romanticism, experimental asperities, etc.\u00a0<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The \u2018artificial\u2019 sounds are in fact very natural, having been captured in situ (on the Atlantic Ocean and in Greenland, among other places) by the composer. He then reworks them entirely in the studio, manipulating them, changing their register and texture, and so on. They become simple echoes, evanescent spectres of their initial nature, and brand-new tools that allow him to colour his score unexpectedly.\u00a0<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">The result is carefully constructed, with an exciting attention to narrative quality. A whole spectrum of images unfolds before us, or at least in our receptive minds. Some are colourful abstractions, like a field of shimmering particles, others evoke space travel and still others a vaguely undulating terrestrial nature.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">A few explicit quotations from <em>Jupiter <\/em>in Gustav Holst&#8217;s <em>The Planets<\/em> imperiously bring the listener back to the composer&#8217;s musical language&#8217;s \u2018cosmic\u2019 and cinematic nature.\u00a0<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Even if it is sometimes difficult to differentiate between what is electronic and what is acoustic, it is nevertheless easy to deduce the high instrumental and timbral quality of the Orchestre de Lille, under the meticulous direction of Alexandre Bloch.&nbsp;<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">A true symphony for the 21st century, both sophisticated and accessible, and above all an immense pleasure to listen to.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mol\u00e9cule: Symphonie N\u00b0 1 &quot;Quantique&quot;\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=OLAK5uy_lPCQlaiotVAgvBGKYh9lNQpq-6bC3y4YM\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The crossover between DJing and symphonic music is not always a happy one, far from it. All too often, it ends up with an orchestral framework supported by beats and vaguely impressionistic colourings. I&#8217;m not saying it&#8217;s unpleasant or even bad, but you don&#8217;t often get the impression of going very deep into the exchange. [&hellip;]<\/p>\n","protected":false},"author":775,"featured_media":135605,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4571],"tags":[],"generale":[3815,3814],"genre":[3122,8088],"annee":[9819],"pays":[3829],"label":[5066],"class_list":["post-135606","records","type-records","status-publish","format-standard","has-post-thumbnail","hentry","category-record-reviews","generale-albums-en","generale-lire-en","genre-contemporary","genre-electronique-2-en","annee-2025-2-en","pays-france-en","label-alpha-classics-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mol\u00e9cule\/Orchestre national de Lille; Alexandre Bloch, dir. - Symphonie no 1 \u2018\u2019quantique\u2019\u2019 - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/records\/molecule-orchestre-national-de-lille-alexandre-bloch-dir-symphonie-no-1-quantique-alpha\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mol\u00e9cule\/Orchestre national de Lille; Alexandre Bloch, dir. - Symphonie no 1 \u2018\u2019quantique\u2019\u2019 - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"The crossover between DJing and symphonic music is not always a happy one, far from it. 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