{"id":12916,"date":"2020-03-09T15:05:02","date_gmt":"2020-03-09T19:05:02","guid":{"rendered":"https:\/\/panm360.com\/records\/mozart-concertos-pour-piano-no-22-et-24\/"},"modified":"2020-03-09T15:14:53","modified_gmt":"2020-03-09T19:14:53","slug":"mozart-concertos-pour-piano-no-22-et-24","status":"publish","type":"records","link":"https:\/\/panm360.com\/en\/records\/mozart-concertos-pour-piano-no-22-et-24\/","title":{"rendered":"Mozart: Piano Concertos Nos. 22 &#038; 24"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">After collaborating with Kent Nagano and the MSO on the two Chopin concertos, Montreal pianist Charles Richard-Hamelin tackles two of Mozart&#8217;s most important concertos, this time in association with Jonathan Cohen, conductor of Les Violons du Roy and a specialist in early music renowned for his historically informed musical practices. One of the composer&#8217;s longest, Concerto No. 22 is also the first of the series of great Viennese concertos to incorporate the clarinet into the orchestra, while Concerto No. 24 is, along with No. 20, the only one in this production to be in a minor key \u2013 a rarity. The latter&#8217;s dramatic and sombre character is matched by the energetic gaiety and lyricism of the former, whose connections with the overture to the opera <em>Le nozze di Figaro<\/em>, composed the same year, are undeniable. Also worthy of mention are the cadenzas of the concertos, unique and composed by Charles Richard-Hamelin.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5UTTsn1tx5sQfAVnAGsUY3\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>After collaborating with Kent Nagano and the MSO on the two Chopin concertos, Montreal pianist Charles Richard-Hamelin tackles two of Mozart&#8217;s most important concertos, this time in association with Jonathan Cohen, conductor of Les Violons du Roy and a specialist in early music renowned for his historically informed musical practices. One of the composer&#8217;s longest, [&hellip;]<\/p>\n","protected":false},"author":1466,"featured_media":0,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4322,4571],"tags":[],"generale":[3815,3814],"genre":[3111],"annee":[4573],"pays":[4040],"label":[3580],"class_list":["post-12916","records","type-records","status-publish","format-standard","hentry","category-listings-360","category-record-reviews","generale-albums-en","generale-lire-en","genre-classical","annee-2020-en","pays-canadaquebec-en","label-analekta-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mozart: Piano Concertos Nos. 22 &amp; 24 - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/records\/mozart-concertos-pour-piano-no-22-et-24\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mozart: Piano Concertos Nos. 22 &amp; 24 - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"After collaborating with Kent Nagano and the MSO on the two Chopin concertos, Montreal pianist Charles Richard-Hamelin tackles two of Mozart&#8217;s most important concertos, this time in association with Jonathan Cohen, conductor of Les Violons du Roy and a specialist in early music renowned for his historically informed musical practices. One of the composer&#8217;s longest, [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/panm360.com\/en\/records\/mozart-concertos-pour-piano-no-22-et-24\/\" \/>\n<meta property=\"og:site_name\" content=\"PAN M 360\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/panm360\/\" \/>\n<meta property=\"article:modified_time\" content=\"2020-03-09T19:14:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/panm360.com\/wp-content\/uploads\/2020\/03\/charles-richard-hamelin-mozart-piano-concertos-22-24.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"840\" \/>\n\t<meta property=\"og:image:height\" content=\"840\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@PANM360\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/panm360.com\/en\/records\/mozart-concertos-pour-piano-no-22-et-24\/\",\"url\":\"https:\/\/panm360.com\/en\/records\/mozart-concertos-pour-piano-no-22-et-24\/\",\"name\":\"Mozart: Piano Concertos Nos. 22 & 24 - PAN M 360\",\"isPartOf\":{\"@id\":\"https:\/\/panm360.com\/en\/#website\"},\"datePublished\":\"2020-03-09T19:05:02+00:00\",\"dateModified\":\"2020-03-09T19:14:53+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/panm360.com\/en\/records\/mozart-concertos-pour-piano-no-22-et-24\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/panm360.com\/en\/records\/mozart-concertos-pour-piano-no-22-et-24\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/panm360.com\/en\/records\/mozart-concertos-pour-piano-no-22-et-24\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/panm360.com\/en\/home-360\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Albums\",\"item\":\"https:\/\/panm360.com\/en\/records\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Mozart: Piano Concertos Nos. 22 &#038; 24\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/panm360.com\/en\/#website\",\"url\":\"https:\/\/panm360.com\/en\/\",\"name\":\"PAN M 360\",\"description\":\"Le m\u00e9dia num\u00e9rique de la musique !\",\"publisher\":{\"@id\":\"https:\/\/panm360.com\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/panm360.com\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/panm360.com\/en\/#organization\",\"name\":\"PAN M 360\",\"url\":\"https:\/\/panm360.com\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/panm360.com\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/panm360.com\/wp-content\/uploads\/2019\/12\/PAN-M360_Logo_RGB.jpg\",\"contentUrl\":\"https:\/\/panm360.com\/wp-content\/uploads\/2019\/12\/PAN-M360_Logo_RGB.jpg\",\"width\":1663,\"height\":631,\"caption\":\"PAN M 360\"},\"image\":{\"@id\":\"https:\/\/panm360.com\/en\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/panm360\/\",\"https:\/\/x.com\/PANM360\",\"https:\/\/www.instagram.com\/panm360\/\",\"https:\/\/www.linkedin.com\/company\/panm360\/\",\"https:\/\/www.youtube.com\/channel\/UCHEFHd3UhIrV6EJ3ltzVKOA?view_as=subscriber\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Mozart: Piano Concertos Nos. 22 & 24 - PAN M 360","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/panm360.com\/en\/records\/mozart-concertos-pour-piano-no-22-et-24\/","og_locale":"en_US","og_type":"article","og_title":"Mozart: Piano Concertos Nos. 22 & 24 - PAN M 360","og_description":"After collaborating with Kent Nagano and the MSO on the two Chopin concertos, Montreal pianist Charles Richard-Hamelin tackles two of Mozart&#8217;s most important concertos, this time in association with Jonathan Cohen, conductor of Les Violons du Roy and a specialist in early music renowned for his historically informed musical practices. 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